jay mccafferty (11 resultados)

108 pp.; 21.6 x 19.6 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 17 - March 14, 1981. Texts by Laurence Dreiband, Peter Plagens, Michael Kurcfeld, and Walter Gabrielson. Artists include Laurence Dreiband, Walter Gabrielson, Peter Plagens, Lita Albuquerque, Peter Alexander, Martha Alf, Chuck Arnoldi, Don Bachardy, Joel Bass, Billy Al Bengston, Tony Berlant, Doug Bond, Paul Brach, William Brice, Jerrold Burchman, Carole Caroompas, Karen Carson, Judy Chicago, Max Cole, Ron Cooper, Mary Corse, Ron Davis, James DeFrance, Tony DeLap, Richard Diebenkorn, Laddie Dill, Paul Dillon, Dan Douke, Bruce Everett, Llyn Foulkes, Sam Francis, Joe Goode, Scott Grieger, D.J. Hall, Marvin Harden, Charles Christopher Hill, Patrick Hogan, Richard Joseph, Craig Kauffman, Claude Kent, Peter Liashkov, Ron Linden, Peter Lodato, John Mandel, Jay McCafferty, David Mocarski, Ed Moses, James Murray, John Okulick, Margit Omar, Edward Ruscha, Miriam Schapiro, Don Sorenson, Masami Teraoka, Joyce Treiman, James Valerio, Guy Williams, Tom Wudl, and Norman Zammitt. Includes images of artworks included in the exhibition as well as photographs of the artists. Good. 1.6 cm. and 6 mm. tears to bottom edges of spine with additional rubbing of spine edges. Rubbing and dust soiling of covers with 1 cm., 1 mm., and 4 mm. areas of soiling to recto. Loosening of glue binding along inside of front and back covers, text block still attached to spine.

20 pp.; 21.6 x 28.1 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the University Art Museum, University of New Mexico, Albuquerque, in 1979. Curated by William Hemmerdinger. Essay by Melinda Wortz. Artists include Lita Albuquerque, Craig Antrim, Karl Benjamin, Jerrold Burchman, James De France, Dennis Farber, William Hemmerdinger, Charles Christopher Hill, Craig Kauffman, Ted Kerzie, Patsy Krebs, Jay McCafferty, Margit Omar, and Jean St. Pierre. Includes exhibition histories. Good. Rubbing and light soiling of recto and bumping of top and bottom right corners of publication. Foxing and light soiling of verso. Contents clean and unmarked.

quer-8°, 12ungez. S. mit Abbildungen, Orig.-Karton. Erste Ausgabe.- Der empfindliche weiße Einband minimal angegraut.

81 pp.; 21.5 x 30.4 cm.; staple bound; black-and-white & color; edition size 6200; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. Photographs by Robbert Flick. Artists included in the "Museum as Site: Sixteen Projects" exhibition are Robert Irwin, Lloyd Hamrol, Terry Schoonhoven, Karen Carson, Jay McCafferty, Robert Graham, Michael Asher, Michael Brewster, John Baldessari, Roland Reiss, Richard Jackson, Michael C. McMillen, Jonathan Borofsky, Alexis Smith, Chris Burden, and Eric Orr. Includes exhibition histories and exhibition floorplans. Includes the floorplan for the first "Art in Los Angeles" exhibition "Seventeen Artists in the Sixties," curated by Maurice Tuchman, which included artists Larry Bell, Billy Al Bengston, Wallace Berman, Ronald Davis, Richard Diebenkorn, Sam Francis, Joe Goode, David Hockney, Craig Kauffman, Edward Kienholz, John McLaughlin, Edward Moses, Bruce Nauman, Kenneth Price, Edward Ruscha, and Peter Voulkos. Good / Very Good. Rubbing of cover edges. Vertical creasing across recto and verso. Light scratching of covers. 2 cm. original pricing sticker on recto. 3.5 cm. dog-ear to top left corner of verso. Light bumping of top right corner of page. Contents clean and unmarked.

Soft cover. Condición: Fine. LIMITED TO ONLY 200 COPIES, THIS SERIES OF FOTOS SHOWS THE STONE AND ITS SHADOWS AS THE SUN MOVES. FINE, AUTOGRAPHED COPY ON THE COLOPHON SHEET. WITHOUT THE BOX. Signed by Author(s).

Condición: Good. 8vo. 23 pp. Very Good. Soft Cover. Typographical paper wraps. Staple binding. Minor shelf wear on verso, else fine. B&W plates throughout. Extremely Scarce.Collection from San Francisco Museum of Modern Art.

Schwarze Ledermappe mit eingestecktem Blatt und gegenüber 50 (je 25 Rücken an Rücken montiert) Fotos in Klarsichthülle die wie ein Daumenkino angeordnet sind. Erste Ausgabe.- Eines von 200 nummerierten und vom Künstler signierten Exemplaren.- Erschienen zur Ausstellung im Long Beach Museum of Art, April 7 - May 19, 1974.- Dabei Einladungskarte für die Ausstellung "Solar Burn Works" San Francisco, Grapestake Gallery, June 1 - June 26 1975.- Tadelloses Exemplar.

62 pp.; 26.8 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; The first issue [only published issue?] of Images & Issues Magazine, published in Summer 1980. Edited by Sandy Ballatore. Contents include: "Photography's Response to Constructivism," by Robert Atkins; "Nothing is Better than the First Attempt: Jay McCafferty and Gregg Renfro," by Sandy Ballatore; "Space/Time/Sound-1970s," by Mary Stofflet; "Vija Celmins: A Survey Exhibition," by Jan Butterfield; "Ed Moses and Peter Lodato: Analysis of Two Painters," by Adrienne Rosenthal; "Post Post-Art, Where Do We Go From Here," by Douglas Davis; "Reality Games," by Sandy Ballatore; "Philip Guston: A Very Anxious Fix," by Jan Butterfield; "Art, Audience, and the Dinner Party," by Judy Chicago; "Taste, Kitsch, Art, Metaphor: Steven Kaltenbach," by Charles Shere; "A Barbizon of Performance: What's Cooking III, San Diego," by Sanda Agalidi; "Scott Burton: Individual Behavior Tableaux," by Michael Auping; "John Cage on Joyce, Duchamp, Satie," by Robert Atkins and "How Long is the Present?," by David Antin. Cover: Werner Mantz. Very Good. Dusting of covers and light edge wear. Contents clean and unmarked.

Hardcover. Condición: Fine. No jacket. 167/200cc, signed by McCafferty. This mulitple-photobook was created for the Long Beach Art Museum.

No Binding. Condición: Good. Jay McCafferty invitation for art show at Newspace, Los Angeles. Mailed, folded, creases, lower right corner bent, and back shows color aging. Otherwise, it's just cool. 8 x 8 inches.

Two black folders with Long Beach Museum stickers on covers and interior each contain 50 b/w sequential photographs in plastic sleeves of a rock in sand on the beach being hit by a wave and a flexing arm muscle ; each folder also contains a black printed card numbered 97/200 and signed by Jay McCafferty; very good condition; both books in nice shape except slight loss to edge of sticker on front cover of Bicep volume. Foreign shipping may be extra.