James ravenscroft (27 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

8vo (20x13.5cm), paperback, 79pp. Good condition. Light wear and marks. Colour illustrations. Pictures available on request. Collection of writings, poetry & art created by and for survivors of sexual violence.

Half title, front., review copy slip, plates. Orig. blue cloth; spine sl. faded. First published in 1903.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 120. A perfect gift for your loved ones. Reprinted from 1884 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 2 Language: English Pages: 120 Volume 2.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 148. A perfect gift for your loved ones. Reprinted from 1884 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 3 Language: English Pages: 148 Volume 3.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 130. A perfect gift for your loved ones. Reprinted from 1884 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 1 Language: English Pages: 130 Volume 1.…

Hardcover. Condición: Very Good. 1st Edition. Edinburgh and London: W. Blackwood & Son, [1863]-1884. First Edition, 3 volumes,Folio (555 x 417 mm), pp. (6), errata leaf, 110; (2), 111-216; (2), 217-330, Contemporary Red Half Morocco, with 48 hand-coloured lithographed plates, 4 mounted albumen prints, 1 engraved map, occasional light foxing of text, plates in fine condition, a very handsome copy. FIRST EDITION of one of the greatest British works on Pines. The Pinetum Britannicum is regarded as a landmark publication on conifers, and both Napoleon III and Queen Victoria subscribed to its first edition. This wonderful, illustrated work was the result of over twenty years of collaboration and research. The tree portraits in colour are predominantly from the original drawings of William Richardson, those of cones and leaves by Dr Greville and James and Robert Black, and the characteristic sketches of the Deodar Cedars in vol. 3 were captured 'in the field' by Lady Canning during her time in India. The extensive woodcut illustrations throughout the text were also executed by multiple hands; Andrew Murray, James M'Nab, Dr Greville and Dr Maxwell T Masters. Meanwhile, leading conifer specialists of the day, from institutions such as the British Museum, Royal Horticultural Society and Royal Botanical Gardens, as well as individual professors from Florence, Berlin and Paris, and several private experts, all contributed to enhance the publication. On its commencement in 1863, the project received immediate royal support; Queen Victoria requested the work be dedicated to the memory of the recently deceased Prince Albert and provided photographs of two specimens at Osborne House for inclusion, while Emperor Napoleon III secured thirty copies for distribution among French schools of Forestry and Agriculture. Considered one of the great British works on coniferae, the Pinetum Britannicum is ONE OF THE GREATEST CONIFEROUS ICONOGRAPHIES OF THE NINETEENTH CENTURY. Nissen BBI 1588; Great Flower Books p. 71; Stafleu-Cowan TL2 8685.…

Hardcover. 1st Edition. 3 volumes. Folio (21 4/8 x 18 2/8 inches). 48 EXCEPTIONALLY FINE lithographs with original hand-colour, heightened with gum arabic, after Richard Williamson James Black, R.K. Greville, and J. Wallace, engraved by A. Murray, Robert Black, Fr. Schenk, J. M'Nab and M.T. Masters, 4 mounted albumen photographs by F. Mason, one lithographic plate of maps, and numerous wood-engraved illustrations in the text (plates of the Sequoia Wellingtonia and Sequoia Sempervirens bound upside down, one or two plates a bit toned). Contemporary full gilt-panelled black calf, each cover broad borders of gilt roll-tools and filets, lettered in the centre of each front cover, all edges gilt (elegantly rebacked to style). Provenance: with the bookseller's ticket of Shaw & Sons, Fetter Lane, London, on the rear paste-down of each volume; with the engraved armorial bookplate of Gerald Walter Erskine Loder,1st Baron Wakehurst, LLB JP DL (1861 1936), British barrister, businessman and Conservative politician, best remembered for developing the gardens at Wakehurst Place, Sussex, on the front paste-down of each volume; with the modern ownership inscription of Mr. H. Steuart Fothringham of Grantully Castle, on the recto of the first blank of Volume II. First edition of one of the great British works on pines, Edward James Ravenscroft's "Pinetum Brittanicum," lavishly illustrated with colorful and refined depictions of many varieties of pine trees from both sides of the Atlantic. Many illustrations portray the trees in parks or other natural settings with human figures included in the compositions, belying Ravenscroft's ostensibly scientific goal in producing the work. Despite the great artistry and esthetic appeal of the images, however, the "Pinetum Brittanicum" is a testament to the great 19th-century fascination with natural history, as well as the impulse to classify and catalogue--two interests that went hand in hand and intensified dramatically over the course of the 1800s. Ravenscroft was one of the great talents to emerge in this period in the field of natural history illustration, combining aspects of beauty and science--normally considered antithetical--with apparently effortless grace. John Lindley contributed botanical descriptions for the first three parts, and Andrew Murray and Maxwell T. Masters wrote the remainder. Production began with substantial support by Peter Lawson & Son, who subscribed for 100 copies, and by French Emperor Napoleon III, who requested 30. Due to historical and financial upheavals, work on the "Pinetum" was suspended, but resumed again and it was issued complete in 1884. The end result clearly justified the decades-long production, for the scope and quality of Ravenscoft's splendid work on pines remains unmatched. [Nissen BBI 1588; Great Flower Books, p.127; Stafleu and Cowan 8685]. …

Hardcover. 1st Edition. 3 volumes. Folio (22 4/8 x 18 2/8 inches). 48 hand-colored lithographs after Richard Williamson James Black, R.K. Greville, and J. Wallace, engraved by A. Murray, Robert Black, Fr. Schenk, J. M'Nab and M.T. Masters, 4 mounted albumen photographs by F. Mason, one lithographic plate of maps, and numerous wood-engraved illustrations in the text. Later half green morocco gilt (extremities a bit worn, some lifting of the cloth, ink library shelf-marks at the foot of each spine). Provenance: with the library label of Spokane Public Library on each paste-down, and their perforated library stamp on each title-page. First edition of one of the great British works on pines, Edward James Ravenscroft's "Pinetum Brittanicum," lavishly illustrated with colorful and refined depictions of many varieties of pine trees from both sides of the Atlantic. Many illustrations portray the trees in parks or other natural settings with human figures included in the compositions, belying Ravenscroft's ostensibly scientific goal in producing the work. Despite the great artistry and esthetic appeal of the images, however, the "Pinetum Brittanicum" is a testament to the great 19th-century fascination with natural history, as well as the impulse to classify and catalogue--two interests that went hand in hand and intensified dramatically over the course of the 1800s. Ravenscroft was one of the great talents to emerge in this period in the field of natural history illustration, combining aspects of beauty and science--normally considered antithetical--with apparently effortless grace. John Lindley contributed botanical descriptions for the first three parts, and Andrew Murray and Maxwell T. Masters wrote the remainder. Production began with substantial support by Peter Lawson & Son, who subscribed for 100 copies, and by French Emperor Napoleon III, who requested 30. Due to historical and financial upheavals, work on the "Pinetum" was suspended, but resumed again and it was issued complete in 1884. The end result clearly justified the decades-long production, for the scope and quality of Ravenscoft's splendid work on pines remains unmatched. [Nissen BBI 1588; Great Flower Books, p.127; Stafleu and Cowan 8685]. Catalogued by Kate Hunter.…

Hardcover. 1st Edition. 3 volumes. Folio (22 4/8 x 18 2/8 inches). 48 hand-colored lithographs after Richard Williamson James Black, R.K. Greville, and J. Wallace, engraved by A. Murray, Robert Black, Fr. Schenk, J. M'Nab and M.T. Masters, 4 mounted albumen photographs by F. Mason, one lithographic plate of maps, and numerous wood-engraved illustrations in the text (all leaves on guards, occasional light spotting). Later half green morocco gilt (extremities a bit worn). Provenance: with the small ink library stamp of Bolton Public Libraries on the verso of the title-page of each volume. First edition of one of the great British works on pines, Edward James Ravenscroft's "Pinetum Brittanicum," lavishly illustrated with colorful and refined depictions of many varieties of pine trees from both sides of the Atlantic. Many illustrations portray the trees in parks or other natural settings with human figures included in the compositions, belying Ravenscroft's ostensibly scientific goal in producing the work. Despite the great artistry and esthetic appeal of the images, however, the "Pinetum Brittanicum" is a testament to the great 19th-century fascination with natural history, as well as the impulse to classify and catalogue--two interests that went hand in hand and intensified dramatically over the course of the 1800s. Ravenscroft was one of the great talents to emerge in this period in the field of natural history illustration, combining aspects of beauty and science--normally considered antithetical--with apparently effortless grace. John Lindley contributed botanical descriptions for the first three parts, and Andrew Murray and Maxwell T. Masters wrote the remainder. Production began with substantial support by Peter Lawson & Son, who subscribed for 100 copies, and by French Emperor Napoleon III, who requested 30. Due to historical and financial upheavals, work on the "Pinetum" was suspended, but resumed again and it was issued complete in 1884. The end result clearly justified the decades-long production, for the scope and quality of Ravenscoft's splendid work on pines remains unmatched. Nissen BBI 1588; Great Flower Books, p.127; Stafleu and Cowan 8685. Catalogued by Kate Hunter.…

Hand-coloured lithograph by Robert Black. Sheet size: 21 5/8 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 21 1/2 x 15 3/4 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn and lithographed by James Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 21 1/2 x 15 3/4 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by James Black and lithographed by Robert Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn and lithographed by James Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 21 1/2 x 15 7/8 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn and lithographed by James Black. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph J. D. Carmichael. Sheet size: 21 5/8 x 16 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here drawn by Greville and lithographed by J.D. Carmichael. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 21 1/2 x 15 3/4 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the latter group, here drawn from a drawing by William Richardson and lithographed by F. Schenck. Cf. Nissen BBI 1588; cf. Great Flower Books (1990) p.127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Very good condition apart from some overall light soiling and minor foxing. Sheet size: 22 x 16 1/2 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here lithographed by W.H. Schenk. Cf. Nissen, BBI, 1588; cf. Great Flower Books (1990), p. 127; cf. Stafleu & Cowan 8685.…

Hand-coloured lithograph. Sheet size: 22 1/4 x 16 3/4 inches. A very fine plate from Ravenscroft's 'The Pinetum Britannicum. A Descriptive Account of Hardy Coniferous Trees' Ravenscroft's work is the third (in order of publication) of the three great coniferous iconographies of the nineteenth century, following Bedford and Lambert. The very fine plates fall into two categories: botanical studies of details of the needles and fruit of the individual trees, and landscape studies of examples of individual trees in their natural habitat. This plate is an outstanding example of the former group, here lithographed by W.H. McFarlane. Cf. Nissen, BBI, 1588; cf.Great Flower Books (1990), p. 127; cf. Stafleu &Cowan 8685.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1905 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 271 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 271.…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1903. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 272, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 272 272.…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1884. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume v.2, Pages:- 120, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.2 120 120.…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1884. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume v.1, Pages:- 130, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.1 130 130.…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1884. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume v.3, Pages:- 148, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.3 148 148.…