iversen bell (20 resultados)

Condición: Bueno. : El libro 'El Cerebro' es una obra que explora el fascinante mundo del cerebro humano. A través de una serie de artículos de investigación y ciencia, se adentra en la estructura, función y misterios de este órgano vital. Los temas incluyen la neurobiología, la función mental, la anatomía cerebral y la relación entre el cerebro y la mente. Con contribuciones de expertos en el campo, este libro ofrece una visión completa y accesible del cerebro y su papel en nuestra experiencia humana. EAN: 9788433550033 Tipo: Libros Categoría: Ciencias|Tecnología|Educación Título: El Cerebro Autor: David H. Hubel| Charles F. Stevens| Eric R. Kandel| Walle J. H. Nauta| Michael Feirtag| W. Maxwell Cowan| Leslie L. Iversen| James A. Nathanson| Elio García-Austt| Washington Buño Editorial: ed. Labor Idioma: es-ES Páginas: 240 Formato: tapa blanda.

Hardcover. Condición: Very Good. Never read, pages are clean and unmarked. Our copy is hardcover with printed covers showing a crease in the back cover, slight bumps at the corners and a minor scrunch at the heel of the spine.

Hardcover. Condición: Very Good. Hardcover with printed covers, no jacket. New book still in publisher's shrinkwrap. Never opened, never read. However, wrap is torn along top edge and there are smudge marks on the book.

Condición: New.

hardcover. Condición: New. 1st.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good. No Jacket. Minor shelf wear. Otherwise a tight, unmarked volume. Index. xiv, 560 pp.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard's poetry, the Gloss to Lamentations, and ritual representations or 'liturgical drama'. The two final chapters treat fourteenth-century uses and understandings of Boethius's De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions. This book thrusts the reader into the intellectual turmoil of medieval Europe. In inter-related studies of largely unexplored material dating from the 9th-14th centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. The sections are interspersed with philosophical reflections on overriding themes of the contributions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. 2009. 1st Edition. hardcover. . . . . .

Hardcover. Condición: Brand New. 01 edition. 350 pages. 9.50x6.50x1.50 inches. In Stock.

Gebunden. Condición: New.

Condición: New. 2009. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condición: Neu. Neuware - This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard's poetry, the Gloss to Lamentations, and ritual representations or 'liturgical drama'. The two final chapters treat fourteenth-century uses and understandings of Boethius's De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions.

Hardcover. Condición: new. Hardcover. This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard's poetry, the Gloss to Lamentations, and ritual representations or 'liturgical drama'. The two final chapters treat fourteenth-century uses and understandings of Boethius's De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions. This book thrusts the reader into the intellectual turmoil of medieval Europe. In inter-related studies of largely unexplored material dating from the 9th-14th centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. The sections are interspersed with philosophical reflections on overriding themes of the contributions. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New.

Hardback, XIV+558 p., 16 b/w ill., 3 b/w tables, 160 x 240 mm. ISBN 9782503520575. This book thrusts the reader into the intellectual turmoil of medieval Europe. In interrelated studies of largely unexplored material dating from the ninth through to the fourteenth centuries, the contributors explore changes in functions and forms of liturgical poetry and music, and of biblical interpretation. Although the twelfth century constitutes the main focus, the phenomena dealt with here had roots in earlier times and remained in circulation in later centuries. The cultural heritage of the Carolingian intellectuals tied to the palace school of Charles the Bald is examined in a liturgical context. Forms and ideas from this period were reused and transformed in the twelfth century, as represented here by sequences, tropes, Abelard?s poetry, the Gloss to Lamentations, and ritual representations or ?liturgical drama? The two final chapters treat fourteenth-century uses and understandings of Boethius?s De institutione musica and the new genre of sequence commentaries, both dealing with later medieval views on music theory and liturgical poetry from an earlier period, thus connecting the end of the book to its beginning. The sections are interspersed with philosophical reflections on overriding themes of the contributions. The volume concludes with an anthology of poetic texts in Latin with English translations and musical transcriptions. Languages : English, Latin. 0 g.