Introduction by quentin bell (17 resultados)

Paperback. Condición: Good. First Edition. Light general wear. May have light notes/highlighting. shelf wear. bumped edges. worn cover. Hardcover. â Nothing yet published about her so totally contradicts the legend of Virginia Woolf. [This] is a first chance to meet the writer in her own unguarded words and to observe the root impulses of her art without the distractions of a commentaryâ (New York Times). Edited and with a Preface by Anne Olivier Bell; Introduction by Quentin Bell; Index.…

Hardcover. Condición: Book fine, Dust jacket fine. dj. 1st. Illus. With Photos (ilustrador).

Paperback. Condición: Very Good. Publisher: Pimlico, London, 1997. First Softcover Edition, First Printing. FINE- softcover book in pictorial/illustrated wraps, as issued. A previous owner's gift inscription on the first page. Not remainder marked. Not a book club edition. Not an ex-library copy.

Paperback. Condición: New. In shrink wrap.

Soft cover. Condición: Good. London: Chatto & Windus/ The Hogarth Press, 1983. Soft cover. 61 p; photos. Good: the cover has faded along the spine and edges; the edges are tanned, as are the edges of the endpapers; the flyleaf has a small missing bit at the lower corner, and there is a faint watermark underneath this on the title page. Internally it is good. With an introduction by Quentin Bell, this is the tale of a 1910 hoax where friends including Virginia Woolf pretended to be the Emperor of Abyssinia and entourage and paid a ceremonial visit to the Royall Navy. The details and the Navy's revenge are very entertaining.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. A fine hardcover book in a like dust jacket. First edition.

Soft cover. Condición: Good. No Jacket as issued. 1st Edition. First printing in this paperback format. Not to be confused with the 1990 hardback limited edition although the content is the same with illustrations and list of variants as between the first English and American editions. Some foxing to the preliminary pages and edges otherwise a good copy.…

paperback, 61pp, clean and tight, no inscriptions, corners slightly rubbed, spine not creased, Very Good condition. ISBN: 0701127473.

Paperback. Condición: Very Good Plus. Soft cover. 38 pages. Flat covers. Clean & tight. No inscriptions. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner, securely boxed in cardboard. ref C559. The Word and The Image VII: Bloomsbury Group. Exhibition Catalogue. Introduction by Quentin Bell. Published in 1976 by National Book League; The Hogarth Press, London. …

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Papered Boards. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. 24 cm, xxviii, 356 pp, d/w - 3.5 cm closed tear to front, neatly mended at verso with archival tape. VG in good d/w. A heavy book - overseas buyers please ask regards postage.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. First impression of the true first edition. Illustrated with 24 full-page monochrome plates. Introduction on Mark Gertler's work as an artist by Quentin Bell. ***A very good copy in a variant binding - turquoise cloth-covered boards (rather than brown) with gilt titles to the spine. Please note that the boards have some light staining marks to the cloth. No bumps, creases or tears. No reading lean. Spine tight. Internally near fine with no inscriptions. Pages clean. No creases or tears. ***In a very good colour-illustrated dustwrapper which has not been price-clipped, retaining the original publisher's printed price of 63s net. The dustwrapper is complete, with no significant chips or tears, but please note there is some loss along the top edge where the dustwrapper is not laminated. Edges of dustwrapper also rubbed, nicked and creased. Virtually no fading to the spine of the dustwrapper, which is unusual for this book. Dustwrapper bright. ***242mm x162mm. 271 pages including a Select Bibliography, Index of Correspondents, and detailed Index at the back of the book. ***'Mark Gertler (9 Dec 1891 - 23 Jun 1939), born Marks Gertler, was a British painter of figure subjects, portraits and still-life. His early life and his relationship with Dora Carrington were the inspiration for Gilbert Cannan's novel "Mendel". The characters of Loerke in D. H. Lawrence's "Women in Love", and Gombauld in Aldous Huxley's "Crome Yellow" were based on him. During his time at the Slade, Gertler met the painter Dora Carrington, whom he pursued relentlessly for many years. His obsessive love for Carrington is detailed in his published letters.' (Wiki) ***'Mark Gertler was born of Polish parents in the poorest of East London homes. Between the two wars he achieved considerable success and fame as an artist, but overwork and ill-health led him to a tragic death in 1939. His letters reveal an almost fanatical devotion to his art, and an attitude to it alternating between exaltation and despair. Most of those were written to "Carrington", as she was always called, who had been a fellow-student at the Slade and with whom his love affair lasted some years. Integrity of character as much as personal charm won him the friendship of a group of writers and intellectuals which at various times included Eddie Marsh, Lytton Strachey, D. H. Lawrence, Middleton Murry, Katherine Mansfield and S. S. Koteliansky. Many of his letters were written from Garsington Manor and give an intimate picture of Lady Ottoline Morrell's Garsington circle. Among his early friends was Gilbert Cannan, who made Gertler and his affair with Carrington the subject of "Mendel", a novel of London's Bohemia that caused great outcry at the time. This, his tortured relationship with Carrington, his self-examination as an artist, his aims and doubts, his friendships and dislikes are unselfconsciously revealed in this selection of his letters (which have been arranged by Carrington's brother). It is a valuable first-hand account of the mind of an artist, a way of life and of a society. The book is illustrated with examples of Gertler's painting--particularly those of which the artist's own conception is revealed in the letters--and Professor Quentin Bell has contributed an introduction assessing Mark Gertler as an artist.' (Quote taken from the front flap of the dustwrapper) ***A first impression of the true first edition, complete in its original dustwrapper, profusely illustrated. A very good reading copy of this first edition, of interest to enthusiasts of the writing and artwork of the Bloomsbury Group, and in particular the artists Mark Gertler and Dora Carrington. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Mark Gertler (ilustrador).…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First printing in the Definitive Collected Edition. Limited to 1000 numbered copies, this being number 332. Some faint oxidation marks to the pastedowns otherwise virtually as new in slightly marked unclipped dustwrapper.…

Printed wrappers. Advance Proof Copy. Nice copy.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. First Edition. First impression of the true first edition. Illustrated with 24 full-page monochrome plates. Introduction on Mark Gertler's work as an artist by Quentin Bell. ***Near fine in brown cloth-covered boards with gilt titles to the spine. The boards are clean and unmarked. Head and tail of spine slightly creased. Corners sharp. No bumps or tears to the cloth. Slight reading lean. Spine tight. Top edge of page block stained dark-brown by the publisher to match the boards. Internally also near fine with no inscriptions. Pages clean. No creases or tears. ***In a very good colour-illustrated dustwrapper which has not been price-clipped, retaining the original publisher's printed price of 63s net. The dustwrapper is complete, with no chips or tears. just some very slight loss at the extremities, mainly at the top of the spine and corner tips. Edges of dustwrapper slightly rubbed, nicked and creased. Virtually no fading to the spine of the dustwrapper, which is unusual for this book. Dustwrapper bright. ***242mm x162mm. 271 pages including a Select Bibliography, Index of Correspondents, and detailed Index at the back of the book. ***'Mark Gertler (9 Dec 1891 - 23 Jun 1939), born Marks Gertler, was a British painter of figure subjects, portraits and still-life. His early life and his relationship with Dora Carrington were the inspiration for Gilbert Cannan's novel "Mendel". The characters of Loerke in D. H. Lawrence's "Women in Love", and Gombauld in Aldous Huxley's "Crome Yellow" were based on him. During his time at the Slade, Gertler met the painter Dora Carrington, whom he pursued relentlessly for many years. His obsessive love for Carrington is detailed in his published letters.' (Wiki) ***'Mark Gertler was born of Polish parents in the poorest of East London homes. Between the two wars he achieved considerable success and fame as an artist, but overwork and ill-health led him to a tragic death in 1939. His letters reveal an almost fanatical devotion to his art, and an attitude to it alternating between exaltation and despair. Most of those were written to "Carrington", as she was always called, who had been a fellow-student at the Slade and with whom his love affair lasted some years. Integrity of character as much as personal charm won him the friendship of a group of writers and intellectuals which at various times included Eddie Marsh, Lytton Strachey, D. H. Lawrence, Middleton Murry, Katherine Mansfield and S. S. Koteliansky. Many of his letters were written from Garsington Manor and give an intimate picture of Lady Ottoline Morrell's Garsington circle. Among his early friends was Gilbert Cannan, who made Gertler and his affair with Carrington the subject of "Mendel", a novel of London's Bohemia that caused great outcry at the time. This, his tortured relationship with Carrington, his self-examination as an artist, his aims and doubts, his friendships and dislikes are unselfconsciously revealed in this selection of his letters (which have been arranged by Carrington's brother). It is a valuable first-hand account of the mind of an artist, a way of life and of a society. The book is illustrated with examples of Gertler's painting--particularly those of which the artist's own conception is revealed in the letters--and Professor Quentin Bell has contributed an introduction assessing Mark Gertler as an artist.' (Quote taken from the front flap of the dustwrapper) ***A first impression of the true first edition, complete in its original dustwrapper, profusely illustrated, and in nice collectable condition. Of interest to collectors and readers of the members of the Bloomsbury Group, and in particular the artists Mark Gertler and Dora Carrington. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. Mark Gertler (ilustrador).…

Hardcover. Condición: Very Good. In zeer goede staat. Hardcover met stofomslag. 356 pp.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fair. First American Editions. A serviceable set of five copies in Imperial octavo hardcover format, measuring 9 1/2" tall x 6" wide, respectively. Sturdy, if unlovely copies, given the tattered, chipped and rubbed printed dust wrappers, some being also price-clipped. The books themselves are in easily Good condition and stand upright easily on the shelf. Bound in black cloth over boards, sharp and distinct lettering to spines. Slight forward cocks to a couple of spines, slight smudging to some bottom tips. Some dings and imperfections here and there, e.g., damp-staining to spine of the fifth volume, with bleed-through to interior of dust jacket bottom. Else clean, tightly bound and unmarked of interior, quite bright, with notes, bibliographies and and indexes. Edited by Anne Olivier Bell, being assisted by Andrew McNeillie, and with Introductions by Quentin Bell. The set comprises Volume One, 1915-1919 (1977, First American Edition, First Printing, "B" in "number" line, xxviii [1], 3-356 pp.); Volume Two, 1920-1924 (1978, First American Edition, First Printing, "B" in "number" line, xii [2], 3-371 pp.); Volume Three, 1925-1930 (1980, First American Edition, First Printing, "B" in "number" line, xiii [1], 3-384 pp.); Volume Four, 1931-1935 (1982, First American Edition, First Printing, "B" in "number" line, xiii [2], 3-402 pp.); Volume Five, 1936-1941 (1984, First American Edition, First Printing, "B" in "number" line, xiv [2], 3-402 pp.). The five volumes cover her early adult life, her complicated interpersonal relations, her career highs and lows, her multifaceted friendships with the literary lights of the day, developing family structure, her charter membership in the so-called Bloomsbury Group. A scholar's well-used set, from the personal library of the noted classicist, Peter Morris Green.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …