Jed fielding (34 resultados)

Paperback. Condición: As New.

Hardcover. dj. pp. 132. Large 4to. Black and white photographs. Light general shelfwear; very good in very good dustjacket showing light edgewear. Introduction by Britt Salveson, essay by Vince Aletti.

hardcover. Condición: fine. near fine. First. Profusely illustrated with black-and-white photographs. 132 pages. Folio, black cloth, d.w. Chicago: University of Chicago Press, (2009). A fine copy in near fine dust wrapper.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. This is a fine hardcover copy in a fine dust jacket with no wear at all. Signed in ink by the photographer, Jed Fielding, on the half title and dated 3/09. Not inscribed, just signed and dated. Illustrated in black & white throughout with Fieldings photographs of Mexican subjects, all blind. Essay by Vince Aletti. 13" high X 11" wide, 132 pages. This book will be securely packed and shipped with tracking. Signed by Artist.…

Hardcover with dustjacket, 132 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 4to, cloth, dustwrapper, 132pp., ills. throughout. A VG/VG copy: clean, bright, and solid book in a clean and bright dustwrapper. First edition & printing which, we believe, to be signed at the half-title (see image). Extra postage will be asked.…

Hardcover. Condición: Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Pages are clear of markings. Binding is secure. Secure packaging for safe delivery.

dj. First Edition. First edition. Softcover. 32 pages. Exhibition catalog for a show that ran May 2 through June 28, 2003. Features texts by Kazimir Karpuszko, Joe Jachna, Joseph Sterling, Kenneth Josephson, Barbara Crane, and Jed Fielding. Includes 20 black and white images. A fine copy in stapled wrappers in a fine dust jacket and with laid in invitation card.…

Hardcover. Condición: As New. Estado de la sobrecubierta: Very Good. Some light edgewear to dustjacket. Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form. Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children?s features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding?s sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding?s work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other.…

Paperback. The catalogue for an exhibition of work by Aaron Siskind titled "Order With the Tensions Continuing" and held at the Stephen Daiter Gallery, Chicago, May 2 - June 28, 2003. Photographs by Aaron Siskind; rembrances by Joseph Sterling, Barbara Crane, Kenneth Josephson, Jed Fielding, Joe Jachna, and Kazimir Karpuszko; introduction by Stephen Daiter. First edition. Staple-bound card wraps; 32 pages; 20 duo-toned b&w plates; 8.5 x 10.5 inches. Condition: Fine/As New paperback in stiff dust jacket. Ships the next business day, wrapped in padding, in a box.…

hardcover. Condición: fine. near fine. Introduction by Britt Salvesen. Essay by Vince Aletti. 67 full page black-and-white plates, including several folding. 132 pages. Folio, black cloth, d.w. Chicago: University of Chicago Press, (2009). A fine copy in a near fine dust wrapper. Presentation copy signed by Jed Fielding. Fielding, Jed (ilustrador).…

Condición: Very Good. Hardcover, 132 pages. Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form. Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children?s features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding?s sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Record # 362082.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. (Mexico) LOOK AT ME / Photographs from Mexico City by Jed Fielding. Intro. by Britt Salvesen, Essay by Vince Aletti. First edition, University Of Chicago Press, 2009. Somewhat square folio size book, black clth binding w/DJ in as new condition. 132-pages of text fine, full-page photographs by Fielding throughout.…

Hardcover. Condición: As New. 1st Edition. Fine hardcover fine dust jacket. New York: Takarajima, 1997. No markings on pages. No ownership or remainder marks. Ships fast with tracking.

Hardcover. Condición: New. Estado de la sobrecubierta: New. BRAND NEW BOOK, STILL IN ORIGINAL SHRINKWRAP. No remainder marks. Oversized volume. A nice new book.

dj. First Edition. First edition and first printing. Hardcover. 132 pages. Features an introduction by Britt Salvesen and an essay by Vince Aletti. A powerful collection of black and white photographs of blind children from Mexico. Includes 68 duotone illustrations. A clean and tight near fine copy in black cloth boards with some bumping to the top of the spine in a close to near fine dust jacket with some bumping to the top of the spine and some other light wear. Signed and inscribed by Fielding to a New York gallerist in the year of publication. Signed.…

dj. First Edition. First edition. Oblong hardcover. 123 pages. Foreword by Denise Miller. Essays by Shirley Hazzard and Nan Richardson. A collection of 80 black and white images of Naples. A fine copy in a fine dust jacket. Signed and inscribed by Fielding on the half title page to fellow photographer Joseph Jachna. A nice association copy. Signed.…

Fielding, Jed, 1953-. City of secrets: photographs of Naples. Foreword by Denise Miller. Essays by Shirley Hazzard and Nan Richardson. Chicago, New York: Museum of Contemporary Photography, Columbia College Chicago ; Takarajima Books, 1997, 123pp., very good dust-jacket, very good large oblong red brown cloth, BUT NOTE: glossy paper is clearly wavy to the touch and along top edge, though book appears fresh. INSCRIBED and SIGNED for Andrew *** (illegible last name) Love xxx, Jed 11-97, and with a additional signature squiggle. Black and white photos of the people of Naples, children, old people, mostly close-ups, could be poor people anywhere in the world. Odd. ISBN 0965888703 9780965888707.…

hardcover. Condición: fine. Estado de la sobrecubierta: fine. First. Foreword by Denise Miller and essays by Shirley Hazzard & Nan Richardson. Illustrated with 80 photographs. 124 pages. Slim oblong 4to, orange cloth, d.w. Chicago: Museum of Contemporary Photography, (1997). First edition. A fine copy in a fine dust wrapper. Signed and inscribed by Fielding on halftitle page. Jed Fielding (ilustrador).…

Hardcover. Grey pictorial DJ with white, orange and grey lettering; black cloth over boards with stamped lettering; 132 pp.; chiefly illustrations. "Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look At Me draws attention to (and distinctions between) the activity of sight and the awareness of form." "Combining aspects of his acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures, probing the enigmatic boundaries between surface and interior. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding's work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look At Me contains more than sixty arresting images from which we often want to look away, but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer."-- Jacket. VG (Ex art library with sticker on DJ spine and to rear endpaper; DJ and boards are lightly edgeworn/scratched; interior is in excellent condition; binding is solid.).…

hardcover. Condición: near fine. Estado de la sobrecubierta: fine. First. Foreword by Denise Miller and essays by Shirley Hazzard & Nan Richardson. Illustrated with 80 photographs. 124 pages, slim oblong 4to, orange cloth, d.w. Chicago: Museum of Contemporary Photography, (1997). First edition. A near fine copy in a fine dust wrapper. A nice association copy, inscribed by the author to Shirley Hazzard who wrote one of the essays. Jed Fielding (ilustrador).…

Hardcover. Condición: Fine. 1st Edition. Fine hardcover in illustrated boards. First Edition, First Printing. Overall a bright and attractive copy, as new. B&W plates throughout. 144 pp.

Hardcover. Condición: VG/VG. Rust cloth boards with black stamped lettering. Glossy BW-photographic dust jacket with red and black lettering. 123 pp. Color illustrations. Catalogue of an exhibition from November 15, 1997 through January 10, 1998.

Cloth. Condición: Fine. Estado de la sobrecubierta: Near Fine. First Edition. Folio. Frontis., 132 pp., illus. With a Foreword by Alan Thomas, an Introduction by Britt Slavesen and an Essay by Vince Aletti. Published in conjunction with an exhibition of the same name organized by and on view at the Chicago Cultural Center from April 11 through July 5, 2009.…

Condición: Good. 4to. [32 pp.]. Very Good. Soft Covers. French folds. Printed pictorial Dust Jacket. Minor tear on back cover. Staple binding. Pages fine. 20 black and white images.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st Printing. Signed. 124 pages. Published in 1997. Retrospective collection of photographs. Jed Fielding's brilliant and moving debut. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Jed Fielding and MCA: Oversize-volume format. Maroon cloth boards with black titles embossed on cover and spine, as issued. Photographs by Jed Fielding. Text by Denise Miller, Nan Richardson, and the great novelist Shirley Hazzard. Separations by Robert Hennessey. Printed on pristine-white, glossy stock paper by Meridian Printing Rhode Island in the United States to the highest standards. The reproduction quality is exemplary in every respect. In pictorial DJ with titles on the cover and spine, as issued. Published on the occasion of the landmark exhibition of the same name held at The Museum of Contemporary Photography Columbia College Chicago from November, 1997 through January, 1998. Presents Jed Fielding's "City of Secrets". Black-and-white photographs, made over a period of twenty years, of Naples, a city that became a personal obsession for the artist. Her citizens, from kids in diapers to weathered old men, loom into the frame like characters out of Fellini, bursting with antic, earthy energy. Fielding confronts and embraces his expressive subjects, building up a portrait of a place that is as visceral as it is cinematic, a true theater of the streets. All of Fielding's images seem to have stories behind them. The possibility that the stories might reveal themselves makes these portraits of a fabled city irresistible. A student of Harry Callahan and Aaron Siskind, Fielding has mastered the subtleties of focal point and rim. "His extraordinary images constitute a major body of work by an important new voice" (Publishers Weekly). Nan Richardson's essay is insightful. Shirley Hazzard provides a historic and poetic context for Fielding's work. Still: The photographs speak for themselves and must stand on their own. "I loved it and dreaded it and just kept going back" (Jed Fielding). An absolute "must-have" title for Jed Fielding collectors. This copy is very prominently and beautifully signed, dated, and inscribed in black pen-marker on the half-title page by the photographer: "For Paul, with affection and gratitude, Jed 2/03". He then added his formal signature underneath. It is double-signed directly on the page itself, not on a tipped-in page. The recipient, Paul Berlanga, who is named, is the Chicago-based photography expert and important artist/painter. This title is a contemporary art photography classic. As far as we know, this is the only such double-signed, dated, and inscribed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 79 plates. One of the most brilliant American photographers of our time. A fine copy. ISBN 0965888703. Signed by Author.…

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Fine. No jacket. As new. Still shrinkwrapped.

Softcover. Condición: Near Fine. Magazine. Quarto. Perfectbound wrappers. A bit rubbed, else fine. Errata slip tipped in rear endpaper. The first and only issue of this New Jersey-based anthology featuring Fielding Dawson, Fanny Howe, Clayton Eshleman, Joel Oppenheimer, Carol Bergé, Andrew Benson, Karl Kempton, Edward Kaplan, Bonnie Gordon, George F. Butterick, Joseph Queenan, Jed Rasula, Theodore Enslin, Vincent Ferrini, Jayanta Mahapatra, Charles Bernstein, Hal J. Daniel, Colleen McCallion, Hillel Schwartz and Norman Weinstein. …

Hardcover. Condición: New. Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form.Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these childrenâs features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fieldingâs sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fieldingâs work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look at me contains more than sixty arresting images from which we often want to look away, but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer.…