Jane marie smith (38 resultados)

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condición: acceptable. Book is in acceptable condition and shows signs of wear. Book may also include underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Condición: Used.

Condición: Used. 2nd edition NO-PA16APR2015-KAP.

Condición: New.

Condición: Used.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Paperback. Condición: Brand New. 302 pages. 9.00x6.00x0.76 inches. In Stock.

Softcover. Condición: Very Good. No Dust Jacket. Second Edition. Size: Octavo (standard book size). 298 pages. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Education; ISBN: 0729536149. ISBN/EAN: 9780729536141. Dewey Code: 373.94. All our pictures shown here are of the actual item, not stock photos. Inventory No: RB17237. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right. …

Condición: New. In English.

Softcover. Condición: Fine. Magazine. Pictorial wrappers. 131-254pp. Fine. Fiction, articles, poetry and more by Jorge Luis Borges, Jon N. Olson, John P. Sisk, Robert Erwin, Berel Lang, David St. John, George Monteiro, Arthur Holmberg, mary Beth Pringle, Judi M. Roller, Jennifer Smith, Nancy Schoenberger, Rebecca Bailey, Jane Marie Satterfield, Lynda Hull, Barry Goldensohn, Paul Scheye, and John Meredith Hill.…

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Condición: New. In English.

Hardcover. Condición: Fair. 1999 Oak Knoll Press hardcover edition. Ex library copy with stamps and labels else good condition. Contents: 1. A Two-Edged Sword Out of the Mouth of Babes, or, A Book is Known by the Company it Keeps by J. McL. Emmerson; 2. Italian Presses and Printing Techniques in the Hand-Press Period: Some Notes by Conor Fahy; 3. A propos de Francois Juste, imprimeur lyonnais de la Renaissance by Henri-Jean Martin; 4. Simon Millanges, imprimeur humaniste a Bordeaux (1572-1623) by Louis Desgraves; 5. La Survie des editions anciennes de Calvin by Jean-Francois Gilmont; 6. The English Eighteenth Century Short Title Catalogue in the Context of the International Programmes for Universal Bibliographic Control and Universal Availability of Publications by Ian Willison; 7. Les Imprimeurs parisiens de la premiere moitie du dix-huitieme siecle: elements pour de nouvelles approches by Francoise Weil; 8. Projet d'un cours de bibliographie a Mons a la fin du XVIIIe siecle by Marie-Therese Isaac; 9. Les Caracteres typographiques "Didot". Hegemonie d'un style by Andre Jammes; 10. "La Collection des petits formats in-18, edition de Cazin": Some Preliminary Observations by B.J. McMullin; 11. Denis Veiras, Histoire des Sevarambes: A Preliminary Checklist of Seventeenth- and Eighteenth-Century Editions by Aubrey Rosenberg; 12. The Question of Authorship in Cyrano de Bergerac's Voyage dans la Lune: A Computer-Assisted Statistical Analysis by Margaret Sankey and Murna King; 13. Did Aphra Behn Write 'Caesar's Ghost'? by John Burrows and Harold Love; 14. The Editorial Principles of Martinus Scriblerus by David L. Vander Meulen; 15. The Authority of the Two Versions of Fielding's Journal of a Voyage to Lisbon by Hugh Amory; 16. The First Edition of Madame de Graffigny's Cenie by Jo-Ann McEachern and David Smith; 17. Litterature ou de l'amitie? A la recherche de l'authentique Songe vert by Didier Kahn; 18. Acquiring Enlightenment: Oxford and the Encyclopedie by Giles Barber; 19. Volcanoes Unbound? The Reception of French Geological Research by the Irish Mineralogist, Richard Kirwan, 1783-1794 by B. Taylor Brown; 20. Orwell, France and the French by Peter Davison; 21. Histoire d'une bergere by Anne Sauvy; 22. Reading in Eighteenth-Century Paris by David Garrioch; 23. Literary History and Book History: the Approach to an Eighteenth-Century Best-Seller: Raynal's Histoire des deux Indes by C.P. Courtney; 24. The Uses of Generic Bibliography: French Prose Fiction in the Age of Napoleon by Angus Martin; 25. Pages d'un carnet bibliographique: Etienne Pivert de Senancour (1770-1846) by Roger E. Stoddard; 26. Some Early Discounting and Remaindering Initiatives in the Paris Book Trade by Lorraine M. David; 27. Reading Practices, Writing Practices: Love Letters and ecritures intimes in Nineteenth-Century France and Australia by Martyn Lyons; 28. Fiction, Readers and Libraries in Early Colonial New South Wales and Van Diemen's Land by Elizabeth Webby; 29. John Carfrae (c.1795-1862): Bookseller of Edinburgh, Auctioneer of Melbourne and Sydney by Brian Hubber; 30. 'Ghosts Here, There, and Everywhere': The Strange History of the Victorian Almanac by Ian Morrison; 31. 'Two Books for Every Horse': A Nineteenth-Century Regional Library System for Otago and Southland by K.I.D. Maslen; 32. Peripatetic Pressmen: Some Trans-Tasman Connections in the Book Trade by Ross Harvey; 33. The Peregrinations of Sam Slick; or, Glimpses of Canadian Books in Australia in the Nineteenth Century by Mary Jane Edwards; 34. The Courrier australien and French-Australian Relations during the Biard d'Aunet Years (1892-1905) by Ivan Barko; 35. Colonial King: Grant Madison Hervey, and the Bulletin of the 1900s by Paul Eggert.…

Gebunden. Condición: New. &Uumlber den AutorGary Scott Smith chairs the History Department at Grove City College in Pennsylvania. He is the author or editor of eleven books, including Religion in the Oval Office (2015) and Heaven in the American Imagination (20.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…