Joseph givens (51 resultados)

Soft cover. Condición: Near Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Soft cover. Condición: Near Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Soft cover. Condición: Near Fine. 1st Edition. ISSN # 0440-2316. From the collection of Robert Hershon.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Paperback. Condición: New. Brand new softcover book! ; This volume in the Perspectives on Mormon Theology series is an exploration of Mormon apologeticsor the defense of faith. Since its very beginning, various Latter-day Saints have sought to utilize evidence and reason to actively promote or defend beliefs and claims within the Mormon tradition. Mormon apologetics reached new levels of sophistication as believers trained in fields such as Near-Eastern languages and culture, history, and philosophy began to utilize their knowledge and skills to defend their beliefs.The contributors to this volume seek to explore the textures and contours of apologetics from multiple perspectives, revealing deep theological and ideological fissures within the Mormon scholarly community concerning apologetics. However, in spite of deep-seated differences, what each author has in common is a passion for Mormonism and how it is presented and defended. This volume captures that reality and allows readers to encounter the terrain of Mormon apologetics at close range. ; 9 X 6 X 0.74 inches; 294 pages.…

Condición: New.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. A legendary figure of underground comix, Robert Williams (b. 1943) is an important social chronicler of American popular culture. The interviews assembled in Robert Williams: Conversations attest to his rhetorical powers, which match the high level of energy evident in his underground comix and action-filled canvases.The public perception of Williams was largely defined by two events. In 1987, Guns N' Roses licensed a Williams painting for the cover of their best-selling album Appetite for Destruction. However, Williams's cover art stirred controversies and was moved to the inside of the album. The second defining event was Williams's participation in the Helter Skelter exhibition at the Los Angeles Museum of Contemporary Art in 1992. Protests ensued when a room was set aside to feature his work. Uncovering long-forgotten and hard-to-find interviews, this collection serves as a social chronicle of counterculture from the 1960s through the early 2000s. One of the founders of the original ZAP Comix collective in the 1960s, Williams drew inspiration from pulp fiction, hot rod culture, pin-up girls, and traditional academic art. He invented the comics character Cootchy Cooty and worked for the studios of Ed "Big Daddy" Roth. He rubbed shoulders with outlaw motorcycle gangs and tested the legal limits of what was permissible comic book art during his day. He has often been described as a figure courting scandal and controversy, a reputation on which he commentates repeatedly in some of the interviews here. Since the 1980s, Williams has emerged as a force in the fine art world, raising interesting questions about how painting and comic art interrelate.…

Paperback. Condición: Brand New. 224 pages. 9.00x6.00x0.53 inches. In Stock.

Condición: New. 2023. Paperback. paperback. . . . . .

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Condición: New. 2023. Paperback. paperback. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

Paperback. Condición: Brand New. 328 pages. 9.00x6.00x1.00 inches. In Stock.

Condición: New.

Condición: New.

Paperback. Condición: Brand New. 224 pages. 9.00x6.00x0.53 inches. In Stock.

Condición: NEW.

Condición: New.

Condición: New. &Uumlber den AutorJoseph R. Givens specializes in the scholarly investigation of overlooked and neglected art movements. He has presented papers at the International Comics Art Conference in conjunction with Comic Con Internation.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. A legendary figure of underground comix, Robert Williams (b. 1943) is an important social chronicler of American popular culture. The interviews assembled in Robert Williams: Conversations attest to his rhetorical powers, which match the high level of energy evident in his underground comix and action-filled canvases.The public perception of Williams was largely defined by two events. In 1987, Guns N' Roses licensed a Williams painting for the cover of their best-selling album Appetite for Destruction. However, Williams's cover art stirred controversies and was moved to the inside of the album. The second defining event was Williams's participation in the Helter Skelter exhibition at the Los Angeles Museum of Contemporary Art in 1992. Protests ensued when a room was set aside to feature his work. Uncovering long-forgotten and hard-to-find interviews, this collection serves as a social chronicle of counterculture from the 1960s through the early 2000s. One of the founders of the original ZAP Comix collective in the 1960s, Williams drew inspiration from pulp fiction, hot rod culture, pin-up girls, and traditional academic art. He invented the comics character Cootchy Cooty and worked for the studios of Ed "Big Daddy" Roth. He rubbed shoulders with outlaw motorcycle gangs and tested the legal limits of what was permissible comic book art during his day. He has often been described as a figure courting scandal and controversy, a reputation on which he commentates repeatedly in some of the interviews here. Since the 1980s, Williams has emerged as a force in the fine art world, raising interesting questions about how painting and comic art interrelate.…

Paperback. Condición: New. A legendary figure of underground comix, Robert Williams (b. 1943) is an important social chronicler of American popular culture. The interviews assembled in Robert Williams: Conversations attest to his rhetorical powers, which match the high level of energy evident in his underground comix and action-filled canvases.The public perception of Williams was largely defined by two events. In 1987, Guns N' Roses licensed a Williams painting for the cover of their best-selling album Appetite for Destruction. However, Williams's cover art stirred controversies and was moved to the inside of the album. The second defining event was Williams's participation in the Helter Skelter exhibition at the Los Angeles Museum of Contemporary Art in 1992. Protests ensued when a room was set aside to feature his work. Uncovering long-forgotten and hard-to-find interviews, this collection serves as a social chronicle of counterculture from the 1960s through the early 2000s. One of the founders of the original ZAP Comix collective in the 1960s, Williams drew inspiration from pulp fiction, hot rod culture, pin-up girls, and traditional academic art. He invented the comics character Cootchy Cooty and worked for the studios of Ed "Big Daddy" Roth. He rubbed shoulders with outlaw motorcycle gangs and tested the legal limits of what was permissible comic book art during his day. He has often been described as a figure courting scandal and controversy, a reputation on which he commentates repeatedly in some of the interviews here. Since the 1980s, Williams has emerged as a force in the fine art world, raising interesting questions about how painting and comic art interrelate.…