james a sweet (36 resultados)

Hardcover. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. 336pp. Small inked name, else very good, clean and sound condition / very good dust jacket.

Hardcover. Condición: Fair. Estado de la sobrecubierta: No Dust Jacket. 211 pages. Ex-university library marks, shelf wear to the red covers; tape on the spine. pages lightly toned. A solid reference book. Quantity Available: 1. Category: Labor; Inventory No: 219725.

Wraps. Condición: Very Good +. Floyd James Torbert Ilustrador. Reprint. slimmed down tom sawyer with pictures.

Soft cover. Condición: Very Good. James McNeill Whistler Ilustrador. This is the 1968 Exhibition Catalog for a show of the works of James McNeill Whistler mounted by The Art Institute of Chicago. The catalogue, which was edited by Frederick A. Sweet, includes paintings, pastels, watercolors, drawings, etchings and lithographs by Whistler, as well as a few ancillary works depicting Whistler by others. The show ran at The Art Institute of Chicago from from January 13, to February 25, 1968. It also ran at Munson - Williams - Proctor Institute in Utica, N. Y. from March 17 to April 28, 1968. There are at least 5 color plate illustrations and numerous black-and-white illustrations. TITLE : James McNeill Whistler - Exhibition Catalogue : Paintings, Pastels, Watercolors, Drawings, Etchings, Lithographs. EDITOR : Frederick A. Sweet IMPRINT : The Art Institute of Chicago / Munson - Williams - Proctor Institute PLACE : Chicago, Illinois / Utica, New York DATE : January - April, 1968 STATUS : OP PHYSICAL DETAILS : Paperback format. Color and monochrome illustrations; 131 pages; 7" x 10", stiff, buff colored wraps, sewn. The front cover has a color paste-down, paper illustration, reproducing a Whistler Painting depicting a young woman holding a fan standing in front of a hearth above which is a mirror reflecting her visage. Whistler in capital letters printed in black under the picture. James McNeill Whistler printed in gray on spine. Ocher end-papers. CONDITION -- VERY GOOD -- This is a previously owned book that is clean and presentable with the following imperfections noted :: EXTERIOR -- Moderate weathering and a touch of smudging to the covers; text-block edges display foxing and a touch of discoloration. BINDING -- Solid INTERIOR -- There is scattered light foxing (discoloration) just discernible about the edges, else all is clean and unmarked , with but mild signs of handling.

Hardcover. Condición: UsedVeryGood. Hardcover; Studies in Population; light fading, light shelf wear to exterior; previous owner's stamping on front end page and title page; otherwise in very good condition with clean text and tight binding. Dust jacket shows light fading and a few small edge tears.

Paper Cover. Condición: Fine. No Jacket. Whistler, James McNeill Ilustrador. No Additional Printings. Paper Cover. Fine/No Jacket. No Additional Printings. Over Size Softcover. 4to - over 9¾" - 12" tall. 131 pages; illustrated in B&W and a few color plates; this catalogue and exhibition was prepared by Frederick A. Sweet; the exhibition comprises 225 pieces, that are listed and described here; there is a 5p. bibliography, and an introduction detailing Whistler's career and impact; from the Foreword: "With the current focus on the role of the Impressionist and Post-Impressionist painters , Whistler's contribution and his originality has frequently been overlooked.we should not overlook the fact that Whistler was among the first artists to establish a new credo of aesthetics in which art was not the reproduction of a visual image, but a creative act in itself.he is a direct precursor of modern aesthetics." Book condition: pages 39 through 54 have been misbound, being reversed, and appear upside-down and numerically backward; however, the book is complete, and otherwise in very nice condition.

gebundene Ausgabe. Condición: Gut. 335 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 655.

Soft cover. Condición: Very Good. 180 pages. Illustrated. Lully's First Opera: A Rediscovered Poster for "Les fêtes de l'Amour et de Bacchus" (pp. 308-314) Jérôme de La Gorce For and against the Order of Nature: Who Sang the Soprano? (pp. 315-324) Lionel Sawkins Performing a Choral Dialogue by Lully (pp. 325-335) Lois Rosow More Faces than Proteus: Lully's "Ballet des muses" (pp. 336-344) James R. Anthony A Sweet Servitude: A Musician's Life at the Court of Mlle de Guise (pp. 346-360) Patricia Ranum Grimarest's "Traité du Récitatif": Glimpses of Performance Practice in Lully's Operas (pp. 361-364) David Tunley Reinterpreting the Capital of the Fourth Tone at St Lazare, Autun (pp. 365-374+376) Hélène Setlak-Garrison Folding Harpsichords (pp. 378-383) Laurence Libin More on Triplets and Inequality (pp. 384-385) David Fuller Monteverdi's Vespers of 1610: 'Della Beata Vergine'? (pp. 386-389) Graham Dixon.

Hardcover. Condición: Good. No Jacket. 336pp. Ex-university library copy with associated library stamps and labels. Hard cover, no jacket. Some PENCILED highlighting.

Pulp Magazine. Condición: Near VG. No Jacket. First Edition. Edge tears and creases; light creases to front cover; folds split and ends; spine missing ~1/2" from the bottom; small chip from top of rear cover; supple, lightly tanned pages with very faint browning along bottom edge.

Paperback. Condición: Near Fine. 1st. 131 pages, illustrations (some colour), portraits; 26 cm. Catalogue of an exhibition held January 13 to February 25, 1968 at the Art Institute of Chicago and March 17 to April 28, 1968 at the Munson-Williams-Proctor Institute. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 4to. Collectible.

First Edition. 8vo, pp. vii, 211. References, index. Illustrated with charts and tables. Paper over boards. Edges little soiled, o/w a VG tight copy in scuffed and chipped dj. A study of the employment patterns and and earnings of working women.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Ed. Study that provides a detailed analysis of the employment patters & earnings of working wives in the U.S. in the 1970s. Illustrated with charts & tables. Sociology, Women's Studies.

Condición: Very Good. 416 pp., softcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Condición: New. Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.

Condición: New.

Soft cover. Condición: Good. 104 pages. Nelson Algren "The Brothers' House" / Alvah C Bessie "A Night Call" / Richard Sheridan Ames "Ad Viros Faciendos" / Alfred H Mendes "Sweet Man" / James Laughlin IV "Melody into Fugue" /Edwatd Anderson "The Guy in the Blue Overcoat" / Miriam deFord "Railroad Journey" / Ward Greene "Cub" / Harold Littledale Jr / "Small Story" (BT#42).

Softcover. Condición: Very Good. Darrell K. Sweet (Cover Artist); Adam Rex; Adi Granov; Michael Dubisch; Puddnhead; Rick Sardinha; Sam Wood (Interior Artists) Ilustrador. First Edition. :: A stand-alone adventure of epic scope for "The Wheel of Time Roleplaying Game". Designed to serve as the foundation of an ongoing campaign, it weaves the players into the storyline of Robert Jordan's "Wheel of Time" series. :: To use this accessory, a Gamemaster also needs "The Wheel of Time Roleplaying Game". :: Softcover Quarto (10 3/4 x 8 3/8 inches; 272 x 212 millimeters). 191 pages. Condition: Very Good. Shelf-wear, small tear at foot of spine. Please see photographs.

Condición: New. James R. Kirkwood holds a Ph.D. in mathematics from the University of Virginia. He has authored and co-authored twenty published mathematics textbooks on various topics including calculus, real analysis, mathematical biology and mathematical physi.

Condición: New. Jim R. Kirkwood holds a Ph.D. from the University of Virginia. He has had ten mathematics textbooks published on various topics including calculus, real analysis, mathematical biology and mathematical physics. His original research was i.

Gebunden. Condición: New.

Taschenbuch. Condición: Neu. Comprehensive Healthcare Simulation: Surgery and Surgical Subspecialties | Dimitrios Stefanidis (u. a.) | Taschenbuch | Comprehensive Healthcare Simulation | xviii | Englisch | 2019 | Springer | EAN 9783319982755 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Gebunden. Condición: New. Jim R. Kirkwood holds a Ph.D. from the University of Virginia. He has had ten mathematics textbooks published on various topics including calculus, real analysis, mathematical biology and mathematical physics. His original research was i.

Hardcover. Condición: New.

Hardcover. Condición: New.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 52. A perfect gift for your loved ones. Reprinted from 1975 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 52.

Hardcover. Black boards with gilt text on cover and spine. 95 pp. 25 color, 55 bw plates. Issued in conjunction with a series of exhibitions organized by publishers, and held at Phoenix: Phoenix Art Museum, Mar. 13 to Apr. 25, 1982, two other locations. Includes major essays by William Gerdts (American Tonalism: An Artistic Overview), Diana Dimodica Sweet (American Tonalism: An Explanation of Its Ideas Through The Work and Literature of Four Major Artists) and Robert R. Preato (Collectors of American Tonalist Painters: Charles Lang Freer, Thomas B. Clark, William T. Evans and George A. Hearn). Foreword by James D. Cox. Each essay has an individual bibliography, 45 artists represented by 88 works. Individual artist biographies at rear. An important exhibition. Uncommon hardcover copy. VG (no dj, minor shelfwear to boards).