julius rudel (26 resultados)

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condición: New in new packaging. 1 Originally released: 1989. in shrinkwrap.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardback. Condición: New. The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Plácido Domingo, and others.As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named in 1957 as the company's general director and principal conductor. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire -- including fifteen world premieres and three seasons consisting entirely of American operas -- turning the popularly priced "People's Opera" intothe most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and hereminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plácido Domingo (on Ginastera's Don Rodrigo) -- and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions givesa rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera. Julius Rudel was general director and principal conductor of New York City Opera from 1957to 1979, and since that time has been a frequent guest conductor at the Metropolitan Opera and many of the world's other great opera houses. Rebecca Paller, a curator at the Paley Center for Media in New York, has written about the arts for publications including Opera News, Opera, Vogue, Playbill, Symphony, and American Theatre.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Jacket has light wear, binding sound, internally clean. As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named general director and principal conductor of the company in 1957. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire?including fifteen world premieres and three seasons consisting entirely of American operas?turning the popularly priced "People's Opera" into the most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and he reminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plkido Domingo (on Ginastera's Don Rodrigo)?and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions gives a rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera.

Hardback. Condición: New. The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Plácido Domingo, and others.As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named in 1957 as the company's general director and principal conductor. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire -- including fifteen world premieres and three seasons consisting entirely of American operas -- turning the popularly priced "People's Opera" intothe most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and hereminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plácido Domingo (on Ginastera's Don Rodrigo) -- and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions givesa rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera. Julius Rudel was general director and principal conductor of New York City Opera from 1957to 1979, and since that time has been a frequent guest conductor at the Metropolitan Opera and many of the world's other great opera houses. Rebecca Paller, a curator at the Paley Center for Media in New York, has written about the arts for publications including Opera News, Opera, Vogue, Playbill, Symphony, and American Theatre.

Audio CD. Condición: Sehr gut. Schuber und Booklet leicht berieben, CDs wie NEU. Sprache: Deutsch Gewicht in Gramm: 550.

Condición: new.

Audio-CD. Condición: Sehr gut. 11 tracks, Namenseintrag auf Booklet, ansonsten sehr gut erhalten. ISBN: 724355641724 Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. Condición: Brand New. 241 pages. 9.50x7.00x0.75 inches. In Stock.

Condición: New. 2013. Hardcover. Julius Rudel Looks Back on a Life in Music. Series: Eastman Studies in Music. 241 pages, 30, 30 black and white. The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Placido Domingo, and others. Cateogry: (P) Professional & Vocational. BIC Classification: AV. Dimension: 241 x 165 x 24. Weight: 560. . . . . .

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

2 vols. Illustrated from maps, photographs and diagrams. 8vo, publisher's printed wrappers. Fine condition. Additional postage applicable. Deutscher Geographentag Hamburg; 1. bis 5. August 1955 and 29. Juki bis August 1957.

Condición: New. 2013. Hardcover. Julius Rudel Looks Back on a Life in Music. Series: Eastman Studies in Music. 241 pages, 30, 30 black and white. The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Placido Domingo, and others. Cateogry: (P) Professional & Vocational. BIC Classification: AV. Dimension: 241 x 165 x 24. Weight: 560. . . . . . Books ship from the US and Ireland.

Audio CD. Condición: Very Fine. 2000. 2 discs. Disc Quality: Excellent. CD42.

Hardback. Condición: New. The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Plácido Domingo, and others.As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named in 1957 as the company's general director and principal conductor. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire -- including fifteen world premieres and three seasons consisting entirely of American operas -- turning the popularly priced "People's Opera" intothe most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and hereminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plácido Domingo (on Ginastera's Don Rodrigo) -- and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions givesa rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera. Julius Rudel was general director and principal conductor of New York City Opera from 1957to 1979, and since that time has been a frequent guest conductor at the Metropolitan Opera and many of the world's other great opera houses. Rebecca Paller, a curator at the Paley Center for Media in New York, has written about the arts for publications including Opera News, Opera, Vogue, Playbill, Symphony, and American Theatre.

Hardback. Condición: New. The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Plácido Domingo, and others.As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named in 1957 as the company's general director and principal conductor. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire -- including fifteen world premieres and three seasons consisting entirely of American operas -- turning the popularly priced "People's Opera" intothe most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and hereminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plácido Domingo (on Ginastera's Don Rodrigo) -- and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions givesa rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera. Julius Rudel was general director and principal conductor of New York City Opera from 1957to 1979, and since that time has been a frequent guest conductor at the Metropolitan Opera and many of the world's other great opera houses. Rebecca Paller, a curator at the Paley Center for Media in New York, has written about the arts for publications including Opera News, Opera, Vogue, Playbill, Symphony, and American Theatre.

Audio CDs. Condición: Sehr gut. 3 CDs, Libretto 91 S., CD1: 71:59 Min., CD2: 64:20 Min., CD3: 50:59 Min. Libretto sehr gut erhalten, CDs sehr gut erhalten. LAUFEN! TOP!! Sprache: Französisch Gewicht in Gramm: 550.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Autograph; Thick 8vo; 318 pages; Inscribed and SIGNED on ffep -- "For Roger -- / friend and buddy / in endurance! / God Bless / Frank Corsaro" Clean and secure in original red cloth binding in very nice dustjacket. A lovely association copy from one theater luminary to another. Frank Corsaro (1924 â" 2017) was one of America's foremost stage directors of opera and theatre. His Broadway productions include The Night of the Iguana (1961). He became one of the City Opera's leading directors. PROVENANCE: Roger Lacey Stevens (1910 â" 1998) was an American theatrical producer, arts administrator, and real estate executive. He was the founding Chairman of both the Kennedy Center for the Performing Arts (1961) and the National Endowment for the Arts (1965). In politics, he made a mark as chairman of the Democratic Party's finance committee in 1956. He produced more than 100 plays and musicals over his career, including West Side Story, Bus Stop, and Cat on a Hot Tin Roof. In 1971, he received Special Tony Award for his body of work. He became known for introducing plays by such adventurous writers as Harold Pinter, Arthur Kopit and Tom Stoppard. Stevens was the General Administrator of the Actors Studio as well as one of the producers of the Playwrights Company, a member of the board of the American National Theatre and Academy (ANTA), and one of the members of a Broadway producing company he founded in 1953 with Robert Whitehead and Robert Dowling. In 1961, he was asked by President John F. Kennedy to help establish a National Cultural Center, and became Chairman of Board of Trustees of what was eventually named the Kennedy Center from 1961 to 1988. In 1965, he received an appointment from President Lyndon Johnson as first Chairman of the National Council on the Arts later named the National Endowment for the Arts. In 1986, Stevens was inducted into the American Theater Hall of Fame.On January 13, 1988, Stevens was presented with the Presidential Medal of Freedom by President Ronald Reagan. In 1988, he was also awarded the National Medal of Arts.; Signed by Author.

audio-cd. Condición: Sehr gut. kleine Gebrauchsspuren, mit Beiheft OM213F10 Sprache: Deutsch Gewicht in Gramm: 808.

LP. Condición: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Die Vinyl-Platte(n) sind stets in Inlays. (Etikett auf dem Cover.) Notizen auf Rückcover; Platte top. A1 1st Movement; Allegro Molto Appassionato A2 2nd Movement; Andante A3 3rd Movement; Allegretto Non Troppo - Allegro Molto Vivace B1 1st Movement; Allegro Moderato B2 2nd Movement; Adagio B3 3rd Movement; Allegro Energico LP16 Sprache: Deutsch Gewicht in Gramm: 1001.

Audio CDs. Condición: Sehr gut. 2 CDs, Libretto 40 S. Libretto sehr gut erhalten, CDs sehr gut erhalten. LAUFEN! TOP!! Sprache: Deutsch Gewicht in Gramm: 550.

Audio CDs. Condición: Sehr gut. 2 CDs, Booklet. CDs sehr gut erhalten. LAUFEN! TOP!! Sprache: Französisch Gewicht in Gramm: 550.

Pas de couverture. Condición: Bon. Nice photo signed in 1988. Size : 10x13 cm. Condition : please see scans. Provenance : Jason Stahl family collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

140 : 90 mm und quer-8vo. 1 p. Brustbild im Halbprofil in Dirigierpose. - Julius Rudel begann seine musikalische Ausbildung an der Musikhochschule Wien, nach dem Anschluss Österreichs 1938 emigrierte seine Familie mit ihm in die Vereinigten Staaten, wo er seine Studien am Mannes College of Music in New York fortsetzte.Im Jahr 1943 wurde er Korrepetitor an der New York City Opera und gab im folgenden Jahr dort sein Debüt als Dirigent mit Der Zigeunerbaron von Johann Strauß. Künstlerischer Leiter des Theaters war er bereits ab 1957 und bis 1979. Er studierte dort ein breites Repertoire von Claudio Monteverdi bis Leo Janá ek ein.Zugleich war er von 1962 bis 1976 künstlerischer Leiter des Festival Caramoor im Staat New York und erster Musikdirektor des Kennedy Center in Washington, D.C.