john m gregor (17 resultados)

Paperback. Condición: Very Good. Lonely Planet USA (Travel Guide) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

single issue magazine. Condición: Very Good. Ron Miller (cover) Ilustrador. First Edition. Boston: Avenue Victor Hugo Publishers. 1978. First Edition. Softcover. Magazine. Pictorial wrappers [about 8.25" x 11"], saddle-stapled, 112 pages, illustrated. Very good copy cover rubbed near the spine, paper tanning/tanned as usual. mag 23.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Very Good. Chelsey Bonestell Ilustrador. First Edition. A clean, unmarked copy.

Paperback. Condición: Very Good. Chelsey Bonestell Ilustrador. First Edition. Striking cover art by Chesley Bonestell. A clean, unmarked copy with a tiny 1/8" top corner chip, in a Mylar magazine sleeve.

Hardcover. Condición: Very Good. No Jacket. Tiny if any signs of wear, book in great condition. Please refer to photos.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Einband - fest (Hardcover). Condición: New.

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 01. Hay carreteras donde cada curva es una oportunidad para atisbar una playa escondida, descubrir algún lugar repleto de historia o detenerse a saborear los más deliciosos manjares. Los autores de Lonely Planet han seleccionado 32 asombrosas rutas por carretera que atraviesan España y Portugal y permiten descubrir desde los viñedos más antiguos del mundo o las montañas más altas de la península hasta las más asombrosas playas del norte o el casco urbano de algunas ciudades tan monumentales que dejan sin aliento. Con recomendaciones variadas que satisfarán las inquietudes de cualquier viajero: tanto si se es amante del surf como si se anhela probar el bacalao portugués o pasar horas y horas en una ilustre pinacoteca, esta guía proporciona alternativas para todos los gustos. LIBRO.

hardcover. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condición: New.

Hardcover. Condición: New.

Hardcover. Condición: New.

Hardcover. Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 4° Obl. 141 pp. With many gorgeous color reproductions. In Japanese, a fine copy. Henry Joseph Darger Jr. (April 12, 1892 April 13, 1973) was an American janitor and hospital worker who became known after his death for his immense body of outsider artart by self-taught creators outside the mainstream art community. Darger was raised by his disabled father in Chicago. Frequently in fights, he was put into a charity home as his father's health declined, and in 1904 was sent to a children's asylum in Lincoln, Illinois, officially due to his masturbation. He began making escape attempts after his father's death in 1908, and in 1910 was able to escape, walking much of the way to Chicago. As an adult he did menial jobs for several hospitals, interrupted by a brief stint in the U.S. Army during World War I. He spent much of his life in poverty and in later life was a recluse in his apartment. A devout Catholic, Darger attended Mass multiple times per day and collected religious memorabilia. Retiring in 1963 due to chronic pain, he was moved into a charity nursing home in late 1972, shortly before his death. During this move, his landlord Nathan Lerner discovered his artwork and writings, which he had kept secret over decades of work. From around 1910 to 1930, Darger wrote the 15,145 page novel In The Realms of the Unreal, centered on a rebellion of child slaves on a fantastical planet. The Vivian Sisters, the seven princesses of Abbeiannia, fight on behalf of the Christian nations against the enslaving Glandelinians. Inspired by the American Civil War and martyrdom stories, it features gruesome descriptions of battles, many ending with the mass killing of rebel children. Between 1912 and 1925, Darger began producing accompanying collages, often only loosely correlated to the book. Later he made watercolors with traced or overpainted figures taken from magazines and children's books. These grew more elaborate over time, with some of his largest works approaching 10 feet (3 m) in length. Little girls, often in combat, are a primary focus of his work; for unknown reasons, they are frequently depicted naked and exclusively with male genitalia. Other writings by Darger include a roughly 8,000-page unfinished sequel to In The Realms of the Unreal entitled Further Adventures of the Vivian Girls in Chicago, a decade-long daily weather journal, and The History of My Lifeconsisting of a 206 page autobiography followed by 4,600 pages detailing a fictional tornado named "Sweetie Pie". Darger's work was unknown to others until after his death, leading to his association with the outsider art movement. His artwork was popularized by his former landlords, Nathan and Kiyoko Lerner, and is now featured in many museum collections, with the largest at the American Folk Art Museum in New York City and the Intuit Art Museum in Chicago. Darger and his work were subject to extensive critical analysis and psychobiography following his death, often focused on his depictions of nude and brutalized children. Scholars have assigned many different psychological conditions to Darger, although the initially prevalent view that he was a pedophile or murderer has been discredited.

Soft cover. Condición: Good. 2014, 304 pp, The National Gallery, London, The Riksmuseum, Amsterdam, Used Book.