jencks charles editor (23 resultados)

softcover. Condición: Fine copy. Profusely illustrated Ilustrador. 1st. 4to, 96 pp., With a critical discourse by Robert Maxwell & Jeffrey Kipnis.

Soft cover. Condición: Good. 1st Edition. Stiff color pictorial wraps. Highlighting through first 120 pages, clean and unmarked thereafter. Crease and thumbing marks to front cover, square and uncreased binding. 1st ptg. Size: 8vo - over 7¾" - 9¾" tall. Book.

Paperback. Condición: Fine. First Edition. Pictorial softcover. First edition. Book is in fine condition, crisp and clean, with tight binding and sharp corners. Color photos as well as multiple architectural elevations and diagrams throughout. 4to. 143 pp.

Wraps. Condición: Very Good. 198 pp. VG+ Slight loss on upper fore corner face, slight sun toning, shelf wear. Insides clean and tight. Includes a G copy of Le Corbusier "Towards a New Architecture".

Soft cover. Condición: Very Good. 1st Edition. Softcover volume, measuring approximately 7" x 9.75", shows light shelfwear. Binding is sound. Pages are clean and bright. 416 pages. "This anthology presents the synthesising trend in all its diversity and includes key historical texts by Daniel Bell and Jena-Francois Lyotard as well as seminal papers by Andreas Huyssen, James Collins, Umberto Eco, John Barth, Linda Hutcheon, David Lodge, among others. This book includes: New Culture Theory, Late Modernism as Post-Modernism, Literature, Art, Architecture, Film, Sociology, Politics, Geography, Feminism, Science and Religion.".

Trade Paperback. Condición: Very Good. Illustrated Ilustrador. First Edition. London: Architectural Design, 1980. First edition. Folio. Trade paperback, 144 pp. Heavily illustrated in color. Light shelf wear. Very good.

Softcover. 4°, Original 80-page brochure, richly illustrated in color and monochrome. Cover slightly rubbed, overall in good condition. -- Originalbroschur mit 80 Seiten, reich farbig und einfarbig bebildert. Einband mit leichten Gebrauchsspuren, insgesamt gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! K09730-436425.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. A crisp, clean Near Fine copy with a touch of foxing to the top edges in a bright, clean, Near Fine mylar-protected lightly rubbed dust jacket. 144 pp., with over 100 illustrations mostly in color. Features work by Frank Gehry, Morphosis, Eric Owen Moss, Charles Moore and many others.

paperback. Condición: As New. Used softcover like new. No spine creases, breaks, writing, highlighting or underlining. Clean, sharp serviceable copy.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Publisher's hardback in very good condition: firm and square, strong joints, just mildly rubbed. Complete with original dustjacket: slightly edge-worn and a little darkened, even so still showing well. Contents tight and clean; no pen-marks, save a previous owner's inscription at the endpaper. Not from a library so no such stamps or labels. Thus a tidy book in presentable condition.

paperback. Condición: Good.

Soft cover. Condición: Very Good. 280mm.Pp. 144.

Trade Paperback. Condición: Near Fine. Book is in excellent condition with covers showing light shelf wear/scuffing only with creaseless covers and spine. Binding is solid and square, text/interior is clean and free of marking of any kind. Publisher's sticker on front. A great many full page color prints. 463 pages. Producing a book on fashion in the 1980s is not merely a question of immortalizing one of the most feverish periods of invention, creativity, and variety in our recent history. It also means providing a window on the increasingly pervasive advance of show-business society, and on the origins of the designer "total living" environment in which we are now permanently submerged. Ralph Lauren pillowcases, anyone? How about a sip of Absolut from my Calvin Klein Home champagne glasses? ~Excess: Fashion and the Underground in the 80s chronicles the achievements of the fashion establishment in Italy and the rest of the world via its protagonists and trends. It considers the who, what, where, when, and why of an industry that has become an economic phenomenon, with enormous influence on global culture and communication. It catalogues a world in which fashions by Armani, Versace, Valentino, Gianfranco Ferr, Fendi, Missoni, Moschino, Dolce & Gabbana, Fiorucci, Thierry Mugler, Jean Paul Gaultier, Vivienne Westwood, Katherine Hamnett, Azzedine Alaa, Calvin Klein, and John Galliano appear in magazines like Vogue, Elle, Donna, Mondo Uomo, Harpers Bazaar, The Face, i-D, Interview, Vanity Fair, GQ, and Visionaire. It features work by 80s hotshot artists like Helmut Newton, Bruce Weber, Cindy Sherman, Nan Goldin, Andy Warhol, Jenny Holzer, Robert Mapplethorpe, Barbara Kruger, Gilbert & George, Pierre et Gilles, and Leigh Bowery.~Empirically organized as an index, Excess offers an indispensable point of reference for fashionistas, critics, and students. Rather than operating chronologically, it functions thematically, under such categories as Career Women, Sexy Women, American Gigolo, Night Clubbing, Wild Boys, Yuppies, and Graffiti. A special section curated by Peter de Potter is dedicated to the Neo 80s, featuring fashions by Jeremy Scott, Louis Vuitton, Berhard Willhelm, Balenciaga, Veronique Branquinho, and Bottega Veneta, as seen in the pages of Butt, Dazed & Confused, SleazeNation, Spin, Self Service, and Another Magazine. Additionally included are a series of appendices--equally balanced between mainstream and underground--which catalogue the new professions, new words, and new fashions.

viii, 92pp many colour illustrations. 28x22, wraps. Very good. Special issue on the recently concluded competition to design new Government buildings in Arizona, and a resulting exhibition held at UCLA. Articles by Jencks and others on the architecture of government from the Romans onwards.

90pp, many colour illustrations, fold-out map. 28x22, illustrated wraps. Very good, owner's name drawn artistically on ffep. An 'essential guide to 100 buildings' marking the spread of post-modernist architecture in the UK's capital.

Soft cover. Condición: Good. No Jacket. 10 books: The Language of Post-Modern Architecture. Charles Jencks. Rizzoli. 1977. 168p. oversized trade paperback, covers bumped/scuffed/chip lower spine end, binding tight, text clean/unmarkED + Uncritical Theory : Postmodernism, Intellectuals, and the Gulf War. Norris, Christopher. Published by University of Massachusetts Press, 1992. 218p. trade paperback, covers lightly bumped/scuffed, binding tight, text clean/unmarked vgISBN 10: 0870238183ISBN 13: 9780870238185 + Postmodern American Fiction: A Norton Anthology. Geyh and Leebron and Levy (eds.) Published by W. W. Norton & Company, 1997. 672p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked--ISBN 10: 039331698XISBN 13: 9780393316988 + Theories of Modernity and Postmodernity. Bryan S. Turner (ed.) Sage Publications Ltd, 1990. 184p. Trade paperback, covers bumped/scuffed, binding tight, text clean/unmarkedISBN 10: 0803983719ISBN 13: 9780803983717 + Reclaiming Identity: Realist Theory and the Predicament of Postmodernism. Paula M. L. Moya & Michael R. Hames-Garcia (eds.) University of California Press, 2000. 354p. trade paperback, covers lightly bumped/scuffed, binding tight, text has highlighting/underlining/marginalia but not too awful--ISBN 10: 0520223497ISBN 13: 9780520223493 + After the Great Divide: Modernism, Mass Culture, Postmodernism (Theories of Representation and Difference). Huyssen, Andreas. Indiana University Press, 1987. 244p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked ISBN 10: 0253203996ISBN 13: 9780253203991 + Postmodernism and Social Inquiry. Dickens, David R. [Editor]; Fontana, Andrea [Editor];Published by The Guilford Press (1994) 259p. trade paperback, covers bumped/scuffed/creased, binding tight, text clean/unmarked + Sequel to History: Postmodernism and the Crisis of Representational Time (ISBN: 0691015171 / 0-691-01517-1) Elizabeth Deeds Ermarth, Princeton University Press, 1991, 232p, trade pb, covers bumped/scuffed, clean text, solid binding, nice copy + Feminism/Postmodernism (Thinking Gender). Nicholson, Linda. (ed.) Routledge. 1990. 348p. trade paperback, covers bumped/scuffed, binding tight, text clean, some underlining /marginalia but not too bad + The Anti-Aesthetic: Essays on Postmodern Culture. Hal Foster, Bay Press, 1983, 159p, trade pb, covers lightly bumped/scuffed, clean/unmarked text, solid binding, 45.00 for all 10.

viii, 92pp many colour illustrations. 28x22, wraps. Very good. Special issue on the recently concluded competition to design new Government buildings in Arizona, and a resulting exhibition held at UCLA. Articles by Jencks and others on the architecture of government from the Romans onwards.

90pp, many colour illustrations, fold-out map. 28x22, illustrated wraps. Very good. An 'essential guide to 100 buildings' marking the spread of post-modernist architecture in the UK's capital.

Wraps. Condición: As is, binding copy. Fiftieth Anniversary Issue. The format is approximately 9 inches by 10.75 . 143, [1] pages. Illustrations (many in color). Cover worn, torn and repaired with tape. Rear cover separated by present. Ink notation on Contents page. Charles Alexander Jencks (June 21, 1939 October 13, 2019) was an American cultural theorist, landscape designer, architectural historian, and co-founder of the Maggie's Cancer Care Centres. He published over thirty books and became famous in the 1980s as a theorist of postmodernism.[2] Jencks devoted time to landform architecture, especially in Scotland. These landscapes include the Garden of Cosmic Speculation and earthworks at Jupiter Artland outside Edinburgh. His continuing project Crawick Multiverse, commissioned by the Duke of Buccleuch, opened in 2015 near Sanquhar. Jencks became a leading figure in British landscape architecture. His landscape work was inspired by black holes, fractals, genetics, chaos theory, waves and solitons. In Edinburgh, Scotland, he designed the landform at the Scottish National Gallery of Modern Art in collaboration with Terry Farrell and Duncan Whatmore of Terry Farrell and Partners. Jencks discussed his theories of postmodern architecture in The Language of Post-Modern Architecture. He examined the paradigm shift from modern to postmodern architecture, claiming that modern architecture concentrates on univalent forms such as right angles and square buildings often resembling office buildings. However, postmodern architecture focuses on forms derived from the mind, body, city context, and nature. In 2007, he published 'Critical Modernism'. This issue is one of a series desgned to examine the views held by major critics and architects on developments in current architecture. Jencks appeared on television programs in the U.S. and UK, and he wrote two feature films for the BBC (on Le Corbusier, and on Frank Lloyd Wright and Michael Graves). Postmodern architecture emerged in the late 1960s as a reaction against the perceived shortcomings of modern architecture, particularly its rigid doctrines, its uniformity, its lack of ornament, and its habit of ignoring the history and culture of the cities where it appeared. In 1966, Venturi formalized the movement in his book, Complexity and Contradiction in Architecture. Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. The movement was formally introduced by the architect and urban planner Denise Scott Brown and architectural theorist Robert Venturi in their 1972 book Learning from Las Vegas. The style flourished from the 1980s through the 1990s, particularly in the work of Scott Brown & Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. However, some buildings built after this period are still considered postmodern. In place of the functional doctrines of modernism, Venturi proposed giving primary emphasis to the façade, incorporating historical elements, a subtle use of unusual materials and historical allusions, and the use of fragmentation and modulations to make the building interesting. Accomplished architect and urban planner Denise Scott Brown, who was Venturi's wife, and Venturi wrote Learning from Las Vegas (1972), co-authored with Steven Izenour, in which they further developed their joint argument against modernism. They urged architects to take into consideration and to celebrate the existing architecture in a place, rather than to try to impose a visionary utopia from their own fantasies. This was in line with Scott Brown's belief that buildings should be built for people, and that architecture should listen to them. Scott Brown and Venturi argued that ornamental an.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Soft. Condición: Very Good. Very good condition. Size: 4to.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Published by Wiley, 1980, hardbound with dust jacket. Owner's stamp inside covers, else no markings noted. Book with mild wear. Jacket in good condition with faded spine, surface wear (lifting of cellophane layer).