jerome pastene (40 resultados)

Hardcover. Condición: very good. Very Good Copy. Customer Service Guaranteed.

Decorative Hardcover. Condición: Used-Acceptable. No Jacket. Murray Schwartz (Book Design) Ilustrador. 1st Edition. 307 pp. Stated first edition! A perfectly acceptable study/work/research/reading copy! A well bound copy with moderate to extensive overall wear and use. Copy with clean text and crisp pages. An ex-public-library copy (Ex Libris Belmont Public Library, Boston, MA) with all or some of the typical, common, usual and standard signs (stamps, stickers, envelope, etc.). Glued newspaper article placed by previous owner included. Damaged spine. No dust jacket.

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Good. 1944. 121 pages. Yellow pictorial dust jacket over yellow cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning. Unclipped jacket has light edge-wear with minor tears and chipping. Mild rubbing and marking.

First Edition. First Edition Hardbound Good-/Good-., DJ 8vo, 307, General wear to book. DJ has been wet on the spine and bottom inside corner, next to spine has a small stain. Prev. owner's name inside front cover, markered out. DJ has heavy wear to edges/corners - several edge tears. DJ has been price clipped.

Hardcover. Condición: Very Good. First Edition; First Printing. 307 pages; New York: Very Good. 1951. First Edition; First Printing. Autograph; 307 pages; Publisher's pale red cloth, spine and front cover lettered in gilt. Halftone illustrations thoughout. Signed by Paul Hume on the front free-endpaper. From the music reference library of the late Paul Hume, long time musical editor of the Washington 'Post. ' Hume [1915-2001] earned a degree from the University of Chicago, and, in addition to his multi-decade career in musical journalism, served as as professor of music at Georgetown University (1950-1977) , as adjunct professor of music at Yale University (1975-1983) , and also hosted long-running classical music programs at WGMS-FM radio in Washington, D. C. He is best known for his substantial and influential term at the Washington 'Post" -- 1946-1982, for which he won numerous awards including a Peabody; Hume also wrote several books. Despite all this, during a couple of days fairly early in his tenure at the 'Post, ' Paul Hume became the most famous music critic in America. He achieved this unsought status by publishing a review of a recital December 5, 1950 at Washington's Constitution Hall, writing that the singer possessed "a pleasant voice of little size and fair quality. She is extremely attractive on the stage. Yet . . . There are few moments during her recital when one can relax and feel confident that she will make her goal, which is the end of the song. She is flat a good deal of the time . . . She cannot sing with anything approaching professional finish . . . She communicates almost nothing of the music she presents ." All in a night's work for a working music critic -- unless the subject of a review is the only child of a President of the United States. Such was the case for Paul Hume in 1950. The President was not at all pleased to read Paul Hume's review in the 'Post. ' He took two sheets of White House stationery and wrote (in longhand) an emotional and un-Presidential letter to the critic. One key phrase stands out: "Some day I hope to meet you. When that happens you'll need a new nose, a lot of beefsteak for black eyes, and perhaps a supporter below!" Margaret Truman initially told reporters "I am absolutely positive my father wouldn't use language like that. "In the first place . My father wouldn't have time to write a letter . . . Mr. Hume is a very fine critic. He has a right to write as he pleases." Cautiously, Hume and the Managing Editor of the 'Post' sought confirmation from the White House that the letter, signed only with the initials "H. S. T. " had indeed been written and sent by the President. Soon, after the Executive Office did confirm Presidential authorship of the note, a 'Post' competitor, the tabloid Washington 'Daily News' put the whole story on its front page. In 1951, Hume reportedly sold the original letter written to him by the angry President -- for $3500. It was resold once before being purchased by publisher/collector Malcolm S. Forbes in 1983, who displayed it for the rest of his life in his collection of historical documents. After Forbes' death, Christies in New York sold the Truman letter for $193, 000 [Sale 1032, lot 177, 26 March 2002]. In an interview published just after his eightieth birthday, Hume was philosophical about the incident which made him famous: "the President has every right to get mad, and to show it in any way he wants. I wrote a review President Truman hated, and he wrote to say so. It wasn't considered Presidential, but I loved him for having written it" -- [People Magazine, 29 January 1996, p.94]. ; Signed by Notable Personage, Related .; Music and Performing Arts, Most Recent Listing, Most Recent Listing.

HB 8vo G+/-- Illustrated. 98 pages. Red cloth boards with black letters. Light rubbing at spine ends, not frayed; irregular sunning on rear cover; slight age darkening on eps; tight; clean interior. Works of Beethoven, Tchaikovsky, Haydn, Mozart, Schubert, Mendelssohn, Dvorak, Brahms, Franck, Sibelius.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. First Edition. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Light scuffing and smudging to boards and spine strip. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. This copy is the First Edition of the published work. Secure packaging for safe delivery.

First Edition. 8vo, pp. 307. Discography, list of works. Illustrated. A VG tight copy in torn and soiled dj.

Encuadernación de tapa dura. Condición: Excelente. (Viajes). New York, McGraw-Hill, 1954. VIII p. 1 h. 338 p. 2 h. 8º. Tela editorial sin sobrecubierta. Excelente ejemplar. En inglés.

Hardcover. Condición: Fair / Good. No Jacket. Dorothea Parrot Ilustrador. Cloth bound hardback volume, no dust jacket, 121 pages. General wear and marks to the cloth covers, with a white stain to front board. Denting to corners. Neat inscription to the front endpaper but otherwise there is no further annotations or notes within the text. Some creasing to the pages, and a tear to the last page (Page 121). Cracking between some of the signatures where the adhesive has failed and, even though the stitching is still intact, may feel a little loose. Size: 5¾" - 6¾" tall. Weight: 125g.

Encuadernación de tapa dura. Condición: Muy bien. Estado de la sobrecubierta: Aceptable. Edit. Espasa Calpe 1958 Madrid. 268p. Octavo mayor (22,5x15cm). Guaflex con sobrecubierta. Muy buen estado. Sobrecubierta con roces de uso y algún leve rasgado y mancha. Ilustraciones en b/n. "Compás de tres por cuatro es un meláncolico documento de una época que empezó bailando y despertó en los campos de concentración o en la miseria (.)".

Dura. Condición: Buen Estado. Estado de la sobrecubierta: Buen Estado.

Encuadernación de tapa dura. Condición: Aceptable. Estado de la sobrecubierta: Aceptable. E240859. Espasa-calpe - 263pp S.

Dura. Condición: Buen Estado. Estado de la sobrecubierta: Buen Estado.

tapa dura. Condición: Bien. Biografías (929 Strauss, (Familia)), Música (78 Strauss (Familia)) Compás de tres por cuatro: (la vida y la musica de la familia Strauss, de Viena) Espasa-Calpe. Madrid. 1958. 23 cm. 268 p., 6 lám. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Introducción por Arthur Fiedler ; Traducido del inglés por Maria Teresa de Llanos. Strauss (Familia). Fiedler, Arthur. 1894-1979 . Sobrecubierta deslucida. Firma del anterior propietario. (=3397854=) LB138.

Hard Cover. Condición: Very Good (+). No Jacket. No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 307pp. The life and music of the Strauss family of Vienna. Although the waltz had appeared in Vienna in the later half of the 18th century, it was the Strauss family which made it into the most popular dance form in the 19th century. Illustrated. We do not use stock photos, the picture displayed is of the actual book for sale. Every one of our books is in stock in the UK ready for immediate delivery. Size: 8.75 x 5.75 inches.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New.

Madrid, Espasa Calpe, 1958, 4º tela, 268 págs.+ láminas.

Hardcover. Condición: Brand New. new ed edition. 307 pages. 8.60x5.60x1.20 inches. In Stock.

Hardback. Condición: New.

1958, Ed. Espasa-Calpe. 4º, 268 Pág. Muy buen estado de conservación, con sobrecubierta original. MÚSICA 3164.

Tapa dura. Condición: 2ª Mano. , . La vida y la música de la familia Strauss de Viena. Pequeño roto en la parte trasera de la cubierta. La vida y la música de la familia Strauss de Viena. Música, alguna fotografía, pentagramas, . Tela 15x22cm., 265pp.

Encuadernación de tapa blanda. Condición: Aceptable. Cinco libros en aceptable estado, encuadernados en rústica y en tela. Los libros son los siguientes: BALLET + DIE WIENER GAUNERSPRACHE Eine stark aufgelockerte Dissertation + SERVUS DU Robert Stolz und sein Jahrhundert + LA DISCOTECA IDEAL DE LA ÓPERA + COMPÁS DE TRES POR CUATRO (La vida y la música de la familia Strauss , de Viena ).