johns richard ed (32 resultados)

Soft cover. Condición: Very Good. 1st Edition. First edition, first printing # 12292 of 15 of this collection of short stories. All the stories were published previously in separate magazines. Featured are The Bottled Wife by Michael Fessier, A Coffin for Mr. Cash by Robert Arthur, The Faith of Aaron Menefee by Stanley Ellin, My Queer Dean by Ellery Queen, Your Cake and Eat It by Berkely Mather, Squeakie's Second Case by Margaret Manners, First Man at the Funeral by Dion Henderson, The Strange Tale of Mr. Elsie Smith by Dana Lyon, The Live Ones by Richard Prather, The Gentleman Caller by Veronica Parker Johns, Mr. Portway's Practice by Michael Gilbert, Fin De Siecle by William O'Farrell, Kiss Me, Dudley by Evan Hunter, To Strike a Match by Erle Stanley Gardner, It Wouldn't Be Fair by Jack Finney. Light edgewear. Slight spine slant. Light reading creases to the spine. Faint moisture stain to the bottom edge of the first five pages. In very good condition.

Paperback. Condición: Very Good. First Edition. First edition, first printing. Includes contributions from Gertrude Stein, Emanuel Carnevali, Yvor Winters, and many others. Text is unmarked; pages are bright, though the page edges are age toned. The head of the spine is bumped; the binding is still sturdy. Covers show some light edge wear. From the collection of the Gotham Book Mart. 88pp.

Paperback. Condición: Good. First Edition. First edition, first printing. Includes contributions from Meridel le Seur, HD, Edward Dahlberg, Sherry Mangan, and many others. Worn copy. There is a water stain on the bottom edge of the covers, first few and last few pages. Text is unmarked; pages are otherwise bright, the page edges are age toned. Binding is sturdy; the spine is creased. Covers show wear around the edges. The spine is faded, as are the covers around the edges. From the collection of the Gotham Book Mart. 152pp.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good in very good dust jacket. Book shows rubbing to top and bottom edges. Dustwrapper shows rubbing to top and bottom edges and front and back panels. Hardcover.

Soft cover. Condición: Very Good. 1st Edition. VG. Cover art by Richard Powers.

Paperback. Condición: Good. cover by Brian Lewis Ilustrador. A some wear to cover - photo available on request - internally clean, well bound and reasonably bright. Good to very good overall. Contains:Defiance (Bulmer), For Men Must Work (Bryning), Fresh Start (Sellings), Gesture of Farewell (Aldiss), QRM (Wilson), False Alarm (White) and an article on The Nuclear Navy (Johns; part 2 of 2). Book.

111 pp. plus ads. 8vo, original printed wrappers. First edition. Light soiling and a few tiny chips to wrappers. Contributors include William Carlos Williams, Robert McAlmon, Erskine Caldwell and others.

Original Wraps. Condición: Good. First Edition. 88 pp. plus ads. A Very Good tight copy with a dampstain at top of front cover and affecting a narrow strip along the top edges of the first 30 pp. and upper fore-edges with no wrinkling as a result. Light soiling to wraps and slight darkening to spine. This number of this important and scarce 'little magazine' contains work by William Carlos Williams, Robert McAlmon, Gertrude Stein, Erskine Caldwell and many others.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good. Nice bright copy, great issue of this seminal Modernist magazine.

Soft cover. Condición: Very Good. Nice bright copy, great issue of this seminal Modernist magazine.

Condición: New.

Paperback. Condición: Very good +. First Edition. First Edition. Paperback. 10 1/4" X 8 1/2". 120pp. Mild edgewear to stiff color pictorial wraps. Binding is firm, tight, and sound. Pages are clean and unmarked. A very presentable copy of this monograph published to accompany the exhibition Ruskin, Turner & the Storm Cloud at York Art Gallery and Abbot Hall Art Gallery in 2019. ABOUT THIS BOOK: Ruskin, Turner & the Storm Cloud presents new writing on John Ruskin?s vision of art and its relationship with modern society and a changing environment. As part of the re-evaluation of Ruskin, 200 years after his birth in 1819, art historians, scientists, geographers, artists and curators explore the critic?s lifelong commitment to the painted landscapes of JMW Turner and his own artistic ambitions, as well as his prophetic concerns about the world?s darkening skies, pollution and psychological turbulence. In 1884 John Ruskin spoke out against an encroaching ?Storm Cloud? a darkening of the skies that he attributed to the belching chimneys of the modern world. The imagery of the pollution-stained sky also allowed Ruskin to articulate the internal distress that seemed to engulf him. His analysis of a ?blanched sun, blighted grass [and] blinded man? overwhelmed by a modern ?plague-wind? expresses both the visible climatic effects of industrialization and the effects of his own worsening mental health. Propelled by bereavement and anxieties over his religious faith, Ruskin became fixated on the skies, ?watching a cloud from four in the afternoon to four in the morning? This collection of essays examining Ruskin?s distinctive blend of meteorology, morality and social criticism brings new perspectives to one of the most influential and provocative thinkers of the nineteenth century. Ruskin?s deep and personal engagement with Turner?s work over many decades emerges as a recurring theme. In Turner, Ruskin found the ideal ?Modern Painter? an artist whose powerful sunrises and sunsets, mountains and storms, inspired his own critical engagement with the natural world. As an artist and critic, Ruskin consistently challenged the way others experienced the world, encouraging his audiences to recognise and record nature?s transient beauty, and doing the same with his own intimately observed drawings of animals, flora and weathered buildings. As an environmentalist, he witnessed a natural world changing before his eyes, as the landscapes, buildings and skies he had seen as a young man came under threat. As an ethical provocateur ahead of his time, he condemned the throwaway culture that spoilt the towns and rivers he loved, urging his audiences to take responsibility for these changes. Responding to this rich and troubled legacy, the book brings together original contributions by artists and curators, art historians, geographers and climate change specialists, each of whom shares new insights into Ruskin?s concerns about the changing weather patterns and shifting landscapes of the modern world. Individual essays reconsider Ruskin alongside a range of contemporary issues, encompassing mental health, technology, environmental pollution and climate change. The collection?s diverse voices make a compelling case for the continuing relevance of Ruskin and his ways of seeing in the twenty-first century. Ruskin, Turner & the Storm Cloud accompanies a major exhibition at York Art Gallery and Abbot Hall Art Gallery. (Publisher).

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Very Good. Publisher's original sheet music with colour illustration of Julie Andrews and Dick van Dyke to the front cover. 11'' x 9'' 4 pp. In Very Good condition with small tear to the fore edge. Member of the P.B.F.A. SHEET MUSIC.

Condición: Very Good. Publisher's original sheet music with colour illustration of Julie Andrews and Dick van Dyke to the front cover. 11'' x 9'' 6 pp. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

First Edition. Red printed covers; 112pp. Worn at front spine edge with some loss, otherwise about Very Good. Work by William Carlos Williams, Erskine Caldwell, Louis Zukofsky, Witter Bynner, R. P. Blackmur, Norman MacLeod, Yvor Winters, Janet Lewis and many others. Pagany lasted for twelve issues from 1930 to 1933. Scarce issue of one of the most distinguished little magazines in quite nice condition.

First Edition. Blue printed covers.110 pp. Work by William Carlos Williams (two poems), Louis Zukofsky, Erskine Caldwell, Norman MacLeod, Charles Reznikoff, Charles Henri Ford and many others. Back cover with two small chips, otherwise lightly worn and creased, spine sunned, else very good. Subscriber card laid in. Pagany lasted for twelve issues from 1930 to 1933. Scarce issue of one of the most distinguished little magazines in quite nice condition.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Soft. Condición: Good Plus. Pages clean and bright. Binding firm. Light shelf wear. Small sticker on back cover. Size: 4to. Exhibition Booklet.

Perfect bound 8vo, red stiff paper wrappers, lettered in black to front panel and spine. Production fault creasing to spine, light creasing to rear wrapper, first leaf starting. A very good copy. Final issue of this influential literary magazine, edited by Richard Johns. Running for twelve issues between 1930 and 1933, Pagany attracted contributions from the leading and emerging modernist writers of the time, many of them Paris expatriates. Contributors to this issue include William Carlos Williams (whose 1928 novel A Voyage to Pagany gave the magazine its name), and the editor Richard Johns.

Perfect bound 8vo, blue stiff paper wrappers, lettered in black to front panel and spine. Closed tear to head of spine with a little loss, light sunning to edges of wrappers. A very good copy. The tenth issue of this influential literary magazine, edited by Richard Johns. Running for twelve issues between 1930 and 1933, Pagany attracted contributions from the leading and emerging modernist writers of the time, many of them Paris expatriates. Contributors to this issue include William Carlos Williams (whose 1928 novel A Voyage to Pagany gave the magazine its name), Erskine Caldwell and H.D. [Hilda Doolittle].

Perfect bound 8vo, cream stiff paper wrappers, lettered in black to front panel and spine. Wrappers a little darkened, but a very good copy, tightly bound and unread. Seventh issue of this influential literary magazine, edited by Richard Johns. Running for twelve issues between 1930 and 1933, Pagany attracted contributions from the leading and emerging modernist writers of the time, many of them Paris expatriates. Contributors to this issue include William Carlos Williams (whose 1928 novel A Voyage to Pagany gave the magazine its name), E.E. Cummings, Edward Dahlberg, John Dos Passos, Mary Butts, Mina Loy and three cantos by Ezra Pound.

Soft cover. Condición: Very Good. 1st Edition. 4to. Spiral bound wraps, xeroxed on rectos only. [70] pp. Published to coincide with a 1991 exhibition of the same name at Daniel Newburg Gallery in New York, organized by Robert (Bob) Nickas. Participating artists include Vito Acconci, Richard Artschwager, Robert Barry, Larry Clark, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Neil Jenney, Jasper Johns, On Kawara, Olivier Mosset, Bruce Nauman, Blinky Palermo, Allen Ruppersberg, Roberth Smithson, Keith Sonnier, Andy Warhol, and Lawrence Weiner. In Very Good condition with spotted wear to the wraps and light sunning along the spine. Minor paint chipping away from the metal spiral binding. Interior pages are clean and unmarked. Scarce, OCLC locates only 2 copies worldwide, one in the U.S. and one in Switzerland.

Perfect bound 8vo, blue stiff paper wrappers, lettered in black to front panel and spine. A very near fine, unread copy. Early and beautiful copy of this influential literary magazine, edited by Richard Johns. Running for twelve issues between 1930 and 1933, Pagany attracted contributions from the leading and emerging modernist writers of the time, many of them Paris expatriates. Contributors to this issue include William Carlos Williams (whose 1928 novel A Voyage to Pagany gave the magazine its name), Mary Butts, Robert McAlmon, Pierre Loving, Emanuel Carnevali, Charles Henri Ford and Parker Tyler. A bright, tight, unread copy.

[2] pp.; 25.5 x 25.5 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Oversized single fold exhibition announcement card published in conjunction with show held December 3, 1986 - [January 26, 1987]. Artists included Richard Artschwager, Sandro Chia, Jasper Johns, Joseph Kosuth, Roy Lichtenstein, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Ed Ruscha, David Salle, Richard Serra, Frank Stella, Robert Therrien, Meyer Vaisman and Andy Warhol. Exhibition marked an initial move by Larry Gagosian to mark himself as the heir apparent of Leo Castelli's gallery artists. Fair. Folded in two 4.1 cm.'s above bottom edge. Bumping of corners and rubbing of edges. Light discoloration along right side edge of recto and soiling along left side edge of recto with concentrated soiling in upper left corner. Light rubbing of verso, contents clean and unmarked.