jacir emily (21 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condición: Like New. First Edition. First Edition, First Printing. Published by Guggenheim Museum, 2008. Folio. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have light shelf wear. 111 pages. ISBN: 9780892073733. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Soft cover. Condición: Very good. No jacket. Cover edges are worn. Inside is clean and unmarked.

Hardcover. Condición: Very Good. Very good hardcover without DJ, as issued, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; boards and text/images also very good. Exterior looks good, shelfwear is minor. A solid copy. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping.

Paperback. Condición: New.

Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.

Paperback. Condición: New. Special order item direct from the distributor.

Trade Paperback. Condición: Near Fine. Thin oblong paperback in white wraps. 4to. - over 9¾ in. - 12 in. Slight crease to upper rear cover edge, wraps clean, tight binding, interior text clean. Near Fine copy.

Hardcover without dustjacket as issued, 96 pages; in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good. 1st Edition. First edition. Paperback in wraps. 27 × 21cm, 219pp. This book focuses on this award-winning artist's relationship to Europe and the Mediterranean and explores how one relates to a particular place. Incorporating historic archival material, Jacir traces Europe through its history of colonialism and trade routes, reanimating it through performative gestures. Her work offers uniquely personal revelations about Europe's culture of exile and surveillance, etymology and language, as well as the tension between figuration and abstraction in art. Jacir utilises conceptual tools that reveal the political limitations of society, creating scenarios that erode or question communal boundaries and borders. The book includes reproductions of Jacir's works such as Material for a Film (2004-ongoing), which won the Golden Lion at the Venice Biennale, as well as Stazione (2009) and Lydda Airport (2009). It also includes original essay contributions from Jean Fisher, Lorenzo Fusi and Omar Kholeif, among others. Published in association with Whitechapel Gallery, London. Condition: This copy is in very good condition, with a little light wear to the covers.

Softcover, 218 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

SOFTCOVER. Condición: New. 1st Edition. 8vo in stiff card covers, 80pp on glossy art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy (hint of tanning to leaves) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Softcover. Condición: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> Walking along the vast brick and wood parcours of the Arsenale at the Venice Biennale in 2007, I was drawn to a modest display of photographs and documents. A snapshot of a young man on a balcony led to a creased airmail envelope that in turn snaked around a column and headed toward some pages from Dante's Inferno. There was even a video fragment of the 1963 Peter Sellers film, The Pink Panther. As I followed the trail of what appeared to be something between a personal archive and a cache of evidence, the humble snapshots, handwritten notes and yellowing leaflets unfurled a startling narrative. Material for a film (2004-ongoing) collates fragments of the life of Palestinian intellectual Wael Zuaiter. Like many of his countrymen, Zuaiter lived in exile, making Rome his base from the 1960s until 1972. Life could be hard and he occasionally made money as a film extra (he is the waiter whisking cocktails past Peter Sellers' Inspector Clouseau). It was in 1972 that this 38-year-old poet, translator, musician, PLO spoke.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover without dustjacket as issued, 96 pages; in English and German; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good.

4°. 93 S., 2 Bl. mit vielen Abb. OPp.

HARDCOVER. Condición: As New. 1st Edition. Large 4to. in colour printed thick boards, 93pp on thick art paper, colour plates, etc. Dual text in English and German . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condición: Sehr gut. 95 S. : überw. Illustr. ; 20 cm; fadengeh., illustr. Orig.-Pappband. Sehr gutes Ex.; Einband stw. minimal berieben. - Deutsch und Englisch. - Emily Jacir (geboren 1970 in Bethlehem, Westjordanland) ist eine palästinensisch-amerikanische Künstlerin. Sie arbeitet konzeptuell und ist so gleichermaßen als Malerin, Fotografin, Film-, Sound-, Video- und als Installationskünstlerin bekannt geworden. Ihr Werk kreist um die Geschichte der Vertreibung, Unterdrückung und Tötung von Palästinensern. An der University of Dallas in Irving (Texas) erwarb sie den BA, am Memphis College of Art in Memphis (Tennessee) den Master of Fine Arts (MFA). Seit 1999 lebt und arbeitet Jacir, soweit das Palästinensische Autonomiegebiet nicht abgeriegelt ist, alternierend in Ramallah (u. a. an der Universität Bir Zait arbeitend) und in New York City. Seit 1994 hatte Jacir weltweit eine Vielzahl von Ausstellungen, unter anderem im Whitney Museum und im MoMA in New York und am San Francisco Museum of Modern Art. 2007 nahm sie mit Material for a Film, "einem Dokumentarfilm in Gestalt einer Installation" über den Mord an Wael Zwaiter, u. a. an der Biennale di Venezia teil und wurde dort mit einem Goldenen Löwen ausgezeichnet. (wiki) // Das Thema der freiwilligen und erzwungenen Bewegung zwischen Orten und Kulturen ist zentrales Motiv der Arbeit von Emily Jacir. Der Katalog gibt einen Überblick über die Vielfalt ihres Werks, das Objekte, Zeichnungen, Fotografie und Video ebenso einschließt wie raumgreifende Installationen und Aktionen engagierter Kommunikation. / The theme of the voluntary and coerced movement between places and cultures, is a central motif in Emily Jacir's work. The catalog provides a survey of the diversity of her work, which includes not only objects, drawings, photography and video, but also spatial installations and actions of engaged communication. (Verlagstext) // INHALT : Stella Hallig - Emily Jacir Interview ----- John Menick Steigende Erträge: Die Arbeit von Emily Jacir ----- 1998-2002 Undiminished Returns: The Work of Emily Jacir 1998-2002 ----- Emily Jacir - Where We Come From ----- Christian Kravagna ----- Bleiben, weggehen, zurückkehren. ----- Über Mobilität, Raum und Perspektive ----- Staying, Leaving, Returning. ----- On Mobility, Space and Perspective ----- O.K Ausstellung Exhibition ----- Biografie Biography. ISBN 9783852562650 Sprache: Englisch Gewicht in Gramm: 293.

Amman, Darat al Funun-Khalid Shoman Foundation & Amsterdam, Idea Books. 2015. 175,[4] pp. Col. & b./w. ills. Orig. hardcover (grey cloth with silver lettering). Large 8vo.Published on occasion of an exhibition held at Darat al-Funun, 2014. Text in English and Arabic. Contributions by Adila Laïda-Hanieh, Ahmad Zatari, Yazid Anani & Emily Jacir. - - Since the early 1990s, Emily Jacir has created works about transformation, questions of translation, resistance, and the logic of the archive. With restrained formal means she makes visible silenced historical narratives, with a focus on her own political, historical, and social relationships. The book presents a fully illustrated survey of her oeuvre, including film and video works, installations, interventions, audio works, and sculpture. From 'Change/Exchange' (1998) to 'Untitled (SOLIDARIDAD)' (2013), the book contains reproductions of key works such as 'ex libris' (2010-2012), commissioned for Documenta (13), as well as several rarely seen works.

72 pp.; 28.5 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with "Palestine c/o Venice," a collateral event of the 53rd Art Exhibition, La Biennale di Venezia, held at Ex Convento Cosma e Damiano, Campo S. Cosmo, Giudecca, Venice, June 7 - September 30, 2009. Held simultaneously at six Palestinian venues: Palestinian Art Court-Al Housh, International Academy of Art Palestine, Al Ma'mal: Foundation for Contemporary Art, A.M. Qattan Foundation, The Ethnographic and Art Museum at Birzeit University, and Riwaq. Curated by Salwa Mjikdadi. Texts by Vittorio Urbani, Salwa Mikdadi, Jack Persekian, Adila Laïdi-Hanieh, and Tina Sherwell. Artists include Taysir Batniji, Shadi HabibAllah, Sandi Hilal, Alessandro Petti, Emily Jacir, Jawad Al Malhi, and Khalil Rabah. Includes artists biographies. Text in English. Very Good. Light rubbing of cover edges and corners. Contents clean and unmarked. Includes press release.