katonah gallery (11 resultados)

Paper. Condición: Good. Good paper copy ex., cat. 6 pp paper folder, no illustrations, listing of works in the exhibition.

Paper. Condición: Good. Good paper copy ex. cat. May 14 - August 6, 1989, guest curator Elizabeth Easton, 48 pp illus. in B/W and 4/C.

Paper. Condición: Good. Paper ex cat, 12 pp, 1 pp list of lenders, 1/2 pp ack, 1/2 pp intro, lists 48 works, bios on the artists, 4 b/w illus. March 22 - May 24, 1981.

Paper. Condición: Good. Good paper copy ex. cat. March 22 - May 15, 1988, 48 pp, illus in 4/C.

Paper. Condición: Good. ExCat. 12 pp. paper Ex. Cat. 1 column list of lenders; 1 pp. ack & intro; 20 artists are represented with 40 wks are listed 4 b/w illustrations.

paperback. Condición: Good. Stapled gallery catalogue Gallery stamp on title page Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

First 4to, stapled wrappers. 10 pp of text, 10 b/w illustrations. Exhibition March 25 - Maay 7, 1989. The artists involved are George Bellows, Edward Hopper, Thomas Hart Benton, John Marin, Stuart Davis, Georgia O'Keeffe, Marsden Hartley, John Sloan and Robert Henri. Very good.

Paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Condición: Very Good. Estado de la sobrecubierta: None. 56 pages, plus acknowledgments. Collection of essays published in conjunction with an exhibition at The Katonah Gallery. Brown stapled covers with black illustration and titles, introduction by James Marston Fitch, 7 essays by various authors, profusely illustrated with b&w plates throughout. Very slight rubbing to covers; a clean, tight copy in great condition. Record # 806169.

Paperback. Condición: Very Good. Aronson, Boris Ilustrador. First. A small bookonly 24 unpaginated pagesserving as the catalog for a small yet important exhibition. Boris Aronson started designing theater sets revolutionary Russia and then Germany, working in the new Constructivist style, before moving to New York in 1923. He started out in the more adventurous Jewish theaters of the city's Lower East Side but by 1932 he was working on Broadway. By the end of his life, in 1980, he had won six Tony Awards for scenic design, had designed sets for not only major theater productions of such plays as "The Crucible," "The Diary of Anne Frank," "Cabaret," and "Fiddler on the Roof," but he had become great friends with the painter Marc Chagall (whose work inspired some of his designs) and worked closely with composer Kurt Weill, director Harold Prince, and dancer/choreographer Mikhail Baryshnikov. New York Times theater critic Frank Rich not only served as curator for this exhibition, he also thought Aronson so important that he co-wrote a biography of him two years before this exhibition of his drawings, paintings, photographs, and models with Aronson's widow, Lisa Jalowetz Aronson. An extended piece by Rich about Aronson also starts off this catalog. Fourteen images of designs appear in this catalog in addition to the design on the cover; eleven of them are in full color and twelve of them are full page. Although this book is new, it does show signs of shelf wear on the front cover, particularly at the spine. There some cosmetic damage to the upper right corner of the cover and faint smudging upper corners of several other pages. However, there is no damage to the images themselvesthey are prinstine. The pages are clean, bright, and besides the staining the the corners, unmarked. No pages are loose or missing. See our photos for details.

[NONE] 1987. (Mass market paperback) Fine. NP. 4to. Very Scarce. The Reader's Digest collection of Bloomsburypaintings is the largest in the United States and as such includes the works of Vanessa Bell, Duncan Grant, Roger Fry and Dora Carrington, though admittedly, other pieces may have been added since the early 1980s. This is a gallery catalogue for the 'Bloomsbury Artists at Charleston' exhibtion held at the Katonah Gallery, New York, August 23 - October 25, 1987, with subsequent shows at the Janet Wallace Fine Arts Center in St. Paul, Minnesota (September 14 - October 9, 1988) and the Yale Center for British Art in New Haven, Connecticut (October 25 - December 30, 1988). Full colour photographs. Ble wrapper with the alternative venues listed. A fine copy.