hunter thomson (32 resultados)

Hardcover. Condición: Used - Very Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

dvd. Condición: Very Good.

Hardcover. Condición: Near Fine condition. Estado de la sobrecubierta: Near Fine dust jacket. First Printing of the First Edition. London:: Heinemann Educational Books, 1973. A handsome copy. Bright, shiny, clean, and tight. Sharp corners. The Dust Jacket is NOT price clipped (£4.50 net). Protected by a removable Brodart clear plastic sleeve. No owner's name or bookplate. No remainder mark. No underlining. No highlighting. No margin notes. Tables. Bibliographical references. Index. "First published 1973" is so stated on the copyright page. The first author's name is spelled "Thompson" on the tile and copyright pages but "Thomson" on the dust jacket. Bound in the original blue leatherette, lettered in shiny gold on the spine. . First Printing of the First Edition. Hard Cover. Near Fine condition./Near Fine dust jacket. 8vo. viii, 356pp. .

Condición: New.

Paperback or Softback. Condición: New. Naturally Occurring Quinones. Book.

Condición: As New. Unread book in perfect condition.

Softcover. xi, 329 pp. Softcover. LCC: 8529066 Good condition; on covers: touches of wear on edges, sticker residue on front and spine, light to moderate yellowing and touches of color rubbing on rear, and previous owner's name on front; scattered underlining in pen and pencil.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. Staplebound paperback in very good condition, 104pp. Minor edgewear to covers, sticker remnant to front, page edges lightly tanned. Illustrated throughout, pages clean and unmarked. AD. Used.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Good. No Jacket. viii, 356 p.

Illustrated by 9 linoleum cuts. Stated first edition. This number 222 of 300 copies. Gray boards, topboard print, gray press paper, uncut. Demy 8vo. pp. 55, [1] colophon. Index and Members. Very Good/No jacket. Spine darkened, cap & corner wear, ink owner. First title of 32 poems from small press of George W. Magee Jr. Copy of publisher slip laid in.

Illustrated by 9 linoleum cuts. Stated first edition. This number 267 of 300 copies. Gray boards, topboard print, uncut. Demy 8vo. pp. 55, [1] colophon. Index and Members. Very Good/No jacket. Light toning to cover, ink owner. gift letter (to ink owner) and publisher slip laid in. First title of 32 poems from small press of George W. Magee Jr.

Soft Cover. Condición: Very Good. Size: 16mo - over 5¾" - 6¾" tall.

Condición: New.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

3pp., 12mo. Bifolium. In stamped and postmarked envelope, addressed in the same hand to 'J. Y. [sic] Baron Esq. | 48, Griffin Street, | Tritton | Blackburn'. In good condition, on lightly-aged paper, in slightly discoloured envelope. It is not known who acted as Marston's amanuensis after the death of his sister Cicely in 1878: the present letter is written in a neat and somewhat childish hand. It dates from what had been an extremely trying year for Marston, with Rossetti dying the previous April, and the dying James Thomson being carried from Marston's rooms two months later. Baron was a shameless autograph hunter, and in response to one of his stock requests Marston begins: 'Dear Sir, | I am sorry to have misunderstood your inquiry, as I see I have done. My two books are published by Chatto & Windus of Piccadilly, where I have no doubt they can be procured'. He would be glad to send Baron a photograph, but he has none. 'I was last taken six years ago, & had only a few copies made', an engraving from one of them appearing in 'Harper's Magazine' in May of the same year, in an article entitled 'some London Poets', 'but in case you should come across it I may say that it does not please my friends'. He concludes with thanks for Baron's 'warm wishes'.

Hardcover. Condición: Fine (Book Condition). Estado de la sobrecubierta: Fine (Jacket Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ] Size: square 4to, 386pp. Book.

Hardcover. Condición: Fine (Book Condition). Estado de la sobrecubierta: Fine (Jacket Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ] Size: square 4to, 386pp. Book.

Condición: Gut. Formateinband: Großformat, Pappband mit Umschlag / gebundene Ausgabe 386 S. (28x29 cm) 1re edition; Gebundene Ausgabe in französischer Sprache (Mit zahlreichen, teils farbigen Abbildungen); priv. Widmung auf Vorsatzblatt; sonst sehr gut erhalten. Sprache: Französisch Gewicht in Gramm: 2600 [Stichwörter: Bildband, Ausstellungskatalog, Exposition].

First Edition. Near fine set in the original title-blocked pictorial cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; six volumes ; facsims ; 26 cm. Contents; 31: Part 1: Bedfordshire to Devon ; 38: Part II: Dorset, Durham, Essex, and Gloucestershire ; 43: Part III: Hampshire to Lincolnshire ; 44: Part IV: Norfolk to Somerset ; 46: Part V: Staffordshire to Westmorland ; 49: Part VI: Wiltshire to Yorkshire, Ireland to Wales. Subjects; Coins, British ; Catalogues. 5 Kg.

First Edition. Near fine set in the original title-blocked pictorial cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; six volumes ; facsims ; 26 cm. Contents; 31: Part 1: Bedfordshire to Devon ; 38: Part II: Dorset, Durham, Essex, and Gloucestershire ; 43: Part III: Hampshire to Lincolnshire ; 44: Part IV: Norfolk to Somerset ; 46: Part V: Staffordshire to Westmorland ; 49: Part VI: Wiltshire to Yorkshire, Ireland to Wales. Subjects; Coins, British ; Catalogues. 4 Kg.

Vintage screening invitation for the 1980 film, illustrated by Ralph Steadman on the recto, with film credits on the verso. More than a little loosely based on Hunter S. Thompson's obituary for his closest associate, Oscar Zeta Acosta, a.k.a. Dr. Gonzo, "The Banshee Screams for Buffalo Meat," which appeared in October 1977 issue of "Rolling Stone." A film that, despite being an unholy mess, represents in retrospect an intersection of ideas and talent, as well as the first of many messy attempts to commit to celluloid the basically un-filmable life and work of Hunter S. Thompson. Bill Murray, at this time little more than a droll comedic sensation, arguably made the first step toward becoming the four-dimensional icon he is today, though not necessarily by intention. Both Murray and Thompson had serious concerns about the quality of Kaye's script, and at the beginning of filming both Thompson and Ralph Steadman came onto the set as "executive consultants." Though the author says he did little other than "wander around and fire machine guns," his influence on Murray was profound. The actor became obsessed with his idol, and by all accounts became one with him. During production, Murray and Thompson engaged in a series of dangerous one-upmanship contests, including a Houdini-inspired stunt where Thompson tied Murray to a chair and threw him into a swimming pool. Murray nearly drowned before Thompson pulled him out. The pair's obsession with the film's poor script and continuity led to a hasty final addition of a voice-over narration and two explanatory scenes at the film's end. Three days prior to release, a press screening was canceled because the film was still being edited. When Murray returned to the Saturday Night Live set in the fall of 1980, he was still immersed in character, complete with long black cigarette holder, dark glasses, and nasty habits. One of the show's writers said that Murray .".was not Bill Murray, he was Hunter Thompson. You couldn't talk to him without talking to Hunter Thompson." (Doug Hill and Jeff Weingrad, "Saturday Night Live: A Backstage History," William Morrow, 1989) 3.75 x 9 inches, with a satin finish recto and matte verso. Fine.

See his entry in the Oxford DNB. 3pp, 12mo. Bivolium. In good condition, lightly aged. Folded twice. Addressed to 'Dear Friend' and signed 'Thos. Thomson.' Begins: 'Having a few moments to spare, I take the opportunity of writing to you. I am sincerely sorry I shall not be back in time to see you before you leave for school, it would have afforded me much pleasure to have cemented our friendship more firmly.' He likes the medical profession 'better than any other', and there is 'every probability' of his joining it. He would like to know the recipient's opinion. He finds Edinburgh 'a splendid city'. He ends by urging him to write soon.