Jean cocteau text (16 resultados)

Soft cover. Condición: Very Good. No Jacket. 1st Edition. 1st paperback edition. Small octavo in stiff paper covers. B&W photographs. Condition: minor wear to covers; upper corner of covers & book block slightly bumped; pages toned; else very good. 138 pages.

Condición: Gut. Jahr: c1949. Einband: Broschur. Beschreibung: Revidierte Ausgabe (1948). Titel in Dt./Engl./Frz. VN/Pl. no. B. & H. 16497. c1927 by Edition Russe de Musique (Russischer Musikverlag). New version c1949 by Boosey & Hawkes. Texte de J. Cocteau mis en latin par J. Danielou. English translations of speaker s text (Prologue) by E. E. Cummings. Deutsche Übertragung von L. Thurneiser. Mit Personen und Angaben zur Orchesterbesetzung. Vorwort (Frz./Engl./Dt.). 25 x 18 cm. Kapitale etwas lädiert. Mit Stempel einer Musikalienhandlung und Namenseintrag mit Blei auf dem Titel. Innen gut und sauber erhalten. VI, 144 S.…

Condición: Gut. Jahr: c1949. Einband: Broschur. Beschreibung: Studienpartitur. Revidierte Ausgabe (1948). Titel in Dt./Engl./Frz. VN/Pl. no. B. & H. 16497. c1927 by Edition Russe de Musique (Russischer Musikverlag). New version c1949 by Boosey & Hawkes. Texte de J. Cocteau mis en latin par J. Danielou. English translations of speaker s text (Prologue) by E. E. Cummings. Deutsche Übertragung von L. Thurneiser. Mit Personen und Angaben zur Orchesterbesetzung. Vorwort (Frz./Engl./Dt.). 25 x 18 cm. Beiliegend das Textheft (17 x 13 cm, 16 S.). Gut und sauber erhalten. VI, 144, 16 S. …

Hardcover. Condición: Very Good. Dust Jacket Included. Thin 4to, Fine in About Fine D.J., french-german text, 1st edition (L3/2.

Card. Condición: VG-. 1st Edition. Cream card with black lettering and blue decoration. FRENCH TEXT. Covers are soiled but internally good clean bright tight text and illustrations.

Soft Cover. Condición: Good. No Dust Jacket. In French, English and German commentary. Text is in Latin. Nouvelle revision 1948. En deux Actes. Mis en latin par J. Danielou. Bands of sunning (discolorations) around edges. 1/2 inch fold at bottom front corner. 3/16th inch chipping at bottom of spine. May be extra post because of size and weight. Size: Folio - over 12" - 15" tall. Cummings, E.E. (ilustrador). …

Soft cover. Condición: Very Good. 1st Edition. Jean Cocteau color lithograph on front cover in very good condition. Owners last name hand written on cover and on title page. A few notes in pencil inside rear cover. A few pencil notes within the musical score. 71 page musical score La Voix Humaine by Poulenc. All text is in French by Cocteau. Beautiful Cocteau cover (see photos). Jean Cocteau (ilustrador).…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. 1st American edition. Inscribed and signed by Ned Rorem on the first free endpaper to screenwriter Gavin Lambert; from Lambert's library, as indicated by his rubber-stamp on the first free endpaper. Small octavo. Condition: some minor nicking to top and bottom edges of DJ spine; small chip to top edge of back panel of DJ; light wear to DJ; slight sun-fading to top and bottom edges of cloth binding; else near fine in very good DJ. Pages: xvi, 160. …

Soft cover. Condición: Good. Inscribed to Tony Brand and signed by Lucien Clergue (noted French photographer, author and filmmaker, 1934-2014) on the half title page. This trio collaborated on another bullfighting title: Toros Muertos in 1962. French language text. Some light surface wear. 4to. 77 pp.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. First Edition; First Printing. First American edition. Near fine in very good dust jacket. (Interior clear tape mends to jacket. Several moderate sized tears & smaller chips as well as traces of shelf wear & mild soiling to edges jacket. Hint of foxing beside spine on rear cloth cover. ) ; First American edition. Near fine in very good dust jacket. (Interior clear tape mends to jacket. Several moderate sized tears & small chips as well as traces of shelf wear & light soiling to jacket. Hint of foxing next to spine on rear cloth cover. ).…

Softcover. 4to. 58pp. Original photographic wraps. Frontispiece. Photographic work on Paris, profusely illustrated with reproductions in photogravure. Preface by French artist Jean Cocteau. Photographs by Roger Schall. Text in French. Front and rear wrapper detached. Spine torn, parts of backstrip missing. Wraps in poor, interior in overall very good condition. Schall (ilustrador).…

Hardcover. Condición: Very Good. Hardcover. Folio. Edition Russe de Musique. 1928. 94 pgs. For voice and piano. Signed by Arthur Hackett, Tenor; Margaret Mattenauer, Mezzo-Soprano& Payl Leyssac and Serge Koussewitzky, The Conductor and one other person I have yet to identify. Laid in material (playbill) from the first US performance laid in. Bound in cloth with gilt titles present to the spine. Boards have wear present to the extremities of the boards (corners and extremities bumped and rubbed; stain present to the rear board) Previous owner's note stating that this copy had been signed at the first US performance of this opera (First Presentation in America with the Harvard Glee Club at the Boston Symphony Orchestra on 2/24/1928 & 2/25/1928). Stamp of Schirmer music present to the FFEP and the titel page. Text is clean and free of marks. Binding tight and solid. Oedipus rex is an "Opera-oratorio after Sophocles" by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience. E-133.…

Softcover. Thick card wraps with black lettered printing. Black, half-title, loosely inserted Rayograph, title-page, then 4 gatherings of uncut and unopened sheets (containing pages 1-15) followed by 2 loose sheets with printing, the last one being a colophon. This is copy 217, printed on Arches Vellum. Not the best copy but with merit and quite scarce. Fair. Covers are separated at the fold, minor tear to front top left portion of the cover. Covers are sopiled and sheet extremitites are age-toned and intermitently lightly soiled. Rayograph is quite clean and vibrant. Suitable for restoration or as a very nice reading or reference copy.…

Condición: Good. The complete portfolio of thirty-two lithographs (sixteen in colors), hors-texte, title page, text in French, and justification. This is the deluxe edition of 48 copies with a an extra suite of the lithographs on Rives.Sheets loose (as issued), with original brown paper wrapper with original lithographic cover, and yellow cloth-covered portfolio stamped with artist's name in red. Front cover slightly time stained.15.5 x 11.5 inches sheet size; 395 x 290mm.The last artist book by Cocteau, finished a few hours before he died. Luc Monod: Manuel De L'Amateur Livres Illustres Modernes 1875-1975, no. 7626.32 lithographies en couleurs par Jean COCTEAU, dont un frontispice et un titre-frontispice.Tiré à 200 et quelques exemplaires, celui-ci (n° 48), un des 48 sur vélin de Rives comprenant une suite supplémentaire des lithographies en couleurs.…

Geh. 8°, o. P.: 16 Bl. mit 24 Abb. (ganzseitig oder auf Tafeln). Einband min. gebrauchsspurig; allg. tadellos. EA. Mit Widmung von Lucien Clergue in schwarzer Tinte an Sebastian Goeppert auf Titelblatt (datiert [wohl] Januar 1982). Mit einem Text zu Antonio Ordonez Araujo (der Torero «numero uno») von Jean Cocteau (2 S.), ausserdem dessen Kurzbiografie (2 S.). …

Condición: Good. Letterpress on card stock. 35.5 x52 cm.14" x 19 7/8" broadside. Philip Hofer. Broadside of an Alphabet with quotes by Douglas C McMurtrie, Jean Cocteau and Emanuel Geibel about letters and the alphabet in a variety of languages. Calligraphed by Hermann Zapf and commissioned by Philip Hofer. Printed in 7 colors. The colophon line is in German, and can be translated as "For Philip Hofer in Cambridge, written by Hermann Zapf, Frankfurt am Main 1959". Hermann Zapf (pronounced "tsáff," born November 8, 1918) was a German typeface designer who lived in Darmstadt, Germany and was married to calligrapher and typeface designer Gudrun Zapf von Hesse.Zapf's work, which includes Palatino (1948, named after 16th century Italian writing master Giambattista Palatino) and Optima (1952, a flared sans-serif, released by Stempel in 1958. Zapf disliked its name, which was invented by Stempel's marketers), has been widely copied, often against his will. The best known example may be Monotype's Book Antiqua, which shipped with Microsoft Office and was widely considered a "knockoff" of Palatino. In 1993, Zapf resigned from ATypI (Association Typographique Internationale) over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members.In 1935, Zapf attended an exhibition in Nuremberg in honor of the late typographer Rudolf Koch. This exhibition gave him his first interest in lettering. Zapf bought two books there, using them to teach himself calligraphy. He also studied examples of calligraphy in the Nuremberg city library. In 1938, Zapf designed his first printed typeface for D. Stempel AG and Linotype GmbH of Frankfurt, a fraktur type called Gilgengart.In 1976, the Rochester Institute of Technology offered Zapf a professorship in typographic computer programming, the first of its kind in the world. He taught there from 1977 to 1987, flying between Darmstadt and Rochester. There he developed his ideas on digital typography further, with the help of his connections in companies such as IBM and Xerox, and his discussions with the computer specialists at RIT. Zapf used his experience to begin development of a typesetting program called the "hz-program", which Adobe Systems acquired and later incorporated in their InDesign program.Expertise by: Dominique COURVOISIER,Expert de la Bibliothèque nationale de France. Membre du Syndicat Français des Experts Professionnels en ?uvres d'art5, rue de Miromesnil 75008 Paris.Provenance: from the estate of Raymond Gid who died Sunday November 12, 2000 in Paris. Born on November 25, 1905, Raymond Gid became first known through his posters, after having studied at les Beaux-Arts. As a film enthusiast, he designed many movie posters, for example Vampyr de Dreyer (photomontage, 1932), Le Silence de la mer by Melville (1949), Les Diaboliques by Clouzot (1955). But a meeting with Guy Levis Mano (editions GLM), editor and typographer, soon directed Gid towards the book. In 1935, he publishes, together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats, Chiens by Ylla. It is an intensive period of his life period: he meets Dufy, Corbusier, Hake, Lurcat and receives the gold medal for a poster at the International exhibition of Paris (1937). He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre, « bete-a-bon-Dieu » of the Resistance, Raymond Gid began to design liturgical texts. Apocalypse Six (an extract of the biblical text of Saint John) appeard after the war. It is one of his major works, composed in the Peignot typeface, which was designed by Cassandre in 1937. He designs several post-war period posters, for example Week of absent, a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure (Provence) in 1954, Raymond Gid participates in discussions on typography, particularly with Maximilen Vox, Charles Peignot, Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos (1954), then some pages in Caractere Noel 1955, dedicated to his friend Jan van Krimpen, the creator of dutch type faces. He plays with the breathing of the text, in the manner of Mallarme, as in his Book of hours (1959) or his Apocalypse (1964), adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee (1961), Bally (1976) or, heavier fare, like that of Amnesty International (1973). During his whole life, Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions, mixing them with his very free drawings, as for example in Messidor published by the Imprimerie nationale (1989). Jean-Francois Porchez, type designer; translated from french by Babelfish and cleaned up a bit. Links Art and Poster Bally posters Chicago Center for the Print Bally posters Poster Auctions International, New York Catalogue from the personal exhibition at the Bibliotheque Forney, Paris, in 1992.…