jausion (13 resultados)

Un feuillet, impression recto. Condición: Très bon. Ed. originale. Edition originale de ce tract surréaliste signé et daté du 11 octobre 1943 par Amy, Costes, Godet, Thirion et Jausion. Rédigé et imprimé par Robert J. Godet, ce tract est une violente réponse au groupe de La Main à Plume et à Noël Arnaud qui avait agressé Georges Hugnet, ce dernier ayant soutenu la décision de Paul Eluard de quitter le groupe. Impression recto en noir et rouge, un feuillet 27 x 20,8 cm.

Couverture souple. Condición: Bon. Edition originale. In-8° broché, 10 pages Extrait des Bulletins et Mémoires de la Société médicale des Hôpitaux de Paris (Séance du 23 juin 1933, N° 2).

Couverture souple. Condición: Très bon. Edition originale. In-8° broché, 6 pages. Tiré à part extrait du Bulletin de la Société Française de dermatologie et de syphiligraphie.

Couverture souple. Condición: Bon. Edition originale. In-4° broché, 22 pages.

Couverture souple. Condición: Bon. In-8 Broché. 203 pages. Nombreuses photos, illustrations et figures en noir et blanc dans le texte et hors texte. BEL ENVOI autographe de Jausion sur la page de titre. Préface du Docteur Clément Simon. Un petit manque angulaire au coin supérieur du premier plat et un petit manque au bas du dos sinon très bel exemplaire.

In 8°; bross. edit. con impressioni in oro al piatto (lievissime tracce d'uso); pp. VI-(2)-203-(1)-48 (cat. edit.); con 48 figure e 11 tabelle n.t.; prefazione di Clèment Simon. Molto buona la conservazione.

Couverture souple. Condición: Très bon. Paris, sans nom d'éditeur [chez l'Auteur], 1940. Plaquette in-16 brochée sous couverture grise typographiée en brun, 12 pages. Édition originale tirée à 190 exemplaires numérotés, un des 170 sur vélin après 20 sur Hollande. Bel exemplaire.

Condición: Good. Envoi rapide Bon état couverture usagée frottée en bordure intérieur très bon non coupé. in-8. 1933. broché. 203 pages. Good.

Paris: Éditions des Réverbères, 1939. Tall narrow octavo (25.7 × 7 cm). Original sewn decorative wrappers; [40] pp. Printed on differently colored paper stock of slightly different sizes. Wrappers and one leaf with overlapping edges with minor fraying to edges; still about very good. Rare volume of poems published by the neo-Dadaist group Les Réverbères, which was founded in December 1937 by Michel Tapié, Jean Marembert, Jacques Office, Pierre Minne, and Henri Bernard, and which promoted Dadaist exhibitions, jazz concerts, stage performances, and published literary works. Among the exhibitors were: Louis Cattiaux, Marembert, Pierre Minne, Tapié, as well as members of the "La Main à plume" surrealist group: Noël Arnaud, Marc Patin, Jean-François Chabrun, and others. Among other events, the group also organized "Tribute to Dada" soirées, which featured readings of texts by Tristan Tzara, Ribemont-Dessaignes, and others. In "Art of the Defeat: France 1940?1944," Laurence Bertrand Dorléac asserts that the group still met for several gatherings retaining the spirit of the 1930s even after the German occupation of France in June 1940. The Neo-Dadaist activities around Michel Tapié have not been explored to any significant degree and are rarely mentioned in passing in the literature on Dada and Surrealism. One exception is Michel Fauré's book "Histoire du surréalisme sous l'Occupation", published in 1982. The reason for the sparse state of research is probably that the experimental, elaborate avant-garde prints, most of which were produced in very small editions, are hardly accessible due to their rarity. There is no doubt, however, that Tapié's work is relevant to art history; after all, he is one of the most important figures of the European avant-garde after the end of the Second World War. Today, he is known to a wider circle above all as an important critic and theoretician who not only contributed significantly to the reception of Max Ernst, Francis Picabia, and Jean Dubuffet through his publications, but also played an active role in the development of the "Informel" and "Tachism" tendencies after 1945. His text "Un art autre", published in 1952, is still discussed as one of the formative contributions. In it, "Dada" marks the decisive turning point for Tapié, comparable to Nietzsche in philosophy. "Dada" is described as the great, shattering break after which nothing in art could be taken for granted. (Michel Tapié, Un art autre, German transl. in: Laszlo Glozer, Westkunst. Zeitgenössische Kunst seit 1939, Cologne 1981, p. 158ff.) In the second manifesto of "Nouveau Réalisme", that important group around Yves Klein, Michel Tapié appears by name as the "guarantor of a new art movement" after the end of the war, since he upheld the "Dada myth" as a necessary "zero point," as a "tabula rasa". (See: Second Manifesto of "Nouveau Réalisme", 1961, in: ibid., p. 246.) The present work combines reproduced handwritten text with illustrations by Michel Tapié, and resembles the group's 1938 catalog in terms of design, with the addition of colored paper. We have seen a copy with wrappers printed on light green stock, leading us to assume that there was some variation in the use of the colored stock. Numbered copy of 200 on regular paper; 25 copies on "de luxe" were also issued. As of December 2025, KVK, OCLC show four copies in North America, as well as one each at the BnF and Bibliotheque Kandinsky.

Paris: Éditions Réverberes, 1938. Octavo (21 ×13.5 cm). Original printed wrappers; unpaginated (33 pp.) including a frontispiece after a drawing by Jean Marembert. Overall very good condition. Limited edition of 300 copies. Rare volume of poems published by the neo-Dadaist group Les Réverbères, which was founded in December 1937 by Michel Tapié, Jean Marembert, Jacques Office, Pierre Minne, and Henri Bernard, and which promoted Dadaist exhibitions, jazz concerts, stage performances, and published literary works. Among the exhibitors were: Louis Cattiaux, Marembert, Pierre Minne, Tapié, as well as members of the "La Main à plume" surrealist group: Noël Arnaud, Marc Patin, Jean-François Chabrun, and others. Among other events, the group also organized "Tribute to Dada" soirées, which featured readings of texts by Tristan Tzara, Ribemont-Dessaignes, and others. In "Art of the Defeat: France 1940-1944," Laurence Bertrand Dorléac asserts that the group still met for several gatherings retaining the spirit of the 1930s even after the German occupation of France in June 1940. The Neo-Dadaist activities around Michel Tapié have not been explored to any significant degree and are rarely mentioned in passing in the literature on Dada and Surrealism. One exception is Michel Fauré's book "Histoire du surréalisme sous l'Occupation", published in 1982. The reason for the sparse state of research is probably that the experimental, elaborate avant-garde prints, most of which were produced in very small editions, are hardly accessible due to their rarity. Very scarce; as of December 2023, OCLC lists only 2 copies in North America.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1817 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 268 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 268 Language: French.

Leather Bound. Condición: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1817. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 268, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 268 268.

Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1917. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 88, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 88 88.