invisible green (4 resultados)

Hard Cover. Estado de la sobrecubierta: Good. HBDJ, 1954, Early Edition, GOOD-/GOOD, AS-IS, Grey beige Tweed cloth with Kens Face in Box on Front, Cover Light Rub, Wear, DJ light Rub, wear & Small chips, MENDED Tears Edges Extremities, Front top edge chip DJ takes only out small part of A & Ken, Spine ends DJ small Chips, 212 pgs , INTERIOR pgs nice tight Clean light Wear, but about 20 or so pgs have small chips in them front something intrusive going thru them O/W Nice Condition, NO ADS IN BACK, Jacket in Clear Protective mylar cover. Cameo of Ken on spine DJ, 5.25 x 7.5 inches .Green & White Pictorial Endpapers by James M. Wills of old house in windswept landscape with lightning flashing in the sky, B/W Frontispiece Dont Move you two, Youre Covered, Inner Hinges Starting ever so Slightly,

First edition. New York and Cincinnati: Livermore & Rudd; Moore, Wilstach, Keys, & Overend, [1856]. First edition. New York: Livermore & Rudd; Cincinnati: Moore, Wilstach, Keys, & Overend, [printed by William Overend, Cincinnati, c.r. 1856]. 12mo. 311 pages. [10] pages publisher's illustrated ads (Livermore & Rudd) including a full-page ad for the present work. Illustrated with title page vignette and woodcuts in the text. Original embossed dark blue cloth stamped in gilt on the spine. 20 x 14 cm. Extremities worn, moderate soiling to the cloth, spine cocked, but sound and with hinges intact. Scattered foxing, heavy in a few places; several leaves with shallow chips to fore-edge; one closed marginal tear; several corners creased. Good only, but scarce in any condition. FIRST EDITION, New York issue. Perhaps preceded by a Cincinnati issue with Moore, et al. listed first in the imprint, although we can find no direct evidence as to priority. Binding variants of red and black cloth are also encountered. A series of amusing sketches of city life by a Cincinnati reporter. It is unclear to what extent the anecdotes are the invention of the author. Wright recorded the book as fiction and Sabin as Americana. However, the stories are purportedly based on actual persons and episodes observed by Crippen during his career as a newspaperman (see pref.). One bona fide historical event described here was the author's balloon ride with French aeronaut, Eugène Godard in Oct. 1855. In "Invisible Among the Clouds," Crippen provides a vivid account of the ascent, which ended with a crash, the ejection of Godard and his passengers from the basket, and several injuries. Many of the pieces describe scenes in the police house or courtroom. These include three stories of proceedings against African Americans ("An Ethiopian at the Bar," "A Rich Trial," and "Happy"). Relations between husband and wife are dealt with in "Wearing the Breeches: or Woman's Rights Illustrated" and "The Reign of Petticoats." A visit to a clairvoyant is described in "Invisible Calls Upon the Fortune-Tellers." This was the first and only book by William G. Crippen (1820-1863), a longtime reporter for the Cincinnati "Times". During the Civil War, he served as a special correspondent for the "Times" in western Virginia. (See Andrews, "The North Reports the Civil War", pp. 112-113). The book also provides an excellent representation of the comic work of American illustrator, John McLenan (1827-1865). "Discovered by DeWitt C. Hitchcock working in a pork-packing establishment in Cincinnati and making drawings on the tops of barrels, McLenan became one of the most prolific of our early illustrators. He illustrated many English novels for Harper's such as 'The Woman in White,' 'Tale of Two Cities,' 'Great Expectations,' etc. He was also well known as a comic draftsman. His work will bear comparison with the best of his time [and] undoubtedly influenced many of the younger men of the time and played a real part in the development of American illustration." --Sinclair Hamilton, "Early American Book Illustrators and Wood Engravers," p. 180 and xli. Hamilton 1058. See Wright II, 659 (Cincinnati issue). Sabin 17509.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 328. A perfect gift for your loved ones. Reprinted from 1856 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 328.

First edition. New York: Livermore & Rudd; Cincinnati: Moore, Wilstach, Keys, & Overend, [printed by William Overend, Cincinnati, c.r. 1856]. 12mo. 311 pages. [10] pages publisher's illustrated ads (Livermore & Rudd) including a full-page ad for the present work. Illustrated with title page vignette and woodcuts in the text. Original embossed red cloth stamped in gilt on the spine. 20 x 14 cm. Tiny tears to head of spine, the base of spine chipped to the text block, shallow gouge to the bottom edge of front board, tiny hole on the rear joint, but sound. A few stains to cloth including dark spotting along the joints. Sporadic moderate foxing; occasional, mostly marginal stains with a few spots to the text not affecting legiblity; light tanning to several pages due to prior enclosures. Thus good only, but scarce in any condition. FIRST EDITION, New York issue. Perhaps preceded by a Cincinnati issue with Moore, et al. listed first in the imprint, although we can find no direct evidence as to priority. Binding variants of blue and black cloth are also encountered. A series of amusing sketches of city life by a Cincinnati reporter. It is unclear to what extent the anecdotes are the invention of the author. Wright recorded the book as fiction and Sabin as Americana. However, the stories are purportedly based on actual persons and episodes observed by Crippen during his career as a newspaperman (see pref.). One bona fide historical event described here was the author's balloon ride with French aeronaut, Eugène Godard in Oct. 1855. In "Invisible Among the Clouds," Crippen provides a vivid account of the ascent, which ended with a crash, the ejection of Godard and his passengers from the basket, and several injuries. Many of the pieces describe scenes in the police house or courtroom. These include three stories of proceedings against African Americans ("An Ethiopian at the Bar," "A Rich Trial," and "Happy"). Relations between husband and wife are dealt with in "Wearing the Breeches: or Woman's Rights Illustrated" and "The Reign of Petticoats." A visit to a clairvoyant is described in "Invisible Calls Upon the Fortune-Tellers." This was the first and only book by William G. Crippen (1820-1863), a longtime reporter for the Cincinnati "Times". During the Civil War, he served as a special correspondent for the "Times" in western Virginia. (See Andrews, "The North Reports the Civil War", pp. 112-113). The book also provides an excellent representation of the comic work of American illustrator, John McLenan (1827-1865). "Discovered by DeWitt C. Hitchcock working in a pork-packing establishment in Cincinnati and making drawings on the tops of barrels, McLenan became one of the most prolific of our early illustrators. He illustrated many English novels for Harper's such as 'The Woman in White,' 'Tale of Two Cities,' 'Great Expectations,' etc. He was also well known as a comic draftsman. His work will bear comparison with the best of his time [and] undoubtedly influenced many of the younger men of the time and played a real part in the development of American illustration." --Sinclair Hamilton, "Early American Book Illustrators and Wood Engravers," p. 180 and xli. Hamilton 1058. See Wright II, 659 (Cincinnati issue). Sabin 17509.