Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804795274 ISBN 13: 9780804795272
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Idioma: Inglés
Publicado por MK - Stanford University Press, 2015
ISBN 10: 0804795274 ISBN 13: 9780804795272
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804795274 ISBN 13: 9780804795272
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Idioma: Inglés
Publicado por Stanford University Press, US, 2015
ISBN 10: 0804795274 ISBN 13: 9780804795272
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Añadir al carritoPaperback. Condición: New. When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap. While focusing on the work of five contemporary Asian American poets-Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu-the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804795274 ISBN 13: 9780804795272
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Idioma: Inglés
Publicado por Stanford University Press, 2015
ISBN 10: 0804795274 ISBN 13: 9780804795272
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804795274 ISBN 13: 9780804795272
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804795274 ISBN 13: 9780804795272
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804795274 ISBN 13: 9780804795272
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 33,77
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804795274 ISBN 13: 9780804795272
Librería: Books Puddle, New York, NY, Estados Unidos de America
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804795274 ISBN 13: 9780804795272
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 42,68
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Añadir al carritoCondición: New. 2015. Paperback. . . . . . Books ship from the US and Ireland.
Publicado por Stanford, California: Stanford University Press, 2014, 2014
Librería: Steven Wolfe Books, Newton Centre, MA, Estados Unidos de America
EUR 31,14
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Añadir al carritolike new hardcover, printed covers. WANG, DOROTHY J. Thinking its presence: form, race, and subjectivity in contemporary Asian American poetry. Stanford, California: Stanford University Press, 2014, xvii, 391pp., . Series: Asian America. - When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap. While focusing on the work of five contemporary Asian American poets{u2014}Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu{u2014}the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets. - CONTENTS: Introduction : aesthetics contra "identity" in contemporary poetry studies -- Metaphor, desire and assimilation in the poetry of Li-Young Lee -- Reading too much into : Marilyn Chin, translation, and Asian American poetry in the "post-race" era -- Irony's barbarian voices in the poetry of Marilyn Chin -- Undercover Asian : John Yau, parody, and the politics of ethnic identification and self-identification -- Genghis Chan : parodying private eye -- Mei-Mei Berssenbrugge's poetics of contingency and relationality -- Subjunctive subjects : Pamela Lu's Pamela : a novel and the poetics and politics of diaspora -- Epilogue : American poetry and poetry criticism in the twenty-first century? ISBN 9780804783651.
Idioma: Inglés
Publicado por Stanford University Press, US, 2015
ISBN 10: 0804795274 ISBN 13: 9780804795272
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 39,98
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Añadir al carritoPaperback. Condición: New. When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap. While focusing on the work of five contemporary Asian American poets-Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu-the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
Idioma: Inglés
Publicado por Stanford University Press, 2015
ISBN 10: 0804795274 ISBN 13: 9780804795272
Librería: moluna, Greven, Alemania
EUR 40,95
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Añadir al carritoCondición: New. This book makes an argument for paying serious attention to the full complexity, formal and social, of Asian American poetry-and of minority poetry-and for rethinking how we read American poetry in general.Über den AutorrnrnDorothy J. W.
Idioma: Inglés
Publicado por Stanford University Press Jan 2015, 2015
ISBN 10: 0804795274 ISBN 13: 9780804795272
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 52,62
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap.
Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 136,17
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Idioma: Inglés
Publicado por Stanford University Press, US, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 138,53
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Añadir al carritoHardback. Condición: New. When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap. While focusing on the work of five contemporary Asian American poets-Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu-the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
Idioma: Inglés
Publicado por Stanford University Press, US, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 139,59
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Añadir al carritoHardback. Condición: New. When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap. While focusing on the work of five contemporary Asian American poets-Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu-the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
Idioma: Inglés
Publicado por MK - Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 138,94
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: Majestic Books, Hounslow, Reino Unido
EUR 144,27
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: Books Puddle, New York, NY, Estados Unidos de America
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 151,88
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Añadir al carritoCondición: New. This book makes an argument for paying serious attention to the full complexity, formal and social, of Asian American poetry--and of minority poetry--and for rethinking how we read American poetry in general. Series: Asian America. Num Pages: 416 pages. BIC Classification: DSB. Category: (G) General (US: Trade). Dimension: 5487 x 3556 x 28. Weight in Grams: 590. . 2013. Hardcover. . . . .
Idioma: Inglés
Publicado por Stanford University Press, US, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 140,57
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Añadir al carritoHardback. Condición: New. When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time. Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap. While focusing on the work of five contemporary Asian American poets-Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu-the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception of all poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
Idioma: Inglés
Publicado por Stanford University Press, 2013
ISBN 10: 0804783659 ISBN 13: 9780804783651
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 190,74
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Añadir al carritoCondición: New. This book makes an argument for paying serious attention to the full complexity, formal and social, of Asian American poetry--and of minority poetry--and for rethinking how we read American poetry in general. Series: Asian America. Num Pages: 416 pages. BIC Classification: DSB. Category: (G) General (US: Trade). Dimension: 5487 x 3556 x 28. Weight in Grams: 590. . 2013. Hardcover. . . . . Books ship from the US and Ireland.