Jerry stoll (11 resultados)

Hardcover. Condición: Very Good. No Jacket.

Soft cover. Condición: Good. Volume 1 number 4, contains photographs of Louis Armstrong at Monterey Jazz Festival by Jerry Stoll. Jerry Stoll (photograaphs) (ilustrador).

Original Wraps. Condición: Very Good. No Jacket. First. Very good in original wraps, handling, browning of wraps. 184p., first few pages are brilliant photographs of Louis Armstrong at the Monterrey Jazz Festival, by Jerry Stoll. Peter Viereck w/ satire and an essay called Inner Liberty. Poetry by John Updike and Joanne de Longchamps. Stoll, Jerry(photographs) (ilustrador).…

Soft cover. Condición: Very Good. 1st Edition. In German and English. Features critical essays, installation images, and interviews with the artists. Well-bound and internally unmarked. Light wear to extremities of wraps.

Soft cover. Condición: Very Good-. Saddle-stitched in printed card covers. Blemish in center of front cover. Light corner wear. Printed on alternating gray and orange paper. Some staple-rust on a few pages, else interior is clean and unmarked. 65, [2] pages. 8.25 x 8 inches. The second issue of Lincoln High School's long-running literary journal, published in 1966. Contributions by Philip Anderson, Bill Boone, Ken Butler (art), Michael Callas, Cathy Carlson (decorations), Janet Cavallero, Cheryl Christie, Gail Cronyn, Steve Dresler, Jerry Exel, Carol Freeland, Katy Goodsell, Cinda Hill (decorations), Laurie Hoff, Debbie Krall, Don Lachman, Kathy Lichter, Margaret Montagna, Bruce Morrison, Larry Naito, Liz Peters, Sharon Ray (art), Michael Riley, Julia Stoll (art), and Cheryl Tonkin.…

Soft Cover. Condición: Near Fine Plus. First Edition. wrappers, as issued., only a bit of rubbing, negligible. no flaws - clean, no writing or markings, strong binding sewn/glued.; parallel text german-english. one of 1300 unnumbered copies printed.; 95pp., illustrated throughout in color, b/w. five essays and one interview (with jeff wall). reference material. Size: 8vo - over 7¾" - 9¾" tall. Exhibition Catalogue.…

Trade Paperback. Condición: Near Fine. A clean, unmarked book with a tight binding. 96 pages. Text in English and German. Exhibition catalog.

Mass Market Paperback. Condición: Good. Contact Editions; Angel Island Publications January 1961 Binding: Mass Market Paperback front cover is slightly worn.

Cloth. Condición: Near Fine in Very Good + DJ. Third edition. The exceedingly scarce hardcover edition. Photography by Jerry Stoll and text by Evan S. Connell Jr. D/j has several short, closed tears. Slight wear at extremities. Very nice copy of a desirable book.

No Binding. Condición: Very Good. Original 64 x 48 cm poster. Photograph of Billie Holiday by Jerry Stoll. In very good condition. Jerry Stoll (1923-2004), a photographer perhaps best known as the official photographer for the first eight years of the Monterey Jazz Festival.

A fine tranche of captivating and apparently unpublished images of Miles in the early sixties, the work of the highly acclaimed Jerry Stoll, "house photographer" to the Monterey Jazz Festival during its inaugural years (1958-66). Two show a pensive Davis onstage at Monterey in 1963, these images clearly taken at the same time as that used for the cover of the album Miles Davis Quintet: Live at the 1963 Monterey Jazz Festival. There is an excellent profile shot of the trumpeter in performance and two others taken from behind and at a low angle, catching something of the inward nature of Davis's ballad playing. Another shows him looking quizzically beyond the cameraman. Two terrific, closely framed shots, apparently taken at rehearsals, show Davis with the brilliant Tony Williams, whom Davis would refer to as "the fire, the creative spark" - the trumpeter looking relaxed and clearly beguiled by his new young drummer. In Miles: The Autobiography, Davis mentions Williams's appearance at Monterey in 1963, initially sitting in with the veterans Elmer Snowden and Pops Foster, whose drummer had failed to show up. "So he played with them two guys he had never heard of, had never heard their music, and was a motherfucker; just turned Pops and Elmer and the whole entire festival out. That's how bad that young little motherfucker was. Then a little later after he got through playing with them, he went on with us and really kicked ass. All this from a seventeen-year-old who nobody had hardly heard of before the beginning of the year". Another image shows Davis in performance with Coltrane, possibly dating to early 1960, the year the tenorist left the quintet: this a fine study, Davis's head in deep shadow, Coltrane standing in the background, head bowed. Finally, there are two candid shots, one a delightful off guard image of Davis in conversation while seated on a wash hand basin, his trumpet case to hand, and a full-length portrait that captures the classic Davis profile, pictured practising in a backstage bathroom and using the harmon mute that he employed to such memorable effect. Miles Davis and Quincy Troupe, Miles: The Autobiography, 1990. Eleven "7 x 5" inch photograph proofs (178 x 127 mm). Studio wet stamp to versos, each marked as "Proof". All in excellent condition.…