janus press (63 resultados)

Soft cover. Condición: Very Good. 48 pages. Illustrated. Articles include Walter Horace Bray at the Raven Press and The Janus Press by Ruth Fine Lehrer.

paper wrappers. Janus Press Ilustrador. small 8vo. paper wrappers. 43 pages. Originally published by the Private Library Associations, this edition contains new material. It was published in conjunction with an exhibition at the University.

Condición: Fine. Illustrated Ilustrador. First Edition. First Edition. Fine in original printed wrappers.

Janus Press Ilustrador. small 8vo. stiff paper wrappers, cord-tied. (12) pages and inserted order form. History of the press followed by descriptions of books for sale. Handprinted wrappers. Two of the descriptions are accompanied by mounted specimens. A fine copy. stiff paper wrappers, cord-tied.

stiff paper wrappers. Janus Press Ilustrador. square 8vo. stiff paper wrappers. 47+(1) pages. An exhibition catalogue which covers 1981 to 1990 marked a major phase in the evolution of the Janus Press.Claire Van Vliet's binding and book structures became much more complex which brought a three dimensional quality to her work. Illustrated.

self paper wrappers. Janus Press Ilustrador. 4to. self paper wrappers. (4) pages. Announcement of the publication of William Shakespeare, The Tragedie of King Lear, by the Janus Press. A fine copy. Illustrated by Claire Van Vliet.

Textured grey wrappers lettered silver, fine attractive copy. With 16pp intro + 20pp detailed descriptive checklist + 16pp illustration. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

stiff paper wrappers. Janus Press Ilustrador. square 8vo. stiff paper wrappers. 47+(1) pages. An exhibition catalogue which covers 1981 to 1990 marked a major phase in the evolution of the Janus Press.Claire Van Vliet's binding and book structures became much more complex which brought a three dimensional quality to her work. Illustrated. Presentation from author in corner of free endpaper.

Hardcover. Condición: Fine. Grey and lilac two piece cloth, small 8vo., 52 pages, 16 full-page illustrations. Composed and printed by the Stinehour Press. One of 90 copies specially bound and signed by Claire Van Vliet. A fine copy in archival mylar. Signed by the Printer.

Soft cover. Condición: As New. 1st Edition. Decorations cut by Dorian McGowan. Limited to 300 numbered copies SIGNED by Snodgrass, this being #143. 4to. Unpaginated. Bound in stiff decorated grey wrappers. Printed by Claire van Vliet and Victoria Fraser at the Janus Press. Very fine. Signed by Author(s).

Condición: Good. BROADSIDE. 16mo. Folded Card, Very Good with minor creasing. Letterpress on fine paper. Illustrated.

Janus Press Ilustrador. square 8vo. paper covered boards with sewn spine. 47+(1) pages. An exhibition catalogue which covers 1981 to 1990 marked a major phase in the evolution of the Janus Press. This is one of 100 copies that have been specially bound by Stephanie Westnedge for friends of the press and bears a presentation from Van Vliet and Westnedge to Judy and W. Thomas Taylor, publisher, printer and bookseller. Claire Van Vliet's binding and book structures became much more complex which brought a three dimensional quality to her work. Illustrated. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted. paper covered boards with sewn spine.

Condición: Very fine copy. 4to, original illustrated linen over boards, printed paper spine label. Very fine copy. First edition. One of 165 numbered copies (the entire edition).

4to, printed wrappers. A fine copy of this early Janus Press book. A fine copy of this early Janus Press book. First edition. One of 100 copies (the entire edition) printed by Claire Van Vliet.

Condición: Fine copy. 8vo, woodcuts printed in colors, original illustrated wrappers. Fine copy. First edition. One of 250 numbered copies signed by Siegl (out of an edition of 300).

Large 8vo, original cloth over boards, original lithograph by Claire Van Vliet over front cover, printed paper spine label. Spine panel faintly sunned, otherwise a fine copy. Spine panel faintly sunned, otherwise a fine copy First edition. One of 75 copies (the entire edition).

Condición: Fine copy. Square 8vo, original patterned cloth over boards, printed paper spine label. Fine copy. First edition. One of 150 copies signed by McPherson & Van Vliet (out of an entire edition of 550).

See his entry in the Dictionary of National Biography. From the papers of Sylvia and Robert Lynd. Scarce: only three copies on JISC (Oxford, NLS and BL). 24pp, 12mo. Stapled. In blue printed wraps with flaps. Colophon on first page, with small indistinguishable device: 'THE FIRST BOOKLET / set, printed and published by the / Janus Press at Bickley in Kent / 1933'. Title-page: 'AN IRISH IDYLL / CHARLES DUFF / [crude vignette of shamrock] / Janus Press'. Information on reverse of title includes: 'An Irish Idyll was first used by / The British Broadcasting Corporation / on the 12th. Of July MCMXXXIII'. Internally in good condition, on lightly-aged laid paper, with slightly rusty staples, in worn wraps. An unremarkable piece of printing in a sans serif font, presumably by Duff himself, who would shortly throw up his job at the Foreign Office, and abandon his wife and four children. There is no record of any other item by this imprint. A one-act play for three characters (Mr O'Toole, Widow O'Flaherty, Widow Malone), of between 'twenty and thirty minutes' duration, set in 'the parlour of the house of the Widow O'Flaherty, in a village of County Cork, Ireland': 'The dialogue demands a rich Irish brogue of all the speakers'.

Small, oblong folio, 9 line cuts by Susan Johanknecht and 6 photographs by Susan Johanknecht and Katharine Meynell (one fold-out), original vellum-backed split boards covered with South of the Thames plaster mixed with acrylic, wrapped in publisher's linen napkin with linen tie. Very fine copy in a custom tray case. Very fine copy in a custom tray case First edition. One of 150 numbered copies signed by Johanknecht and Meynell (the entire edition).

Condición: Fine copy. 8vo, original stiff printed wrappers, 9 irregularly sized pages, accordion folded, with an irregularly sized 24-page pamphlet sewn between pages 7 and 8. Fine copy. First edition. One of 150 copies signed by Burke and Fine (the entire edition).

Condición: Very fine copy. 8vo, original printed hand-made wrappers by Jim Bicknell. Very fine copy. First edition. One of 150 numbered copies printed letterpress, with the lithographs printed from the stone, signed by Van Vliet (the entire edition).

Original Wrappers. Condición: Fine binding. First Edition. Accordion. 9-1/2" x 4-3/4" closed. [12] pp. Limited edition, one of 100 copies. Signed by Johankneckt, Van Vliet, and Miller-Brown at the colophon. As issued, in stiff wrappers of Barcham Green India Office illustrated with an image of Bach's last known musical score, the unfinished Fugue of The Art of the Fugue. The accordion style structure, designed by Van Vliet folds into 12 unnumbered pages that read parallel to the folds, recto and verso. All housed in a handmade paper slipcase with "fugal" printed on the spine. A fine copy. A wonderful collaboration between Susan Johanknecht, Claire Van Vliet, and Andrew Miller-Brown. Inspired by Bach Fugues, Johanknecht's poem is printed on the recto of accordion-fold. As Van Vliet and Miller-Brown were puzzling over the project last fall, it became apparent that the lines could be read aloud in any order. This morphed into the accumulating text on the verso. True to the musical definition of a fugue, this presentation of the poem develops through repetition and interweaving. A wonderful homage to the musical form, and to Bach in particular; all the while developing into something that is not merely an homage.

Wrappers. Condición: Fine binding. First Edition. Oblong octavo. [26] ll., illus. Limited edition, one of 150 numbered copies. Van Vliet's woven strip binding contains 12 printed leaves alternating with 14 illusion polycarbonate and flexible vinyl leaves, all laid into a vinyl wrapper and housed in acrylic slipcase. Some of the vinyl leaves have started to break down, their oils leaching into and discolor the paper leaves, an unexpected and, according to Van Vliet, perfectly fitting result. This book is referential of the author's earlier Hermetic Waste (Gefn Press, 1986) that was issued the summer after the Chernobyl disaster. She writes in an artist statement: "The collagraph prints in Hermetic Waste were derived from alchemical engravings ? here [in Waste Incant] the calligraphic line drawings are derived from science illustrations in children's text books. Redrawn and merging, the pictorial 'facts' depict a disrupted 'nature.' Poetic texts sit inside the imagery, functioning as an integrated caption. They describe processes by which toxic material enters into the environment. The back of each page lists hazardous wastes. Plastic interleaving features in both books, referencing materials used in the storage of waste. (How little has changed in twenty years.)" In her Grolier Club catalog to the collection of Robert J. Rubin, Yvonne Korshak echoes and expands Johanknecht's statement of Waste Incant: "The book, in its acrylic case, is a statement about the storage of nuclear waste in plastic. The line drawings are derived from children's textbooks, redrawn to show a disrupted nature. The toxic wastes, listed partially alphabetically, are printed on both sides of the embossed paper, each page separated by a plastic sheet. The unstable and hence inappropriate and hazardous use of plastic to contain toxic waste is emphasized by the diverse deformations of each of the plastic sheets. "How fascinating that the book is immaculate and glamorous while its topic - waste - implies what's dirty and distasteful. The ironic disjunction dramatizes the tension between the allure of easy labor, magical communications and other seductions of our high tech culture and the tarnished other side of the coin, deadly byproducts with tenacious half-lives. The book uses the very products it condemns. We can't do without it, can we?" Yvonne Korshak and Robert J. Rubin. Beyond the Text: Artists' Books from the Collection of Robert J. Ruben. Grolier Club, 2010.

Condición: Very fine copy. Square 8vo, irregularly cut colored papers bound accordion-fold, original patterned cloth, publisher's cloth clamshell box. Very fine copy. First edition. One of 175 numbered copies signed by McPherson, Claire Van Vliet, and others involved in the production.

Wrappers. Condición: Fine binding. First Edition. 12mo. [2], 16 ll., illus. Limited edition, one of 150 numbered copies. Double-spine structure within tri-fold binding of stiff printed wrappers in slipcase. Title page and colophon leaves are bracketed by a beautiful translucent tan paper made by Van Vliet from pulp prepared with seawater by Bernie Vinzani. The 16 numbered leaves are printed on the recto only and alternate with odd-numbered leaves bound on the right, and even on the left creating a beautiful back-and-forth choreography in order to navigate through the book before the reader reaches Van Vliet's photograph of Governor's Bay on the South Island of New Zealand. All housed in paper-covered slipcase with spine label. A wonderful book by Van Vliet that showcases Loney's evocative lyrics capturing a sense of place at a moment in time, but also a sense of being-it is introspective and aware. A beautiful poem wonderfully presented by Van Vliet in a binding that asks the reader to slow down and approach it on its terms. Fine, Ruth. Janus Press - Fifty Years, p. 59.

Condición: Fine copy. 8vo, original unprinted wrappers, printed paper spine label. Fine copy. First edition. One of 75 numbered copies signed by Johanknecht (the entire edition).

Condición: Very fine copy. Large 8vo, original cloth over boards, original lithograph by Claire Van Vliet over front cover, printed paper spine label. Very fine copy. First edition. One of 75 copies (the entire edition).

Hard Cover. Condición: Fine binding. First Edition. Octavo. [42] pp., illus; [42] pp., illus. pop-up, errata; [80] pp., illus. Limited edition, each is from an edition of 140 to 150 numbered copies, 115 of which were thus gathered together and wrapped in a handmade paper-over-boards chemise with a single bifolium "Notes on Trio" laid in. Housed in slipcase with printed paper title label on the spine. Each signed by the author-Eclipses is additionally signed by Van Vliet. Variously bound and illustrated with a lithograph and digital prints by Van Vliet. Fine copies. A wonderful gathering of poetry that showcases many aspects of Van Vliet's design and decoration: from Kinsey's work with Van Vliet's beautiful illustrations of the moon and Ellen Dorn Levitt's diagrams of eclipses, to Haswell's more playful design including numerous different papers and inclusion as well as the letterpress printing of the poems both in type and her own handwriting scanned and made into polymer plates, to Hesse's four-season Cosmos that is bound in-the-round so that once that last page is turned, the reader is looking at the first, begging the question: what is first and what is last? Signed.

8vo. Woodcuts by Helen Siegl. Quarter cloth, decorated paper over boards. With the extra suite of plates in cloth chemise. Slipcase. Number 31 of 50 copies casebound and with the extra set of prints, signed by Siegl, from an edition of 300. Designed set and printed by Claire Van Vliet; bound by Jim Bicknell. A fine copy.

(SIEGL, Helen). Ilustrador. 4to, illustrated with hand-colored woodcuts, original cloth, printed paper spine label. Very fine copy of Siegl's most beautiful book, and certainly one of the most beautiful books from the Janus press. Scarce. Very fine copy of Siegl's most beautiful book, and certainly one of the most beautiful books from the Janus press. Scarce First edition. One of 150 numbered copies (the entire edition) printed on Barcham Green deWint paper, signed by Helen Siegl, with the woodcuts hand-colored by the artist.