Ingrid thulin starring (33 resultados)

Soft cover. Condición: VGF. A VGF of better 4-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

Soft cover. Condición: VG+. 1st Edition. A VG or better 12-page pressbook with no cuts. Size: 11" X 14". Book.

Soft cover. Condición: VG+. A VG or better 12-page pressbook with no cuts. Size: 11" X 14". Book.

Soft cover. Condición: VG+. A VG+ folded pressbook with no cuts. Size: 14" x 18". Book.

Soft cover. Condición: VG. A VG or better folded original release 27 x 41 one sheet. Book.

Soft cover. Condición: VG+. A VG or better 12-page unfolded pressbook with no cuts or missing pages. Book.

No Binding. Condición: VG. FI-MPM. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Soft cover. Condición: VG+. 1st Edition. A VG of better 16-page Souvenir program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Size: 8" x 10". Book.…

Three vintage studio still photographs from the 1965 film. Based on the 1965 novel by Hubert Monteilhet. A Parisian woman who survived Dachau returns to her life in Paris, though she is assumed dead by her husband. Not recognizing her, he asks her to pretend to be his wife and fake her death so he may inherit her fortune. Set in Paris. 10 x 8 inches. One photograph Near Fine, one photograph Very Good, with some pin holes along the edges of the photograph, one photograph Poor with pin holes from staples across the photograph. Selby UK.…

Vintage studio still photograph from the 1957 Swedish sexploitation film, with a provenance stamp on the verso Lars Ekborg and Sven Eric Gamble are bumbling criminals involved in a safe-cracking heist. Shot on location in Stockholm, Sweden. 8 x 10 inches. Very Good plus, with faint creasing.

Two vintage studio still photographs from the set of the 1969 film. One photo shown. Please inquire to see the other. A powerful industrialist family illustrates the German upper classes transition from resentment to acceptance of the Nazi party. Nominated for an Academy Award for best screenplay. Shot on location in Germany, Austria, and Italy. 9.5 x 8 inches. Near Fine. …

First Edition. First Edition of Atlas Filmheft double issue booklet number 32 on the 1963 film, text in German. Featuring 18 essays, an Ingmar Bergman filmography, and illustrated with black and white film still photographs throughout. The third entry in Ingmar Bergman's trilogy of faith and redemption, preceded by "Through A Glass Darkly" (1961) and "Winter Light"(1963). A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom, wherein Ester (Thulin), suffering from a terminal disease, is traveling home with her younger sister Anna (Lindblom), and Anna's son Johan, when they stop in the town of Timoka, a fictional European county on the brink of war with an unknown dialect. After checking into a nearly empty hotel (with the exception of a group of Spanish dwarves in a traveling show), Anna leaves and has an affair with a waiter as Johan wanders the hallways of the hotel. 9.25 x 8 inches, 16 pages, side stapled with self wrappers. Very Good plus, with light creasing to the lower right corner and light soiling to the rear wrapper. Criterion Collection 211. Ebert III.…

Vintage studio still photograph from the US release of the 1964 French/German film. Provenance stamp on the verso. Ingrid Thulin stars as the wife of the Swedish ambassador to Athens, in search of "real men" to satisfy her needs-as opposed to her husband, who is interested in men. Shot on location in Greece. 8 x 10 inches. Near Fine.…

Vintage lobby card for the German release of the 1976 Italian film. Kinothek stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the real Salon Kitty, a cabaret and brothel used by Nazi secret intelligence to collect information on high-ranking SS commandants and foreign dignitaries during World War II. Heavily edited for its US release, with many political elements purged in order to market the film as a sexploitation production. Considered one of the progenitors of the Nazi exploitation genre. Set in Berlin. 11.5 x 9.25 inches. Very Good plus, lightly edgeworn at two corners. Blue Underground.…

Five vintage black and white studio still photographs from the US release of the 1969 Italian-German film. A powerful, corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy, followed by "Death in Venice" (1971) and "Ludwig" (1973). Shot on location in Germany, Austria, and Italy. 10 x 8 inches. Very Good plus, one with a small closed tear to the right edge. …

Vintage pressbook for the 1966 film. In the wake of the Spanish Civil War, a communist exile continues his anti-Franco activities from his new Paris home. The film follows his disillusionment with the revolution and its questionable tactics. Nominated for an Academy Award for Best Screenplay. Two pages, saddle stapled, 10 x 12 inches. Near Fine with a small manuscript graphite notation to the recto.…

Draft script for the 1963 Swedish film. Copy belonging to actor Bertha Sånnell, with her name in manuscript ink on a label affixed to the front wrapper, her annotations in manuscript ink and pencil on two script pages, and on a sheet of lined paper bound in at the rear of the script. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy, a series of films that launched an important phase in the director's career. A quiet, relentless meditation on the nature of faith, imperfection, and beauty. Red untitled wrappers. Title page present, undated, with credit for Bergman. 135 leaves, with last page of text numbered 133. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Good, perfect-bound, with the spine of the wrapper and the first two leaves detached from the text block. Criterion Collection 210. Ebert III.…

Collection of nine vintage oversize double weight reference photographs from the 1958 Swedish film. Stamps of DLS-Film Holland on the versos, and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. A traveling magic show led by a depressed, fraudulent illusionist faces opposition from a small town's authorities, who wish to expose the spectacle as a sham. Shot on location in Stockholm, Sweden. 9.25 x 11.75 inches. Generally Very Good, with pinholes at the corners, and several with small closed tears that have been repaired with archival tape on the versos. Criterion Collection 537. Rosenbaum 1000.…

Collection of 15 vintage double weight oversize reference photographs from the 1963 Swedish film. Stamps of DLS-Film Holland on the versos, and several with layout annotations in manuscript ink and pencil. Embossed censor blindstamp at the upper right corner of each photograph. The second entry in Ingmar Bergman's legendary and highly personal "Faith" trilogy, a series of films that launched a new and important phase in the director's career. A quiet, relentless meditation on the nature of faith, imperfection, and beauty. 9.25 x 11.75 inches. Generally Very Good plus, some with pinholes and small closed tears. Criterion Collection 210. Ebert III.…

Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. Jan and his fiance return to his childhood home, a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood, the neglect of his parents, and a sexual fixation on his mother. Shot on location in Penningby Castle, Stockholm, Sweden. 10 x 8 inches. Near Fine.…

Three vintage borderless black-and-white photographs taken on the set of the 1972 film, two showing director Ingmar Bergman, and the other showing Bergman with actresses Harriet Andersson, Kari Sylwan, and Ingrid Thulin. With manuscript pencil and ink annotations to the verso. In her last days, a woman dying of uterine cancer is moved to her childhood home, where she is cared for by her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother, with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred, Sweden. Two photographs 5 x 7 inches, one photograph 7 x 5 inches. Near Fine.…

Vintage reference photograph from the 1969 Swedish television film, showing actor Anders Ek in a menacing demonic mask. With a printed mimeo snipe specific to the film's UK release affixed to the verso. From the archive of film historian and author Joel Finler. A theatrical troupe is called before the Swedish courts due to their obscene performance material and personal lives, leading each troupe member to crack under psychological strain. The film originally aired on September 18, 1969 on Sveriges Radio. 8.5 x 6.5 inches. Near Fine.…

Vintage borderless reference photograph from the 1969 film, showing director Luchino Visconti, as his cigarette ash dangles dangerously, adjusting the bedding during a scene with actors Ingrid Thulin and Dirk Bogarde. A powerful, corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy, followed by "Death in Venice" (1971) and "Ludwig" (1973). Shot on location in Germany, Austria, and Italy. 10 x 8 inches. About Fine.…

Collection of 14 vintage black and white oversize double weight studio still photographs from the 1958 film. A traveling magic show led by a depressed, fraudulent illusionist (Max von Sydow) faces opposition from a small town's authorities, who wish to expose the spectacle as a sham. Shot on location in Stockholm, Sweden. 12 x 9.5 inches. Near Fine. Criterion Collection 537. Rosenbaum 1000.…

Two vintage borderless reference photographs from the set of the 1972 film-one showing director Ingmar Bergman talking with actors Liv Ullmann and Ingrid Thulin between takes, the other showing Bergman with cast and crew members in the projection room, reviewing daily rushes. Both with the stamp of photographer Bo-Erik Gyberg on the verso. Included with the photographs is a nine-page copy of an English-language publicity article about Bergman and the film, dated 1973, housed in an envelope with the label of Ernie Anderson, Bergman's American talent agent with the Paul Kohner Agency, affixed to the front. In her last days, a woman dying of uterine cancer is moved to her childhood home, where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother, with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred, Sweden. 7.25 x 9.5 inches. Lightly curled, else Near Fine. Criterion Collection 101. Complete collation details available on request.…

Two vintage press photographs from the set of the 1984 film, made for Swedish television. Shown in the first photograph are actress Lina Olin, director Ingmar Bergman, and actor Erland Josephson. In the second photograph, cinematographer Sven Nykvist, Olin, Josephson, and Bergman. With contemporary annotations on the verso confirming details noted above. Both photographs 5 x 7 inches, both Near Fine.…

Seven vintage borderless reference photographs from the 1976 Italian film. Based on the real Salon Kitty, a cabaret and brothel used by Nazi secret intelligence to collect information on high-ranking SS commandants and foreign dignitaries during World War II. Heavily edited for its US release, with many political elements purged in order to market the film as a sexploitation production. Considered one of the progenitors of the Nazi exploitation genre. Set in Berlin. 9.5 x 7 inches. Near Fine. Blue Underground.…

Vintage borderless double weight photograph of cast and crew members of the 1972 film, including director Ingmar Bergman and all principal cast raising their glasses in a toast. In her last days, a woman dying of uterine cancer is moved to her childhood home, where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother, with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred, Sweden. 13.5 x 9.5 inches. Very Good plus, with brief wear to the corners. Criterion Collection 101. Complete collation details available on request.…

Eight vintage series contact print photographs from the 1963 film. Three images per print, amounting to 24 complete images. Two estranged sisters, Ester and Anna, and Anna's 10-year-old son travel to an unnamed Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka. The third in a series of thematically related films by Bergman, following "Through a Glass Darkly" (1961) and "Winter Light" (1963). Set and shot on location in Dalarnas Ian, Sweden. 3.75 x 8.75 inches. Very Good plus. Criterion Collection 211. Ebert III.…

Collection of thirteen vintage studio still photographs from the US release of the 1963 Swedish film. Three with mimeo snipe and "R.R. Stuart Collection" stamp on the verso. The third entry in Ingmar Bergman's trilogy of faith and redemption, preceded by "Through A Glass Darkly" (1961) and "Winter Light"(1963). A stark and enigmatic allegory fueled by subtle performances from Ingrid Thulin and Gunnel Lindblom. Ester (Thulin), a translator and intellectual suffering from a terminal disease, is traveling home with her younger, resentful sister Anna (Linblom), and Anna's son Johan (Jorgen Lindstrom) when they stop in the town of Timoka, in a fictional European county on the brink of war, with an unknown dialect. After they check into a nearly empty hotel (with the exception of a group of Spanish dwarves in a traveling show), Anna leaves and has an affair with a waiter, as Johan wanders the hallways. Regarded as one of the most sexually provocative films of its day. 8 x 10 inches. Three with faint even fading, one with pinholes to corners, one with a small, closed tear in top margin, else Near Fine. Criterion Collection 211. Ebert III.…