Kemp kimberly (34 resultados)

Condición: New.

Mass Market Paperback. Condición: Good. foxing to page edges, age toned, reading creased, number stamped on bottom page edges.

Soft cover. Condición: Very Good. PBO (Paperback Original) True First Ed. Draw the Blinds by Kimberly Kemp /// Surprise, Surprise by Frank Graham; 219 page (adult material) ."Two women who were accustomed to getting everything they wanted!" >>> Cover scuffing & creasing; curl to paper spine; Size: 12mo - over 6¾" - 7¾" Tall. GGA Good-Girl-Art PHOTO Cover; (ilustrador). Book. …

Paperback. ORIGINAL first edition. 338, very good , creases (Straight Novel + Lesbian Novel), paperback.

paperback. Condición: Acceptable, reading copy. Vintage, lesbian paperback.

paperback. Three books in one! Vintage, lesbian sleaze. Very good-, tanned, rubbing, edge chipping, creasing.

Soft cover. Condición: Near Fine. 1st Edition. Two paperback originals. Early "sleaze" novels. Near fine.

Soft cover. Condición: Very Good. No Jacket. 2nd Edition. A Very Good copy of this 2nd printing PBO. IB.

Soft cover. Condición: Very Good to Fine. First Edition By This Publisher. STRICTLY ADULTS ONLY !! *** 2 complete novels in one book 250 pages IMMORAL by Jason Hytes // FORBIDDEN by Kimberly Kemp >> Very RARE Title; >> cover creasing. GGA - Good Girl Art - PHOTO Cover. (ilustrador). Book.

Mass Market Paperback. Condición: Very Good (faults). Midwood F141. Front cover corner clipped. Book store handstamp ffep.

Soft cover. Condición: Very Good. Very Good. The book shows average wear commensurate with age, handling, and the vintage mass-market format. Covers are intact, the spine is solid, and the pages remain well-preserved for display. A highly presentable, collectible copy.

paperback. They came to the resort not only to lose weight but also to find other women with strange and secret frustrations. Vintage, lesbian paperback. Very good, minor creasing, tanning, sunned spine.

Decorated Wraps. Condición: Near Fine. No Jacket. Midwood Paperback #37-153, 1968, 3 adult novels in one paperback, scarce in near fine condition.

paperback. Vintage lesbian sleaze. Very good+ tanned, appears unread, spot to cover.

paperback. Bert and Libby were bored with their marriage, so they took separate vacations. He went to the seashore, she to the mountains. Libby spent her time learning the ins and outs of Lesbianism, and discovering that three in a bed was not one too many - especially if the other two were women who knew their angles. Vintage paperback. Very good+, book is tanned and appears unread.…

Paperback. +. 34-277 near fine, unread photo cover. lesbian paperback.

Paperback. Condición: Very Good. Book has light wear to corners, light toning to spine and back, three small letters in ink at top of spine (also a blue zero in middle of spine), some pen marks at top edge of first page. otherwise book is clean and attractive with a solid binding and clean pages. Quite nice overall. Photos on request. …

paperback. Vintage lesbian paperback. Very good, tanning, creasing, shelf wear.

Paperback. Condición: Very Good. Book has slight wear to corners, a few light white spots to textblock, some creases to spine along with light toning. otherwise book is clean and attractive with a solid binding and clean pages. Photos on request.

Soft cover. Condición: Good. 2nd Edition. Party Time by Kimberly Kemp. Paul Rader (ilustrador).

219 pp + ads. Two erotic novels. "Two women who were accustomed to getting everything they wanted!" Victims and victimizers, shamed and shameless, they lived lives of avarice and devious viciousness; taken advantage of and plotting their revenge in scintillating & sordid scenes of sin. 34-737. Paperback. Light shelfwear. Very good. …

paperback. Vintage lesbian sleaze. Very good+, beautiful cover, minor edge wear, tanned pages, appears unread. Cover art by Paul Rader (ilustrador).

paperback. Vintage, lesbian sleaze. Very good, tanned, light cover crease, ink marks at the corner of some pages to rate the material. Cover illustration by Paul Rader (ilustrador).

Soft cover. Condición: As New. PBO (Paperback Original) True First Ed. 156 PAGES. >>>> Lesbianism; PBO / Paperback Original; Paul RADER Lesbians with NUDE Girl GGA/ Good Girl Art Painted cover; SCARCE; ) >>> Very RARE title & highly collectible early Lesbiana >> Very Nice unread copy. Size: 12mo - over 6¾" - 7¾" Tall. RADER Nude GGA {Good Girl Art} Painted Cover! (ilustrador). Book. …

paperback. Vintage lesbian paperback. Very good+, slightly cocked spine, tanned and appears unread. Cover art by Paul Rader (ilustrador).

Soft cover. Condición: As New. No Jacket. KEMP, Kimberly [155] pp. Tower Publications, Inc. 1963 7 1/8" x 4 1/4" Nothing to Lose by Kimberly Kemp is a vintage pulp paperback, often found as a gay-interest or sleaze novel from the 1960s, published by Midwood/Tower Publications, distinct from Christy Reece's modern Grey Justice series with a similar title, focusing on themes of survival and desire with its protagonist on the run.…

paperback. Three women in a triangle of passion! Vintage lesbian paperback. Very good+, unread copy that is tanned. Cover art by Paul Rader (ilustrador).

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

First Edition. Kemp, Kimberly and Mayo, Dallas. Lesbian pulp novel collection, 1962-1966, documents mid-twentieth-century commercial fiction centered on same-sex desire, produced within the constraints and conventions of American mass-market publishing. These works support research into LGBTQ+ representation, gender roles, and the commodification of lesbian identity in popular literature during a period when explicit depictions were often coded, sensationalized, or framed for heterosexual audiences. The material illustrates how pulp fiction functioned as a cultural space where taboo subjects could circulate, shaping both public perception and private readership of lesbian themes. Kemp, Kimberly; Mayo, Dallas. Collection of 3 mass-market paperback novels. New York: Tower Publications, 1962-1966. Includes: [1] Kemp, Kimberly. Illicit Interlude. 1963. First edition. 192 pages. Cover illustration depicts a man embracing a blonde woman, contrasting with the novel's internal exploration of same-sex encounters during separate vacations, promoted with the tagline "She was a strange woman.who could yield her flesh to a man-and wish he were a woman." [2] Kemp, Kimberly. Pleasant Company. 1966. Second edition of Illicit Interlude. 192 pages. Cover features a woman in a fur coat against a wood-toned background, with the tagline "She knew how to set a man at ease," emphasizing heteronormative framing despite underlying lesbian themes. [3] Mayo, Dallas. Voluptuous Voyage. 1962. First edition. 192 pages. Cover art shows two women aboard a ship, one gazing toward the ocean while another looks on, visually foregrounding female relationships within a travel narrative context. All volumes measure approximately 4.25 x 7 inches and feature illustrated wrappers characteristic of mid-century pulp publishing, with bold taglines and suggestive imagery designed for commercial appeal. These novels emerged during a period when LGBTQ+ identities were marginalized in mainstream publishing, and pulp paperbacks provided one of the few widely accessible formats for such content. Publishers like Tower capitalized on sensational themes while navigating censorship and market expectations, often presenting lesbian relationships through ambiguity or moral framing. Despite these constraints, such works circulated widely and contributed to the visibility of same-sex desire in popular culture. The reuse and retitling of Illicit Interlude as Pleasant Company reflects marketing strategies within the pulp industry. Minor wear consistent with handling; overall very good condition. A representative grouping illustrating the intersection of sexuality, commerce, and narrative form in mid-century American pulp fiction.…

Kemp, Kimberly. Lesbian pulp paperback archive, 1964 to 1966, documents mid-20th-century commercial representations of lesbian identity within mass-market publishing, providing evidence of how same-sex desire was framed, marketed, and circulated in the absence of broader public discourse. Issued by Midwood Books, these works contributed to a body of literature that shaped popular and internalized understandings of lesbian relationships, often combining sensationalism with coded or explicit depictions of intimacy. The archive supports research into LGBTQ+ cultural history, pulp publishing practices, and the construction of lesbian identity in pre-Stonewall American media. Collection of 4 mass market paperbacks published in New York by Midwood between 1964 and 1966, all attributed to Kimberly Kemp, a pseudonymous author. The group includes: [1] The Houseguest. New York: Midwood, 1964. First edition, first printing. Cover tagline reads: "She was like a magnet, a temptation as strong as the strange hungers she had so deliberately awakened," accompanied by artwork depicting two women in an intimate domestic setting. [2] A World All Their Own. New York: Midwood, 1964. First edition, first printing. Tagline reads: "More than just roommates, they shared an intimacy that society scorned," with cover illustration emphasizing physical admiration between two women. [3] Party Time. New York: Midwood, 1964. Second printing. Tagline reads: "Beautiful and bored with men, Royce threw a special kind of party for seven very special friends," with imagery of women in a social gathering suggestive of exclusivity and desire. [4] Pleasant Company. New York: Midwood, 1966. First revised edition. Tagline reads: "She knew how to set a man at ease," with cover art foregrounding feminine allure through stylized fashion and pose. The covers employ visual and textual cues typical of the genre, including suggestive taglines and stylized depictions of women, designed to attract a broad readership while signaling taboo subject matter. Produced during a period when lesbian identity remained largely marginalized in mainstream discourse, such pulp novels functioned as one of the few widely available sources through which lesbian themes entered public circulation. While often shaped by commercial imperatives and heteronormative framing, these works nonetheless contributed to the visibility of same-sex relationships and the formation of a recognizable, if constrained, cultural vocabulary around lesbian identity. The archive offers insight into the intersection of sexuality, publishing, and visual culture in the 1960s, particularly within the context of pre-liberation LGBTQ+ history. Pages clean and crisp with light age toning, minor edge wear to covers; all volumes structurally sound; overall very good. A cohesive group illustrating the aesthetics and narrative framing of mid-century lesbian pulp fiction.…