Librería: AwesomeBooks, Wallingford, Reino Unido
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Añadir al carritopaperback. Condición: Very Good. Collected Poems: with Translations from Jacques Prevert: With Translations from Jacques Pr�vert This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
Idioma: Inglés
Publicado por Bloodaxe Books Ltd, United Kingdom, Tyne and Wear, 2010
ISBN 10: 1852248572 ISBN 13: 9781852248574
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
EUR 8,24
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Añadir al carritoPaperback. Condición: Very Good. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's friend, the critic George Rostrevor Hamilton, said he was 'modest about his poetry, and sometimes thought it too small to be worthwhile. But over and above a dry wit and fancy, he had an exquisite feeling for words, meticulous but, like himself, without affectation. In his own way he was unrivalled.'. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 13,23
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Librería: Lakeside Books, Benton Harbor, MI, Estados Unidos de America
EUR 12,03
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Añadir al carritoCondición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Idioma: Inglés
Publicado por Bloodaxe Books 11/25/2010, 2010
ISBN 10: 1852248572 ISBN 13: 9781852248574
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
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Añadir al carritoPaperback or Softback. Condición: New. Collected Poems: With Translations from Jacques Pr�vert. Book.
Librería: Half Price Books Inc., Dallas, TX, Estados Unidos de America
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Añadir al carritopaperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Librería: Bahamut Media, Reading, Reino Unido
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Añadir al carritopaperback. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
Idioma: Inglés
Publicado por Bloodaxe Books Ltd, GB, 2010
ISBN 10: 1852248572 ISBN 13: 9781852248574
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 16,96
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Añadir al carritoPaperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.
Librería: Unique Books, Lexington, KY, Estados Unidos de America
EUR 12,07
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Añadir al carritoSoft cover. Condición: Very Good. No Jacket. b-828.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 14,81
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Bloodaxe Books Ltd, GB, 2010
ISBN 10: 1852248572 ISBN 13: 9781852248574
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 17,86
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Añadir al carritoPaperback. Condición: New. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's fr.
Librería: AMM Books, Gillingham, KENT, Reino Unido
EUR 3,74
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Añadir al carritopaperback. Condición: Very Good. In stock ready to dispatch from the UK.
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Bloodaxe Books Ltd, Tyne and Wear, 2010
ISBN 10: 1852248572 ISBN 13: 9781852248574
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 19,62
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Añadir al carritoPaperback. Condición: new. Paperback. A.S.J. Tessimond (1902-1962) was one of the most individual, versatile and approachable voices in 20th century poetry. Influenced at first by the Imagists, his poetry is remarkable for its lucidity and formal exactness and for its witty, humane depiction of life in the modern city. Out of step with his contemporaries - both Pound and Eliot as well as Auden and his followers - Tessimond was always a marginalised figure, publishing only three collections in his lifetime, one in each decade from 1934 to 1958. Yet his work has been popular enough to be included in numerous anthologies and has been a perennial favourite with listeners of radio programmes such as Poetry Please. This edition is a long awaited reissue of the posthumous Collected Poems edited by his friend the writer Hubert Nicholson, who characterised his poems as 'beautiful, shapely, well wrought and elegant, whether in public of private mode', penetrating the heart of both London and England: 'His hallmark, his unique contribution to the body poetic, is to be found in those poems encapsulating urban types - and the institutions that shape and demarcate their lives, the popular press and radio, films, money, advertising, houses, tube stations, the implacable streets.He wrote a good deal about love, its hopes and ecstasies and its frustrations and sadness.' As Nicholson has pointed out, Tessimond wrote many poems in the first person, 'but they are not in the least egotistical. They are imaginative projections of himself into types, places, generalised Man, even God or Fate.' He was 'entirely a man of the city', his 'landscape' pieces depicting Hyde Park Corner, Chelsea Embankment, a Paris cafe and even an overcrowded bus in Jamaica. 'He loved the life around him and was a meditative as well as an observant man. He reflected, and reflected on, the passing show, kindly, honestly, and with wit and wisdom.' Tessimond has been described as an eccentric, a night-lifer, loner and flaneur. He loved women, was always falling in love, but never married. He suffered from frequent bouts of depression, alleviated neither by a succession of psychiatrists nor by electric shock therapy. The fact that he was plagued by self-doubt and was fiercely critical of his own work must have contributed to his work being too little published and too much neglected, despite being championed by an extraordinary variety of admirers, from Michael Roberts, John Lehmann and Ceri Richards to Bernard Levin, Maggie Smith, Bill Deedes and Trevor McDonald. Maggie Smith read his poem 'Heaven' at the funeral of Bernard Levin, for whom Tessimond was 'a quiet voice, which makes it easy to miss the resonances, but they are there, and although I doubt if he will achieve a widespread fame, I am sure that any future anthology of twentieth-century English verse that does not include a sample of his work will be less complete, less representative and less valuable than it might have been.' In an obituary for The Times, Tessimond's friend, the critic George Rostrevor Hamilton, said he was 'modest about his poetry, and sometimes thought it too small to be worthwhile. But over and above a dry wit and fancy, he had an exquisite feeling for words, meticulous but, like himself, without affectation. In his own way he was unrivalled.' Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 22,74
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Añadir al carritoCondición: NEW.
EUR 17,80
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Añadir al carritoCondición: New. pp. 256.
Idioma: Inglés
Publicado por Autolycus Publications, London, 1978
ISBN 10: 0903413248 ISBN 13: 9780903413244
Librería: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, Reino Unido
Original o primera edición
EUR 11,94
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Añadir al carritoCard Wrappers. Condición: Very Good. First Edition. 44pp. Fractionally handled. Book.
Idioma: Inglés
Publicado por Heinemann, London, 1960
Librería: Klanhorn, Queanbeyan, NSW, Australia
Original o primera edición
EUR 10,73
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Añadir al carritoHard Cover with Dust Jacket. Condición: VG++, Wear, EPS & Edge Foxing. 1st Edition. Comic drama. Jacket by John Rowland. Expanded condition report/scan on request.
Publicado por William Heinemann, 1955
Librería: World of Rare Books, Goring-by-Sea, SXW, Reino Unido
Original o primera edición
EUR 11,92
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Añadir al carritoCondición: Good. 1955. First Edition. 49 pages. This is an ex-Library book. Pictorial dust jacket over green cloth. Ex library copy with associated labels, inserts, stamps and annotations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Noticeable rubbing and marking.
Idioma: Inglés
Publicado por Autolycus Publications, London, 1981
ISBN 10: 0903413450 ISBN 13: 9780903413459
Librería: The Poetry Bookshop : Hay-on-Wye, Hay-on-Wye, POWYS, Reino Unido
Original o primera edición
EUR 14,32
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Añadir al carritoCard Wrappers. Condición: Very Good. First Edition. 52pp. Hint of toning to unprinted spine. Book.
Publicado por Progress Publishing, London 1946.,, 1946
Librería: World of Rare Books, Goring-by-Sea, SXW, Reino Unido
EUR 12,54
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Añadir al carritoCondición: Fair. 1946. First Published. 224 pages. No dust jacket. Blue cloth with gilt lettering. Owner's stamp to front free endpaper, rear pastedown, half title page and title page. Light foxing and tanning to pages. More prominent to text block edges, pastedowns and free endpapers. Moderate cracking to gutters and front hinge, exposing netting and causing some looseness to binding but pages remain attached. Boards have minor corner bumping and edgewear with mild tanning and scuffing overall. Spine has heavier tanning with soft crushing to ends. Lettering remains bright and clear. Book has a slight forward lean.
EUR 17,50
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Añadir al carritoCondición: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . .
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 17,05
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Añadir al carritoCondición: new.
Idioma: Inglés
Publicado por London : Autolycus Publications, 1978
ISBN 10: 0903413248 ISBN 13: 9780903413244
Librería: MW Books, New York, NY, Estados Unidos de America
Original o primera edición
EUR 29,79
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Añadir al carritoFirst Edition. Near-fine paperback copy; wrappers faintly dust-toned. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 44 pages ; 21 cm. Subjects; English poetry 20th century. 1 Kg.
Librería: Hunter Books, Burnham, BUCKS, Reino Unido
Original o primera edición
EUR 19,10
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Añadir al carritoHardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. UK hardback first impression. Near fine in near fine unclipped jacket.
Idioma: Inglés
Publicado por Bloodaxe Books Ltd 2010-11-25, 2010
ISBN 10: 1852248572 ISBN 13: 9781852248574
Librería: Chiron Media, Wallingford, Reino Unido
EUR 11,36
Cantidad disponible: 10 disponibles
Añadir al carritoPaperback. Condición: New.
Publicado por William Heinemann Ltd., 1949
Librería: World of Rare Books, Goring-by-Sea, SXW, Reino Unido
Original o primera edición Ejemplar firmado
EUR 13,98
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Añadir al carritoCondición: Fair. 1949. First Edition. 233 pages. No dust jacket. Signed by the author. Orange cloth. Flat signed by Author. Surface tears to front pastedown. Pages are moderately tanned and thumbed at the edges, with moderate foxing. Binding has remained firm. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. Tanning to spine and edges. Boards are bowed. Book has a forward lean. Water marks to boards and spine.
EUR 21,29
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. 2010. Reissue. Paperback. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Editor(s): Nicholson, Hubert. Num Pages: 256 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 234 x 157 x 15. Weight in Grams: 396. with Translations of Jacques Prevert. 256 pages. Editor(s): Nicholson, Hubert. Reissue of 1985 Collected Poems by a neglected mid-20th-century British poet. This edition is co-published with the book's original publisher, Whiteknights Press at Reading University. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 234 x 157 x 15. Weight: 394. . . . . . Books ship from the US and Ireland.
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 17,00
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. In.