Joseph ketner ii (114 resultados)

Condición: good. Signs of wear and consistent use.

Paperback. Condición: Good. Images of nearly all Bruce Nauman's signs and room installation using neon and fluorescent light, from Window or Wall Sign (1967) to the monumental One Hundred Live and Die (1984), accompanied by interpretive essays.Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, Window or Wall Sign, in 1967. He wanted, he said, to achieve an art that would kind of disappear--that was supposed to not quite look like art. Light offered Nauman a medium both elusive and effervescent, but one that could also aggressively convey a message. Over the first three decades of his career, Nauman used the medium of light to explore the twists and turns of perception, logic, and meaning with the earnest playfulness that characterizes all his art. Elusive Signs focuses on the discrete body of Nauman's work that uses neon and fluorescent light in signs and room installations, and includes images of nearly all Nauman's work with light. After Window or Wall Sign, Nauman embarked on a series of neons that grappled with the semiotics of body and identity, and with My Name as Though it Were Written on the Surface of the Moon (1968), he forces the viewer to contemplate the role of naming in forming identity. Language--signs and symbols--plays an important role in Nauman's art. His later neon works emphasize the neon as a sign, presenting provocative twists of language and offering harsh and humorous sociopolitical commentary in such pieces as Run from Fear, Fun from Rear (1972). This series culminates in the monumental, billboard-size One Hundred Live and Die (1984), which employs overwhelming scale to bombard the viewer with sardonic aphorisms. In incisive essays that accompany the images of Nauman's work, Joseph Ketner II of the Milwaukee Art Museum (which originated the exhibit this book accompanies) and critics Janet Kraynak and Gregory Volk analyze the works in light both as a body of work and as an access point to Nauman's entire career. Distributed for the Milwaukee Art Museum.…

hardcover. Condición: Good. Ships Out Tomorrow.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Good. Images of nearly all Bruce Nauman's signs and room installation using neon and fluorescent light, from Window or Wall Sign (1967) to the monumental One Hundred Live and Die (1984), accompanied by interpretive essays.Intrigued and inspired by the neon beer signs on shopfronts in his San Francisco neighborhood, Bruce Nauman created his first neon piece, Window or Wall Sign, in 1967. He wanted, he said, to achieve an art that would kind of disappear--that was supposed to not quite look like art. Light offered Nauman a medium both elusive and effervescent, but one that could also aggressively convey a message. Over the first three decades of his career, Nauman used the medium of light to explore the twists and turns of perception, logic, and meaning with the earnest playfulness that characterizes all his art. Elusive Signs focuses on the discrete body of Nauman's work that uses neon and fluorescent light in signs and room installations, and includes images of nearly all Nauman's work with light. After Window or Wall Sign, Nauman embarked on a series of neons that grappled with the semiotics of body and identity, and with My Name as Though it Were Written on the Surface of the Moon (1968), he forces the viewer to contemplate the role of naming in forming identity. Language--signs and symbols--plays an important role in Nauman's art. His later neon works emphasize the neon as a sign, presenting provocative twists of language and offering harsh and humorous sociopolitical commentary in such pieces as Run from Fear, Fun from Rear (1972). This series culminates in the monumental, billboard-size One Hundred Live and Die (1984), which employs overwhelming scale to bombard the viewer with sardonic aphorisms. In incisive essays that accompany the images of Nauman's work, Joseph Ketner II of the Milwaukee Art Museum (which originated the exhibit this book accompanies) and critics Janet Kraynak and Gregory Volk analyze the works in light both as a body of work and as an access point to Nauman's entire career. Distributed for the Milwaukee Art Museum.…

1991. North America, art, history. Amon Carter Museum, 251 p., very good cloth and dust jacket.

Hardcover. Condición: Good. Reasonable and presentable hardcover book. CLEAN AND PRISTINE. Some shelf wear to the covers. Tight binding. The text flows clearly from beginning to end. Enjoy this worthwhile hardcover edition.

hardcover. Condición: As New. Used, hardcover like new with original dust jacket. Sharp, square, clean & serviceable copy. No highlighting, marginalia or tears.

Trade Paperback. Condición: As New.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Red cloth boards in mylar protected dust jacket. Illustrations, appendix, bibliography and index. 252 pages. Heavy book extra shipping charge may apply. FINE in FINE dust jacket.

Condición: acceptable. This book is in Acceptable condition. All pages are intact, but may have lots of notes, water damage or other issues and be ex library.

Condición: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Used: Like New. Bright, fresh hardcover in glossy dust jacket. No marks or writing to book.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Fine. clean, unmarked copy.

Condición: New.

Hardcover w/DJ. Condición: Very Good/Good. Fort Worth, TX/New York, NY: Amon Carter Museum/Harry N. Abrams. Very Good/Good. (1991). . Hardcover w/DJ. Oblong Sm 4to., 252 pp., DJ sun faded . Black & White/Color Illus. & Photos (ilustrador).

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. 303pp.

Trade Paperback. Condición: Used - Very Good. Intrigued and inspired by the neon beer signs on shopfronts in his SanFrancisco neighborhood, Bruce Nauman created his first neon piece, Window or WallSign, in 1967. He wanted, he said, to achieve 'an art that would kind ofdisappear--that was supposed to not quite look like art.' Light offered Nauman amedium both elusive and effervescent, but one that could also aggressively convey amessage. Over the first three decades of his career, Nauman used the medium of lightto explore the twists and turns of perception, logic, and meaning with the earnestplayfulness that characterizes all his art. Elusive Signs focuses on the discretebody of Nauman's work that uses neon and fluorescent light in signs and roominstallations, and includes images of nearly all Nauman's work with light.AfterWindow or Wall Sign, Nauman embarked on a series of neons that grappled with thesemiotics of body and identity, and with My Name as Though it Were Written on theSurface of the Moon (1968), he forces the viewer to contemplate the role of namingin forming identity. Language--signs and symbols--plays an important role inNauman's art. His later neon works emphasize the neon as a sign, presentingprovocative twists of language and offering harsh and humorous sociopoliticalcommentary in such pieces as Run from Fear, Fun from Rear (1972). This seriesculminates in the monumental, billboard-size One Hundred Live and Die (1984), whichemploys overwhelming scale to bombard the viewer with sardonic aphorisms. Inincisive essays that accompany the images of Nauman's work, Joseph Ketner II of theMilwaukee Art Museum (which originated the exhibit this book accompanies) andcritics Janet Kraynak and Gregory Volk analyze the works in light both as a body ofwork and as an access point to Nauman's entire career.Distributed for the MilwaukeeArt Museum. Images of nearly all Bruce Nauman's signs and room installation using neon and fluorescent light, from Window or Wall Sign (1967) to the monumental One Hundred Live and Die (1984), accompanied by interpretive essays. Very nice clean, tight copy free of any marks.…

Hardcover. First edition. 252pp. Quarto [27 cm] Rust colored cloth over boards with a gilt stamped title on the spine. Very good. The top fore edge corner of the front cover is bumped. In a very good dust jacket, with heavy discoloration to the jacket's spine, and the surrounding area on the rear panel. Includes many sketches and drawings never before published.…

Softcover exhibition catalog, 96 pages, as new condition; clean and crisp; tight binding; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Over-sized hardbound (quarto). First edition: the printing numerals are a full line beginning with 1. AS NEW. No wear to the binding. No slope, no twist from reading or improper shelving. No bumped corners. No broken hinges. Pages are tight and clean with no marks. No name of previous owner. No musty odor. No tobacco odor. No water damage. No soiling. The as new dust jacket shows no wear, no sun fading. Bright, crisp copy.…

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780944110836.…

Soft cover. Condición: Fine. 1st Edition. 96 Pp/ Exhibition Catalog, Well-Illustrated. Fine. Color And B/W Plates (ilustrador).