Jack bernhard director (2 resultados)
Editorial: Pantheon Books 1988
Librería: Armadillo Books, Chapel Hill, NC, Estados Unidos de AmericaArmadillo Books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Excelente
EUR 1,75
Envío por EUR 5,02Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
No Binding. Condición: Fine. Fine condition! Postcard (8 inches x 5 1/2 inches) reproduced from the movie poster for the 1948 motion picture, released by Film Classics. Ships from NC. All postcards are sealed in recycled plastic, packaged securely, and shipped promptly.
Editorial: Hollywood: Classic Pictures 1962
- Manuscrito
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de AmericaWittenborn Art Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 157,31
Envío por EUR 8,73Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Good. Re--releas2eof the first 1948 film, [8] pp. 44.5x28.5 cm (17½x11¼"). Horizontal crease, some edgewear, light toning and soil, small creases throughout. . "On at least on occasion these two dino-films were paired on a double bill, even though they came from different independent studios. Though I re-watched both…on streaming months apart, I can attest that any viewer unlucky enough to have watched both together would truly have got "the worst of both worlds.".Having said that, neither UNKNOWN nor LOST is truly rock-bottom; they're just aggressively mediocre in comparison to even the simplistic 1960 adaptation of THE LOST WORLD. Like the explorers of Irwin Allen's movie, UNKNOWN's main characters consist of three males and a female. However, all three men are more concerned with contending over the woman than with exploring a contemporary domain where prehistoric creatures still roam. I remember seeing UNKNOWN on TV once some forty-fifty years ago, and it wasn't lost on me that the script-- crafted by two writers whose repertoires were confined to very obscure third-tier flicks-- had very little to say about the wonders of the prehistoric fauna. (Parenthetically, director Jack Bernhard also labored mostly on the third tier, though he recently got some serious film-critic attention thanks to a DVD release of his 1946 noir DECOY.).The script for UNKNOWN makes no bones about its primary concern with the way in which rich beauty Carole (top billed Virginia Grey) instantly intrigues every man she encounters. She's first seen in the company of her fiancee Osborne (Phillip Read), whose project, to photograph the legendary monsters of the Unknown Island, she Carole is bankrolling. The two of them enter a Singapore tavern looking for the master of a charter vessel, Captain Tarnowski (Barton MacLane), and though he disparages their mission as foolishness, the crude, bully-boy skipper accepts their commission, while also intimating that he harbors lustful intentions toward Carole. But Tarnowski also manages to bring along his own nemesis. He invites on the voyage another sailor, Fairbanks (Richard Denning), because Fairbanks had briefly visited the Unknown Island and seen its horrific denizens, even though no one believed the sailor's stories and he subsequently turned to drink. Though Virginia Grey gets top billing, UNKNOWN is really the story of how Denning's character regains his manhood-- and, not coincidentally, how he wins the expedition's sole female away from her fiancee-- who, it is implied, may be less than a man for accepting her financial assistance.So the short voyage to Unknown Island serves to set up Carole as the bone over which the three male canines will contend, with Fairbanks gradually recovering his courage as he falls in love with this technically engaged woman, and she begins to reciprocate. On the island proper, Osborne gets his chance to photograph some of the shabby-looking dinos (all men in suits), but Tarnowski has greater aspirations, for he thinks he's going to hit paydirt if he can take a prehistoric beast back to the civilized world. Thus he's partly like a purely mercenary version of Carl Denham, as well as being a beast far less noble than Denham's anthropoid quarry. At one point, Tarnowski considers using Osborne as bait for one of the dinos, but it's not spoiling much to say that the nasty captain is the one who ends up being monster-chow-- though only after he tries to rape Carole and gets beaten down by Fairbanks in all his resurgent manhood. I think Osborne survives to sail away from Unknown Island with the happy couple, though frankly the script loses interest in this third wheel early on. .The badness of the dino costumes is placed on full display toward the end, when UNKNOWN tries to "ape" the classic KING KONG by having a T-Rex battle a moth-eaten "giant sloth." There's a slight sense that Carole, having "worn the pants" in her relationship with Osborne, is put in her rightful subordinate place af.
