James sampson meyer (4 resultados)
Idioma: Inglés
Editorial: The University of Chicago Press, Chicago, IL, 2019
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 26,77
Envío por EUR 11,25Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Quarto. Hardcover. Bound in charcoal cloth with red and white jacket. 356 pages : illustrations (some color) ; 24 cm. "In this innovative work, James Meyer turns to art criticism, theory, memoir, and fiction to examine the fascination with the long Sixties and contemporary expressions of these cultural memories across… the globe. Meyer draws on a diverse range of cultural objects that re-imagine this revolutionary era stretching from the 1950s to the 1970s, including reenactments of civil rights, antiwar, and feminist marches, paintings, sculptures, photographs, novels, and films. Many of these works were created by artists and writers born during the long Sixties who are driven to understand a monumental era that they missed. These cases show us that the past becomes significant only in relation to our present, and our remembered history never perfectly replicates time past. This, Meyer argues, is precisely what makes our contemporary attachment to the past so important: it provides us a critical opportunity to examine our own relationship to history, memory, and nostalgia." --Jacket flap. VG+. Close to new, besides a piece of the front end paper clipped.
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 26,77
Envío por EUR 11,25Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Condición: VG+/VG+. Hardcover, gray cloth with color dustjacket with 408 pp generously illustrated with BW and color reproductions. Virginia Dwan, founder of leading avant-garde galleries in Los Angeles and New York between 1959 and 1971, was a major force in an art world made increasingly mobile by commercial jets an…d the interstate highway system. New York artists Franz Kline, Philip Guston, Ad Reinhardt, Robert Rauschenberg, and Claes Oldenburg, along with the Los Angeles-based Edward Kienholz, were among those who had shows in Dwan's Westwood gallery. A keen follower of the Parisian art scene, Dwan also gave Yves Klein and Martial Raysse their American debuts. Her 1962 group show My Country 'Tis of Thee is among the earliest exhibitions of pop art. Dwan supported artists who challenged the limits of art's status as both object and commodity and who eventually developed an art sited outside the gallery in remote locations in the American West. If the Los Angeles gallery featured abstract expressionism, neo-Dada, and pop, the New York branch broke ground with brilliant presentations of minimalism (10, 1966), conceptual art (Language II-IV, 1968-1970), and land art featuring the work of Carl Andre, Sol LeWitt, Robert Morris, and others (Earthworks, 1968). Dwan sponsored iconic earthworks such as Robert Smithson's Spiral Jetty, Michael Heizer's Double Negative, Walter De Maria's 35-Pole Lightning Field, and Charles Ross's Star Axis. This is the storied history of the Dwan Gallery told by an astute scholar of modern art, the gallerist herself, and a meticulous researcher.
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Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS
Contactar con el vendedorVendedor de 1 estrellasCondición: Nuevo
EUR 1763,10
Envío por EUR 2,60Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: New.
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Librería: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, AlemaniaAntiquariat Querido - Frank Hermann
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 40,00
Envío por EUR 47,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Erste deutsche Auflage. 29,9 x 25,9 cm. 199 S. OPappband mit illustriertem OUmschlag. Bleistiftanstreichungen im Text, im Preis berücksichtigt, sonst gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Monographie des amerikanischen Kunsthistorikers James Meyer, seit 1994 Associate Professor der Kunstgeschichte…an der Emory University in Atlanta (GA), zum Minimalismus. Behandelt werden u. a. Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt und Robert Morris, Larry Bell, Eva Hesse, John McCracken, Robert Smithson, Anne Truitt, Jo Baer, Robert Mangold, Brice Marden, Agnes Martin, David Novros, Robert Ryman und Frank Stella.
