isabel friedli (95 resultados)

Oversized Paperback. Condición: Good.

Condición: good.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condición: Very Good. Paperback--excellent condition.

Soft cover. Condición: Very Good.

Paperback. Condición: new. Paperback. This volume accompanies the first major solo exhibition on American artist Paul Chan (born 1973) since his series The 7 Lights was presented at the New Museum in 2008. Chan is one of the most versatile and unpredictable artists of his generation, and certainly one of the most original voices in contemporary art today. Active as artist, writer and publisher, he engages the viewer in a challenging discourse about the place of art in social and political life. Chan's combination of old and new works casts new light on the content and complexity of his fascinating art. In addition to early video installations, rarely seen works on paper, sculptures and works from the 7 Lights series, this volume includes reproductions of the 1,005 painted book covers that constitute Volumes (2012), and new works created for the exhibition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. First Edition. First Edition, First Printing. Published by MoMA, 2018. Folio. Brown cloth boards.Book is like new; clean with no writing or names. Spine straight, binding tight and pages crisp. Very light bumps to top corners. Dust jacket is like new with very light shelf wear. 355 pages. ISBN: 9781633450318. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Softcover, 388 pages with 54 page exhibition booklet laid in, in English and German; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

ill. Textil-Hardcover. 1. Aufl. Seit über 15 Jahren setzen sich Monica Germann und Daniel Lorenzi mit dem Wesen der Malerei und der Materialität von Bilder auseinander. Sie zeichnen ohne Zwischenmedium auf die Wände der Ausstellungsräume und erweitern diese so um ihre Bilderwelten. Ihre Arbeiten sind immer direkt und stets auch sehr persönlich, da sie Elemente aus ihrem eigenen Leben mit einbeziehen. Dieses Buch gewährt nun zum ersten Mal einen umfassenden Blick auf das Werk von Monica Germann und Daniel Lorenzi, es dokumentiert einen Großteil ihrer ephemeren Arbeiten und erlaubt in der Zusammenfassung eine Einordnung der Arbeiten in die Kunstgeschichte rezenter Malerei und Zeichnung. Mit Texten von Patricia Grzonka, Julie Enckell Julliard, Isabel Friedli und Christoph Doswald. (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 1100.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: fine. Quarto. (11" x 9") Fine copy in original shrinkwrap.

Condición: Good. Paperback, numerous (full page) illustrations in colour (and some in b/w), 4to. Text in English and German.

Hardcover with dustjacket, 356 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: new. Paperback. A deep dive into the video artist's latest installation fusing color, light and sound to upend our perception of space and timeThe subject of this volume is the colossal traveling immersive installation conceived by British film director and video artist Steve McQueen (born 1969). Under his direction, the 30,000-square-foot ground-level gallery at Dia Beacon is transformed into an installation comprising 60 lightboxes, in concert with a sonic component performed by world-renowned bassists. The co-commission will be shown at Schaulager, Basel, in 2025.The accompanying publication features an introduction by Dia curator Donna De Salvo, who embeds the work in the context of McQueen's oeuvre to date, along with five essays by leading experts in musicology, cultural studies and Black studies as well as a narrative reflection by an esteemed poet. An extensive series of plates reflects the reverberating character of the color, light and sound installation, with further illustrations documenting the planning and realization process of this site-specific project. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New. Estado de la sobrecubierta: New. In shrinkwrap. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Minor shelf wear; small bump at bottom of tail board. Else a bright, clean copy. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

hardcover. Condición: Used-Very Good. Cloth, dj. Some shelf wear. Corners of spine, rear board creased, with attendant crease in jacket. Else fine. A nice, clean copy with pristine images.

Cloth. Condición: New. 780 pages. Hardcover exhibition catalogue, bound in printed cloth covered boards. Texts in English. Still in the publisher's original shrinkwrap, so the binding is tight, the edges and corners of the boards sharp, and interior presumably clean and free of markings. Published on the occasion of the exhibition held from June 13, 2015 - January 31, 2016. Book.

hardcover. Condición: fine. Estado de la sobrecubierta: fine. Nauman, Bruce Ilustrador. With chapters by many authors. Extensively illustrated. 356 pages, thick 4to, brown cloth, d.w. New York: The Museum of Modern Art, (2018). A fine copy in a fine dust wrapper. Published in conjunction with the exhibition, Bruce Nauman: Disappearing Acts.

Hardcover. Condición: Very good. Estado de la sobrecubierta: Very good. Great condition. Jacket has light wear, but is bright. Binding is tight, and inside is clean and unmarked.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine.