julia sutton mattocks (25 resultados)

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Paperback. Condición: Brand New. 180 pages. 0.31x0.19 inches. In Stock.

paperback. Condición: New. New from the publisher.

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condición: Very Good. First Edition. Size: 8vo 7 3/4 - 9 3/4". xiv + 311pp. Internally clean. Binding firm, spine slightly cocked. Edges browned slightly. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Literature & Literary; Russia & Czechoslovakia; Modern; Medicine & Health. ISBN/EAN: 9781800792937. Pictures of this item not already displayed here available upon request. Inventory No: 60261.

Paperback. Condición: New. «This monograph makes an original and significant scholarly contribution, in addition to being a gripping read. Not only is it the first book in English to compare Russian and Czechoslovak literature and film of the interwar period in such a comprehensive way, but it does so via the growing discipline of the medical humanities. The book's greatest strength is its attention to detail, exemplified by Sutton-Mattocks's close readings of the medical implications of the creative works she selects.» (Melissa Miller, Modern Language Review 120.1, January 2025)«Her comparative approach using Czech and Russian work enriches the field by moving beyond national boundaries to show how interwar medical discourses were both locally specific and transnationally resonant. It also expands the scope of medical humanities beyond its usual Anglo-American and Western European focus, demonstrating the importance of Eastern European contributions.»(Dylan Mohr, Studies in Russian and Soviet Cinema 1-2, 2025) Surgery, bacteriology, psychiatry . medicine fascinated writers and filmmakers in the 1920s and 1930s. But why did medicine capture the creative imagination at precisely that moment, and what does the prevalence of medical imagery in works of the period tell us about interwar culture? These are the questions at the heart of this book, which takes the Russian and Czech literary and cinematic contexts as case studies for interrogating the wider phenomenon.Contributing to an emerging body of scholarship bringing the Medical Humanities and Slavonic Studies into dialogue, the book focuses on four particularly prevalent medical themes in the literature and cinema of the period: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on works by well-known figures of interwar Russian and Czech culture (e.g. Mikhail Bulgakov, Evgenii Zamiatin, Gustav Machatý and Vladislav Vancura) as well as familiarizing readers with more obscure works by some of their lesser-known counterparts, such as Vladimír Raffel, Vikentii Veresaev, Nikolai Aseev and Noi Galkin.

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Condición: New. 2023. New. paperback. . . . . .

Paperback. Condición: new. Paperback. This monograph makes an original and significant scholarly contribution, in addition to being a gripping read. Not only is it the first book in English to compare Russian and Czechoslovak literature and film of the interwar period in such a comprehensive way, but it does so via the growing discipline of the medical humanities. The books greatest strength is its attention to detail, exemplified by Sutton-Mattockss close readings of the medical implications of the creative works she selects. (Melissa Miller, Modern Language Review 120.1, January 2025)Her comparative approach using Czech and Russian work enriches the field by moving beyond national boundaries to show how interwar medical discourses were both locally specific and transnationally resonant. It also expands the scope of medical humanities beyond its usual Anglo-American and Western European focus, demonstrating the importance of Eastern European contributions.(Dylan Mohr, Studies in Russian and Soviet Cinema 1-2, 2025) Surgery, bacteriology, psychiatry medicine fascinated writers and filmmakers in the 1920s and 1930s. But why did medicine capture the creative imagination at precisely that moment, and what does the prevalence of medical imagery in works of the period tell us about interwar culture? These are the questions at the heart of this book, which takes the Russian and Czech literary and cinematic contexts as case studies for interrogating the wider phenomenon.Contributing to an emerging body of scholarship bringing the Medical Humanities and Slavonic Studies into dialogue, the book focuses on four particularly prevalent medical themes in the literature and cinema of the period: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on works by well-known figures of interwar Russian and Czech culture (e.g. Mikhail Bulgakov, Evgenii Zamiatin, Gustav Machaty and Vladislav Vancura) as well as familiarizing readers with more obscure works by some of their lesser-known counterparts, such as Vladimir Raffel, Vikentii Veresaev, Nikolai Aseev and Noi Galkin. Why did medicine fascinate writers and filmmakers in the 1920s and 1930s? This book traces the prevalent medical themes in interwar Russian and Czech literature and cinema: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on major writers like Bulgakov and Zamiatin as well as lesser known counterparts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Condición: New. 2023. New. paperback. . . . . . Books ship from the US and Ireland.

Condición: New. Why did medicine fascinate writers and filmmakers in the 1920s and 1930s? This book traces the prevalent medical themes in interwar Russian and Czech literature and cinema: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on .

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - «This monograph makes an original and significant scholarly contribution, in addition to being a gripping read. Not only is it the first book in English to compare Russian and Czechoslovak literature and film of the interwar period in such a comprehensive way, but it does so via the growing discipline of the medical humanities. The book's greatest strength is its attention to detail, exemplified by Sutton-Mattocks's close readings of the medical implications of the creative works she selects.» (Melissa Miller, Modern Language Review 120.1, January 2025)«Her comparative approach using Czech and Russian work enriches the field by moving beyond national boundaries to show how interwar medical discourses were both locally specific and transnationally resonant. It also expands the scope of medical humanities beyond its usual Anglo-American and Western European focus, demonstrating the importance of Eastern European contributions.»(Dylan Mohr, Studies in Russian and Soviet Cinema 1-2, 2025) Surgery, bacteriology, psychiatry . medicine fascinated writers and filmmakers in the 1920s and 1930s. But why did medicine capture the creative imagination at precisely that moment, and what does the prevalence of medical imagery in works of the period tell us about interwar culture These are the questions at the heart of this book, which takes the Russian and Czech literary and cinematic contexts as case studies for interrogating the wider phenomenon.Contributing to an emerging body of scholarship bringing the Medical Humanities and Slavonic Studies into dialogue, the book focuses on four particularly prevalent medical themes in the literature and cinema of the period: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on works by well-known figures of interwar Russian and Czech culture (e.g. Mikhail Bulgakov, Evgenii Zamiatin, Gustav Machatý and Vladislav Vancura) as well as familiarizing readers with more obscure works by some of their lesser-known counterparts, such as Vladimír Raffel, Vikentii Veresaev, Nikolai Aseev and Noi Galkin.

Taschenbuch. Condición: Neu. Cures for Modernity | Medicine in Interwar Russian and Czech Literature and Cinema | Julia Sutton-Mattocks | Taschenbuch | Cures for Modernity | Englisch | 2023 | Peter Lang Group AG | EAN 9781800792937 | Verantwortliche Person für die EU: Zeitfracht Medien GmbH, Ferdinand-Jühlke-Str. 7, 99095 Erfurt, produktsicherheit[at]zeitfracht[dot]de | Anbieter: preigu.

Paperback. Condición: New. «This monograph makes an original and significant scholarly contribution, in addition to being a gripping read. Not only is it the first book in English to compare Russian and Czechoslovak literature and film of the interwar period in such a comprehensive way, but it does so via the growing discipline of the medical humanities. The book's greatest strength is its attention to detail, exemplified by Sutton-Mattocks's close readings of the medical implications of the creative works she selects.» (Melissa Miller, Modern Language Review 120.1, January 2025)«Her comparative approach using Czech and Russian work enriches the field by moving beyond national boundaries to show how interwar medical discourses were both locally specific and transnationally resonant. It also expands the scope of medical humanities beyond its usual Anglo-American and Western European focus, demonstrating the importance of Eastern European contributions.»(Dylan Mohr, Studies in Russian and Soviet Cinema 1-2, 2025) Surgery, bacteriology, psychiatry . medicine fascinated writers and filmmakers in the 1920s and 1930s. But why did medicine capture the creative imagination at precisely that moment, and what does the prevalence of medical imagery in works of the period tell us about interwar culture? These are the questions at the heart of this book, which takes the Russian and Czech literary and cinematic contexts as case studies for interrogating the wider phenomenon.Contributing to an emerging body of scholarship bringing the Medical Humanities and Slavonic Studies into dialogue, the book focuses on four particularly prevalent medical themes in the literature and cinema of the period: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on works by well-known figures of interwar Russian and Czech culture (e.g. Mikhail Bulgakov, Evgenii Zamiatin, Gustav Machatý and Vladislav Vancura) as well as familiarizing readers with more obscure works by some of their lesser-known counterparts, such as Vladimír Raffel, Vikentii Veresaev, Nikolai Aseev and Noi Galkin.

Paperback. Condición: new. Paperback. This monograph makes an original and significant scholarly contribution, in addition to being a gripping read. Not only is it the first book in English to compare Russian and Czechoslovak literature and film of the interwar period in such a comprehensive way, but it does so via the growing discipline of the medical humanities. The books greatest strength is its attention to detail, exemplified by Sutton-Mattockss close readings of the medical implications of the creative works she selects. (Melissa Miller, Modern Language Review 120.1, January 2025)Her comparative approach using Czech and Russian work enriches the field by moving beyond national boundaries to show how interwar medical discourses were both locally specific and transnationally resonant. It also expands the scope of medical humanities beyond its usual Anglo-American and Western European focus, demonstrating the importance of Eastern European contributions.(Dylan Mohr, Studies in Russian and Soviet Cinema 1-2, 2025) Surgery, bacteriology, psychiatry medicine fascinated writers and filmmakers in the 1920s and 1930s. But why did medicine capture the creative imagination at precisely that moment, and what does the prevalence of medical imagery in works of the period tell us about interwar culture? These are the questions at the heart of this book, which takes the Russian and Czech literary and cinematic contexts as case studies for interrogating the wider phenomenon.Contributing to an emerging body of scholarship bringing the Medical Humanities and Slavonic Studies into dialogue, the book focuses on four particularly prevalent medical themes in the literature and cinema of the period: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on works by well-known figures of interwar Russian and Czech culture (e.g. Mikhail Bulgakov, Evgenii Zamiatin, Gustav Machaty and Vladislav Vancura) as well as familiarizing readers with more obscure works by some of their lesser-known counterparts, such as Vladimir Raffel, Vikentii Veresaev, Nikolai Aseev and Noi Galkin. Why did medicine fascinate writers and filmmakers in the 1920s and 1930s? This book traces the prevalent medical themes in interwar Russian and Czech literature and cinema: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on major writers like Bulgakov and Zamiatin as well as lesser known counterparts. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Surgery, bacteriology, psychiatry . medicine fascinated writers and filmmakers in the 1920s and 1930s. But why did medicine capture the creative imagination at precisely that moment, and what does the prevalence of medical imagery in works of the period tell us about interwar culture These are the questions at the heart of this book, which takes the Russian and Czech literary and cinematic contexts as case studies for interrogating the wider phenomenon.Contributing to an emerging body of scholarship bringing the Medical Humanities and Slavonic Studies into dialogue, the book focuses on four particularly prevalent medical themes in the literature and cinema of the period: syphilis, nervous illness, surgery and childbirth. It offers new perspectives on works by well-known figures of interwar Russian and Czech culture (e.g. Mikhail Bulgakov, Evgenii Zamiatin, Gustav Machatý and Vladislav Vancura) as well as familiarizing readers with more obscure works by some of their lesser-known counterparts, such as Vladimír Raffel, Vikentii Veresaev, Nikolai Aseev and Noi Galkin. 318 pp. Englisch.