Jazz pianists (3 resultados)

Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 20,43
Envío por EUR 10,50Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: 3 disponibles
Condición: New. 2008. Sheet music. . . . . .

Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 25,02
Envío por EUR 9,23Se envía dentro de Estados Unidos de AmericaCantidad disponible: 3 disponibles
Condición: New. 2008. Sheet music. . . . . . Books ship from the US and Ireland.
Más imágenesEditorial: 1950-60s 1950
Librería: Peter Harrington. ABA/ ILAB., London, Reino UnidoPeter Harrington. ABA/ ILAB.
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EUR 1135,00
Envío por EUR 25,52Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Attractive collection of portraits of five jazz greats, those of Paul Bley and John Lewis are vintage prints from the studio of Burt Goldblatt, with wet stamps on verso. Goldblatt's New York Times obituary describes him as "a prolific designer of moody jazz LP album covers. In the early 1950s, after the introduction of the LP, t…he most progressive American cover designs were created for jazz albums, and Mr. Goldblatt was among the pioneers in establishing the cool-jazz style. It encompassed black-and-white portraits and studio photographs, inspired by film noir, as well as gritty street scenes, often abstractly overlaid with flat colours, evoking a sense of urban night life". The study of Paul Bley shows him performing at the Newport Jazz Festival, where Goldblatt was very much the house photographer, publishing an illustrated history of the festival in 1977. Bley, in the avant-garde of developments in the music, "has produced vivid, vital jazz couched in an advanced and challenging idiom" (Cook & Morton). That of John Lewis - leader of the MJQ, one of the most successful small groups in jazz - is an intimate close-up shot of him at the keyboard. Bill Evans is shown standing at the keyboard working through some changes with another musician, perhaps drummer Kenny Clarke; the figure at Evans's elbow may be fellow-pianist Hank Jones. Similarly, Tommy Flanagan, sporting a flat cap and plaid shirt, is going over material with drummer Roy Haynes. Flanagan is perhaps best known for his work accompanying Ella Fitzgerald and Tony Bennett, emerging in the '70s and '80s as "a bebopper of gentlemanly distinction" (Cook & Morton). The shot of Wynton Kelly is a delightful unguarded portrait, showing him at the piano smiling and clearly in conversation, sporting a hat with upturned brim and hip suit. Like Evans, Kelly played on Miles Davis's timeless album Kind of Blue and is described by the All About Jazz website as "a superb accompanist loved by Miles Davis and Cannonball Adderley". Richard Cook & Brian Morton, The Penguin Guide to Jazz Recordings, eighth ed., 2006. Five original silver gelatin prints (each 254 x 200 mm). Bley: identified on verso in black felt tip, Burt Goldblatt wetstamp; Evans: identified on verso in pencil; Flanagan: identified on verso in pencil; Kelly: ghost of tape marks on verso; Lewis: identified on verso in blue ballpoint, Burt Goldblatt wetstamp. Very slight blue ink smudging to the front of the image of Bley, otherwise all in excellent condition.