jan louw (25 resultados)

Hardcover. Condición: Good. Light wear to boards. Content is clean with light even toning. Good DJ has chips/tears and toning.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Clean and tight, large heavy volume. Very good dust jacket in mylar; pristine green leather-like covers beneath with gold titles. Inscription on front endpaper from daughter to father; no other writing.

Paperback. Condición: Good. Paperback in good condition. Text in Afrikaans. Signed by author on title page. Paperback, page block and pages are marked, tanned and edge-worn. Abrasions and creases on spine. Front leading edge is nicked. Previous owner's name penned on half title page. Light score on title page. Text is clear throughout. HCW. Signed by Author. Used.

Hardcover. Condición: Very Good. No Jacket. First Edition. seemingly rebound, neat green boards. minor foxing and markings. all pages are clear and soundly bound. heavy, may require extra postage outside South Africa. [SK]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. jacket is shelf rubbed and a bit edge worn. tanning, foxing and marks. well bound. fairly good copy and jacket.Due to weight postal adjustments may be required.[S.K]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. jacket is shelf rubbed, edge worn and a bit torn. tanning. light foxing and marks. well bound. good copy with fairly good jacket.Heavy book expect extra postage.[S.K]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 3rd Edition. The dw has a 1cm closed teare at the top edge front and some brown blotching to the folds and on the inside. The boards are foxed along the spine. Some foxing to endpapers. 107pp. undiscol. No markings. Binding tight.

Hardcover. Condición: Good. 1st Edition. Boards a little washed out and spine well sunned. Pencilled notes to endpapers. Prev owner's signature to title page. 107pp. quite heavily annotated in pencil throughout.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Limited Edition . Signed by the author J.H. Louw on the title page. This de Luxe edition is limited to 200 numbered copies this is Number 106. Book plate tipped in on the front inner board by Ian Mackenzie. Heavy book may require extra postage unless posted within South Africa. Full leather, Marbled end papers. Publication of 498 pages. Frontispiece. The dust jacket is a little shelf rubbed and minor chipped pieces. There is bright gold gilt on the spine and front cover, the boards are in very good condition. Internally the pages are clean and complete. Tightly bound and presented in cellophane. Lovely condition. GK. Our orders are shipped using tracked courier delivery services. Signed.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. The jacket is rubbed and marked.Internally clean.Well bound.[R.K]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. The dw has a 9cm jagged closed tear at the front, a 3cm split to the upper fold at the head and some insect damage to the surface at the back. Boards clean and undamaged. Prev owner's name to ffep. 107pp. unmarked plus short biographies of the contributors. Binding tight.

First Edition. Near fine with bright gilt on green leatherette boards and message on half title page. Dust jacket very good with minor edgewear at the top. Africana. Hardback. With dj.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Derde druk. Intro by van Wyk Louw analysing the Sestigers phenomenon. Includes "Die bok" - one of very few short stories by Ingrid Jonker. Boards clean and undamaged. Small closed tear at top edge front wrap. A price in koki pen to back wrap. 107pp. clean. Binding tight.

Hardcover. Condición: Very Good. 1st Edition. Ex-lib with usual stamps etc. Rebound in robust attractive lib binding with gilt titling in a panel to the spine. Small tippexed word at spine base. 107pp. unmarked apart from lib stamps. 4pp. of short bios of cobtributors at rear. A seminal collection scarce in 1st ed.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Intro by van Wyk Louw analysing the Sestigers phenomenon. Includes "Die Bok" - one of very few short stories by Ingrid Jonker. For a full list of contributors see image of rear dw (image two). Vierde druk. Boards clean and undamaged. Mylar protected dw is a photocopy. Prev owner's name to ffep. 107pp. with some pencil underlining and annotation to the contents. Scarce title.

Hardcover. Condición: Fair. 90 p. : ill. ; 26 cm Belgie? Dutch Rugtitel: Echo tien.

Hardcover. Condición: Good. Dutch.

Ed. CIENTIFICO-MEDICA; Barcelona. 1962. Castellano. Tela. 18x14 cms. 203 pags. Buen estado. MEDICINA. Ref. 34047.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. First Edition. Signed by the author in ink on the title page. The jacket is shelf worn with creasing along the edges and a closed tear on the back. The boards are tidy overall with little edge wear. The binding is secure. Ink inscription from a previous owner on the half title page. browning along the edges of the pages. No other ink inscriptions or annotations. Protected in cellophane. Thick and heavy book, extra postage required unless posted within South Africa. JHK. Our orders are shipped using tracked courier delivery services. Signed.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. First Edition. Heavy, extra postage required unless posted within South Africa. Signed by Author. 498 Pages. The jacket is a little shelf rubbed and edge worn. There are closed tears and chips along the edges. It is protected in cellophane. The boards show little wear. They are strong and sturdy. Internally, clean and complete. Tightly bound. [Ak]. Our orders are shipped using tracked courier delivery services. Signed.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Poor. 1st Edition. Signed by Author(s)This copy is signed by the author and dated 13/1/70. The general condition of this hefty, detailed and affectionate book is very good. The dustjacket, however, has much wear and tear. There are open tears to the top and bottom of the dj front cover and the foot of the spine. There are closed tears to the top edge of the dj front cover and the head of the spine. There are marks to the front, back and inside covers of the dj. The front pages and end papers have foxing and markings. The front page has a previous owner inscription on the front and reverse sides. The pages are robust, thick, clear, clean, confident and complete. Although the trim edges have foxing, this does not transfer to the body of the pages. The book may be owned and read with ease and pleasure throughout. fk. Our orders are shipped using tracked courier delivery services. signed.

64 pp.; 31 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. The Table of Contents lists the name of the artist(s) under the name of the critic who was responsible for their participation." -- Seth Siegelaub. Section curated by David Antin: Dan Graham, Harold Cohen, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier; curated by Germano Celant: Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penono, Emilio Prini, Pistoletto, Gilberto Zorio; curated by Michel Claura: Daniel Buren; curated by Charles Harrison: Keith Arnatt, Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, Victor Burgin, Barry Flanagan, Joseph Kosuth, John Latham, Reolof Louw; curated by Lucy R. Lippard: Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme curated by Hans Strelow: Jan Dibbets, and Hanne Darboven. References : "Sol LeWitt : Artist's Books" by Sol LeWitt, Giorgio Maffei, Emanuele De Donno, Didi Bozzini, Cecilia Metelli, Marilena Bonomo. Sant'Eraclio di Foligno, Italy : Edizioni Viaindustrie, 2009, pp. 38. No. 8.2 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 204. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208 - 211. Fair / Good. 1.5 cm. tear to bottom of spine and 2 cm. tear to top edge of spine. 2.7 cm. dog-ear to top right corner of recto. 28.2 cm. blue pencil or ink mark on verso. Rubbing of cover edges. Bumping of top right corner of covers and pages. Names of 6 artists on contents page circled in black ink, pages yellowed, contents otehrwise clean and unmarked.

48 pp.; 31.5 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. Lippard, and Hans Strelow. Artists include Dan Graham, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penone, Emilio Prini, Pistoletti, Gilberto Zorio, Daniel Buren, Keith Arnatt, Terry Atkinson, David Bainbridge, Harold Hurrell, Michael Baldwin, Victor Burgin, Joseph Kosuth, Barry Flanagan, John Latham, Roelof Louw, Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme, Jan Dibbets, and Hanne Darboven. "This exhibition was organized by requesting six critics to each edit an 8-page section and in turn, to make available their section to the artist(s) that interest them." -- from Siegelaub's introduction. Text in English, German, and French. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 39. "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208-211. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 179. Good / Very Good. Curve to recto with mild rubbing of covers. Light yellowing of pages. Contents otherwise clean and unmarked.

2 vol. : [unpaginated] ; [unpaginated]; 23.5 x 25 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with the show "10th Tokyo Biennale", held at the Tokyo Metropolitan Art Gallery, May 10 - May 30, 1970; Kyoto Municipal Art Museum, Kyoto, June 6 - June 28, 1970; Aichi Prefectural Art Gallery, Nagoya, July 15 - July 26, 1970 and Fukuoka Prefectural Culture House, Fukuoka, August 11 - August 16, 1970. Artists include: Dietrich Albrecht, Carl Andre, Boezem, Daniel Buren, Christo, Jan Dibbets, Ger Van Elk, Kohi Enokura, Luciano Fabro, Barry Flanagan, Hans Haacke, Michio Horikawa, Enji Inumaki, Stephen J. Kaltenbach, Tatsuo Kawaguchi, On Kawara, Kazushige Koike, Stanislav Kolibal, Susumu Koshimizu, Jannis Kounellis, Edward Krasinski, Sol LeWitt, Roelof Louw, Yutaka Matsuzawa, Mario Merz, Katsuhiko Narita, Bruce Nauman, Hitoshi Nomura, Panamarenko, Giuseppe Penone, Markus Raetz, Klaus Rinke, Reiner Ruthenbeck, Jean-Frédéric Schnyder, Richard Serra, Satoru Shoji, Keith Sonnier, Jiro Takamatsu, Shintaro Tanaka, and Gilberto Zorio. Larger booklet includes essay by Yusuke Nakahara and artists' biographies, statements, exhibition histories, and bibliographies, as well as some illustrations. The smaller booklet contains the exhibition catalogue and more documentation of the Biennale. Text in English and Japanese. Good / Very Good. Mild bump to top right corner of both volumes. Name of previous owner in red ink on first inside page of both volumes. Both copies are otherwise in Very Good condition.