Jansen jeremy (2 resultados)

Idioma: Inglés
Editorial: Werkplaats Typografie / ArtEZ Institute of the Arts, Arnhem, 2009
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- Primera edición
Librería: The land of Nod - art & books, Oostende, BelgicaThe land of Nod - art & books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Excelente
EUR 22,50
Envío por EUR 45,00Se envía de Belgica a Estados Unidos de AmericaCantidad disponible: 1 disponible
No Binding. Condición: Fine. First Edition. Newspaper. Text: EN. Approx; 40 p.; ill.; 30 x 41 cm; 120 g. In very fine condition. Ephemera.
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Librería: Lacey Books Ltd, Cirencester, Reino UnidoLacey Books Ltd
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 43,17
Envío por EUR 29,93Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponible
Paperback. Condición: Very Good. 2014 Archetype Publications large format paperback edition. Light reading wear else very good condition. Contents: 1. Pieter Brueghel as a copyist after Pieter Bruegel by Christina Currie and Dominique Allart, 2. Copies of prototypes by Quentin Massys from the workshop of his son Jan: the case of the Butter Madonna by Maria Clelia Galassi, 3. An unpublished copy of Hieronymus Bosch's Temptation of Saint Anthony by Catheline Perier-D'Ieteren, 4. Emulating van Eyck: the significance of grisaille by Noelle L.W. Streeton, 5. Two versions of a Boutsian Virgin and Child painting: questions of attribution, chronology and function by Eva de la Fuente Pedersen and Troels Filtenborg, 6. Copies and versions: discussing Holbein's legacy in England. Technical examination of copies of Holbein portraits at the National Portrait Gallery by Sophie Plender and Polly Saltmarsh, 7. A technical study of portraits of King James VI and I attributed to John de Critz the Elder (d.1642): artist, workshop and copies by Caroline Rae and Aviva Burnstock, 8. Michiel van Mierevelt, copy master: exploring the oeuvre of the Van Mierevelt workshop by Anita Jansen and Johanneke Verhave, 9. The Assumption of the Virgin by the studio of Peter Paul Rubens from the National Gallery of Art in Washington: between master's piece and student's copy by Julia Burdajewicz, 10. The problem of the portrait copies painted by Rubens in Madrid, 1628-29 by Jeremy Wood, 11. After Raphael: the Hunterian Entombment copy examined in the context of copying practices in early 17th-century Rome by Peter Black, Erma Hermens and Helen Howard, 12. Materials as markers: how useful are distinctive materials as indicators of master or copyist? by Libby Sheldon and Gabriella Macaro, 13. Joseph Booth's chymical and mechanical paintings by David Saunders, 14. The Strawberry Girl: repetition in Reynolds's studio practice by Alexandra Gent, Rachel Morrison and Rica Jones.…