introduction thomas messer (27 resultados)

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Good. Hardcover in good condition. All inside pages are in great shape. Minor shelf wear to the brown cover and spine. No dust jacket.

hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condición: Very Good. 1st. xii, 254 pages, illustrations (some colour); 24 x 31 cm. Firm binding, gently creased spine. Clean inside copy. Age toning, edges lightly soiled. First paperback edition. *** "A radiant and frequently haunting representation of the Brooklyn artist's paintings, etchings, and sketches, masterfully reproduced. Compiled by the artist, the collection represents the full range of his work, in which his abiding concern is continually manifest; in Dinnerstein's own words, that concern is his "interest in people--in the individual and in the dreams and mysteries, the visual information and enthusiasms that define human beings." - Publisher. Size: Oblong.

Paperback. Condición: Very Good. 211 pages, illustrations (some colour); 31 cm. Firm binding, clean inside copy. Foreedge lightly bumped, age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Size: 4to.

27,5 x 26,5 cm ; kart. ; Condición: Gut. 160 S. ; Großformatige Englischsprachige Paperbackausgabe, um 160 unpaginierte Seiten mit zahlreichen Abbildungen. Gutes Exemplar (good Condition). pw45.

kart. Condición: Gut. 28 x 26,5 cm ; Großformatige Englischsprachige Paperbackausgabe, um 160 unpaginierte Seiten mit zahlreichen Abbildungen. Umschlag etwas angedunkelt. Gutes Exemplar (Cover somewhat darkened. Good Condition). hw985.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Square quarto. Color and B&W illustrations. Fine in fine DJ. 252 pages.

Cloth. Condición: Near Fine. Estado de la sobrecubierta: Fine Condition. 272 pp., many illus. 144 in color. Some spotting on the fore-edge, otherwise fine. Dustjacket is protected with a mylar cover.

hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. First American Edition. Publisher: Newsweek Books, New York, 1974. FINE hardcover book in FINE mylar-protected dust-jacket. Previous owner's artistic embossed stamp at bottom of FFEP, otherwise as new. First US Edition, First Printing.

Boston: Institute of Contemporary Art, copright 1960. (48) pages. 4 color plates, many halftones. Chronology, Bibliography, Catalog. 7.5x7", paperback. Cover slightly soiled, VG.

Soft cover. Condición: Good. Softcover, oblong, 9 by 12 inches, 254 pages, index, chronology, bibliography, illustrated. Signed by artist. Covers have only slight wear, and the pages are clean.

Paperback. Condición: Near Fine. 1st. 48 pages, illustrations (some colour); 26 cm. Exhibition held at the Baltimore Museum of Art, December 16, 1975 to January 18, 1976; and other venues. Near fine. Firm binding, clean inside copy. Age toning. *** Retrospective of Norris Embry's (1921-1981) work. His work is related to Neo-Expressionism, as well as Art Brut and Outsider Art. Midwesterner, from Kentucky. Suffering from mental illness later in life, he made a new home in Baltimore. Size: 4to. Collectible.

Paperback. Condición: Very Good. 1st. 1 volume (unpaged), illustrations (some colour); 28 cm. Exhibition 72/4. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** Vintage Guggenheim catalogue on the museum's favourite son, the Russian artist Vasily/Wassily Kandinsky (1866-1944), embraced by the founder Solomon R. Guggenheim and, most especially, director Hilla Rebay. Size: 4to. Collectible.

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Oblong quarto in brown silk cloth stamped in gilt; dust jacket. "The first representative collection of the artist's paintings, etchings, and sketches." Illustrated with full-page, full-color plates. Clean and bright with crisp unmarked text. Size: 4to - over 9¾" - 12" tall.

Paperback. Kandinsky, Vasily Ilustrador. First edition. Unpaginated. Profusely Illustrated in color and black and white. Selected Bibliography. Printed by Lund Humphries. Orig. yellow stiff wrappers. Fine.

perfect. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paperback. Condición: Near Fine. 1st. 111 pages, illustrations (some colour), portrait; 29 cm. Edition of 1000 copies, designed by Herbert Matter. Exhibition '62/2, February 28 to April 29, 1962. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Size: 4to. Collectible.

Paperback. Condición: Near Fine. 1st. 105 pages, illustrations (some colour); 28 cm. Traveling loan exhibition. Catalogue designed by Herbert Matter in an edition of 3000 copies. Firm binding, clean inside copy. Age toning. *** Includes a 20-page Supplement to the Exhibition: Special Loan of Paintings from the U.S.S.R. laid in. Dated 1963, the Supplement includes texts by Thomas M. Messer, Nina Kandinsky, and Will Grohmann. Size: 4to. Collectible.

Condición: Gebraucht / Used. 1986. Hardcover with d.j. Good. 249pp. Illustr.

Paperback. Thomas M. (Introduction) Messer, Guggenheim MUSEUM. Author: Thomas M. (Introduction) MesserBinding: PaperbackPublished: Guggenheim MUSEUM, 1972Condition:Book: GoodJacket: No dust jacketPages: GoodMarkings: No markingsCondition remarks: Condition as shown in imageThe Guggenheim Collection presents a magnificent overview of one of the world's most iconic art institutions. This volume chronicles the museum's unique architectural vision and the evolution of its groundbreaking exhibitions. It illustrates the breadth and depth of the Guggenheim's holdings, showcasing masterpieces from various artistic movements. The text details the significant contributions of artists whose works define modern and contemporary art, offering readers an intimate look at a pivotal cultural landmark. Paperback.

Soft cover. Condición: Fine. No Jacket. Harry Callahan Ilustrador. 1st Edition. First edition / First printing. White printed wrappers. 79 pages. Fine.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Quarto hardcover; 226pp., colour and monochrome illustrations. Dustwrapper. Remainder. New. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. Dogancay's expansive practice mixed collage with abstraction, deploying painting, photojournalism, and the calligraphic in an enormous oeuvre that includes graphic art, sculpture, paintings, and photographs. He is best known for his fascination with urban walls as tableaux suggesting an imaginary history, recording the passage of time through the marks left by the elements and by anonymous city-dwellers. In 1955, after a period spent making artwork in a naturalist vein, Dogancay left France for Ankara to serve in Turkey's Ministry of Commerce. But it was living as a diplomat in New York in the early 1960s that would spark the transformation of Dogancay's artistic practice. Specifically, while walking on 86th Street in 1963, Dogancay encountered what he called 'the most beautiful abstract painting I have ever seen.' In fact, it was a wall with the remains of a poster, a constellation of broken patterns that Dogancay immediately sketched (and later reworked into a painting). In 1964, he gave up his diplomatic career in order to dedicate himself to an art that often used the urban wall as a means of exploring the visual experience of texture, place, and memory. He also adopted a mode of photojournalistic social commentary in his photographs of cities all over the world. In this book, issued at the same time as the opening of the Dogancay Museum in Istanbul, the artist's extensive body of work on paper is thoroughly investigated. In five sections the works are separated into drawing, watercolour, fumage, collage and mixed media. 9781555952266.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 158 pages, illustrations (some colour), portraits; 32 cm. Special issue of the XXe Siecle Review. Text in English and French. Translations by Joan Marie Weiss Davidson. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** An Israeli sculptor and experimental artist best known for his contributions to optical and kinetic art. Includes 2 colour lithographs. *** CONTENTS: Preface, by Frank Popper; Yaacov Agam the artist and his credo; Introduction, by Thomas M. Messer; Introduction to Agam's visual kinetism, by Giulio Carlo Argan; Densities of the immaterial: presences of the invisible: prologomena to the work of Agam, by Arturo Schwarz; On Agam, by Abraham A. Moles; Yaacov Agam and instrumental painting, by Alain Jouffroy; Agam's movement, by Serge Lemoine; The shifting sands of time, by Jean-Claude Meyer; Time and space in the work of Yaacov Agam, by Haim Gamzu; Agam: the perceptible absence of the 'image', by Frank Popper; Agam's tele-art, by Frank Popper; Agam or the other space, by Alain Bosquet; The fountains of La Defense, by Barbara Silvergold; Agam's polyphony, by Michel Ragon; Agam, by Marc Saporta; The painter and the prophet; Agam and language; The era of Agam; The eye attacks; Marks and remarks, by Jacques Lassaigne; Agam's theater, by Eugene Ionesco; Speech at a reception honoring Agam, by Alain Poher; The shared dream, by Luis Alberto Machado. Size: Folio. Collectible.

Soft cover. Condición: Very Good. Softcover; small 4to; 65 pages. Scarce. Catalogue. White wraps with red titles beind a b+w rendering of the dictionary entry for 'systemic'. Gently rubbed/bumped edges. Lightly faded, scuffed. Bright and clean pages, with both b+w and colour ills. VG. Book.