joanne cubbs (66 resultados)

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condición: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Condición: Good. some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Oversized.

hardcover. Condición: As New. Very nice book. Edge of DJ has light wear.

Wraps. Condición: Fine. First edition. 4to, 47 pp., color and b/w plates and illus.

Soft cover. Condición: Good. No Jacket. Simon Sparrow, Norbert Kox and Mary Le Ravin Ilustrador. Red titles on black soft covers, 28 staple bound pages with color illustrations. Some light edge wear to cover. Published on the occasion of an exhibit in 1991. Large, square format (12' by 12").

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. A large, clean and unmarked maroon-boards art book with an unclipped dust jacket now protected in a new archival-quality, removable plastic cover. This nice copy has an :opened-only-a-few-times" look and feel with no crushes to the boards' corners. Illustrated. Stored in sealed plastic protection and mailed (bubble-wrapped) in a sturdy Jiffy Rigi Bag envelope. We ship (tracking included) promptly from Roswell, Ga. Proudly serving satisfied book customers for over thirty years.

Soft cover. Condición: Fine. 1st Edition. 4to - over 9¾ - 12" tall. 1st ed. Small quarto. Illustrated wraps. (140 )pp, color plates. SIGNED by artist Ken Little on the verso of the front cover.

Softbound. Condición: As New. Yellow, color illustrated wraps. 48 pp., many color and bw plates.

Hardcover. Condición: Fine.

Hardcover. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition. A fine copy in a fine DJ, protected by a removable mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #62.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: very_good. Very good condition. Light wear. May not include CD DVD, access code or any other supplemental materials.

Hardcover. Condición: Very Good. Dust jacket shows handling wear. Book near fine.

Hardcover. Condición: Used - Good. During 1996 and 1997 T. Marshall Hahn donated a substantial portion of his collection of contemporary folk art to the High Museum of Art in Atlanta. His gift was the first major collection of self-taught art primarily from the South to be given to a general interest American museum. This book is published in conjunction with the first public exhibition of the Hahn Collection. The collection comprises more than 140 paintings, works on paper, and sculptures-the creations of more than thirty artists. Especially strong in works by African Americans from the South, it includes work by Ned Catledge, Thornton Dial, Sr., Sam Doyle, Howard Finster, William Hawkins, Mattie Lou O'Kelley, Elijah Pierce, Nellie Mae Rowe, Bill Traylor, Raymond Coins, Henry Darger, Minnie Evans, Lonnie Holley, Sister Gertrude Morgan, John W. Perates, Martin Ramirez, Herbert Singleton, and Joseph E. Yoakum. 'Let It Shine,' a full-color catalog of the exhibition, features works by these artists as well as an interview with Marshall Hahn conducted by Lynne Spriggs, curator of folk art at the museum. An essay by Joanne Cubbs explores conceptual and aesthetic themes common to southern folk art and the place of the Hahn Collection in this field. An essay by Lynda Hartigan, chief curator of the Smithsonian American Art Museum, presents an overview of the development of a marketplace for southern folk art, a history which remains largely undocumented. The broad range of art and artists showcased in this spectacular volume reveals why the Hahn Collection is one of the most notable in the world. Distributed for the High Museum of Art A sumptuous catalog of self-taught art from one of America's major collections Book has minor shelf wear.

Hardcover. Condición: Used. Estado de la sobrecubierta: Very Good. Fine book in a near fine/ very good jacket. DJ shows some wear from handling, otherwise about Fine.

Hardcover without dustjacket as issued, 162 pages, very good condition, tiny crimps to upper right corners of covers and a couple pages; no internal marks. Foreign shipping may be extra.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Large square quarto. Hardcover. Black cloth, black and illus. dust jacket, 324 pp., color illus. Issued in conjunction with a 2005-2006 exhibition of artwork by American artist Thornton Dial (1928-2016). With a variety of thematic and illustrated essays, and many full-color examples of Dial's work. Contents as follows: Foreword / Peter C. Marzio -- The road from Emelle / William Arnett -- A cycle of works on art -- The aesthetics of (in)visibility : Thornton Dial and the politics of art / Joanne Cubbs, Mark Lawrence McPhail, and Eugene W. Metcalf Jr. -- A cycle of works on memory and autobiography -- Self-taught : on Dial's style / Paul Arnett -- A cycle of works on struggles for survival -- Revolutionary traditional art from the cultural commonwealth of Afro-Alabama / Amiri Baraka -- A cycle of works on quilts and Gee's Bend -- Creation story : Thornton Dial's quilt histories / Bernard L. Herman -- A cycle of works on September 11, 2001 -- Thornton Dial at Ground Zero : to build means to destroy / Amei Wallach -- A cycle of works on America after September 11, 2001 -- Thornton Dial and contemporary history / Richard R. Brettell -- His story/History : Thornton Dial in the twentieth century / John Beardsley -- "An attitude of hugeness" : Thornton Dial and his circle / Alvia J. Wardlaw -- An artist in the twenty-first century / Jane Livingston -- Afterword / Thomas McEvilley. VG. A few bumps to the text block along the top edge.

hardcover. Condición: New. Hardcover Book,Factory sealed,

Soft cover. Condición: Very Good. 1st Edition. Published for Josephus Farmer exhibition, November 1 - December, 17, 1982, Milwaukee Art History Gallery, Milwaukee, WI. Clean and tightly bound in stapled wraps. Light shelf wear, the contents remain fine.

Paperback. Condición: Very Good. 1st. vii, 26 pages, colour illustrations; 31 x 31 cm. Catalogue of an exhibition held March 3 to May 12, 1991 at the John Michael Kohler Arts Center. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. *** Christian art and symbolism in the work of outsider artists Simon Sparrow, Norbert Kox, and Mary Le Ravin. Art brut. Large, square-format catalogue. Size: 4to.

First edition 140 illustrations including 120 in full color. This was a donation to the High Museum of Art in Atlanta. This gift was a first major collection of self-taught art primarily from the South to be given to a general interest American museum. Much of that collection or at least a selection can be enjoyed in the book, in full color or full page with deep informative text about the author and their work. Fine and bright brown boards with gilt titles in like dustjacket with crisp bright text throughout.

Wraps. Condición: VG+. Foreword by John E. Ollman; Catalogue Essay by Joanne Cubbs; Color Plates; Exhibition Check List; Chronology; Selected Exhibitions; Bibliograpgy. ; 19 Color ; 8vo 8" - 9" tall; 54 pp.

Hardcover. Condición: New. 'Von Bruenchenhein belongs among the great American outsider artists.' -Roberta Smith, The New York Times King of Lesser Lands traces the fugitive career of Eugene Von Bruenchenhein (1910-83), a prolific creator of a diverse range of distinctive images and sculptural objects, who produced his art in private over a period of about 50 years at his home in Milwaukee, Wisconsin. His large and unusual body of work was not discovered until after he died. In 1939, at the age of 29, Von Bruenchenhein met Evelyn Kalka. She became his wife and muse. Evelyn, who was nicknamed 'Marie,' served as his model and the subject of thousands of erotic photo-portraits, which he shot and printed himself. For these images, which emulated girlie-magazine pinups with an offbeat air, Von Bruenchenhein designed and created his own background sets and costumes for Marie. Around the mid-1950s, the artist began to make abstract paintings using his fingers or sticks, combs, leaves and other makeshift utensils to push oil paint around the surfaces of Masonite boards or cardboard taken from packing boxes at the bakery where he worked. Von Bruenchenhein's abstract explosions of vibrant color evoke the forms of strange plants or fantasy creatures and architectural structures. Later, Von Bruenchenhein used clay to produce home-fired crowns and vases, and also created mysterious sculptures resembling towers or thrones with chicken and turkey bones. During his lifetime, only his closest family members and friends knew anything about his artistic pursuits. In 1983, after the artist's death, one of his friends called the attention of the Milwaukee Art Museum to Von Bruenchenhein's extraordinary oeuvre. On the occasion of a 2010 survey of his work at the American Folk Art Museum in New York, Roberta Smith wrote in The New York Times: 'Von Bruenchenhein belongs among the great American outsider artists whose work came to light or resurfaced in the last three decades of the 20th century.' Smith placed Von Bruenchenhein's unusual art in the company of that of Henry Darger, Martin RamIrez, Bill Traylor, James Castle and Morton Bartlett.