hubble nick (388 resultados)

Condición: Very Good. 1776687911. 4/20/2026 12:25:11 PM.

paperback. Condición: Very Good. Wizards, Werewolves and Weird Engines (Brunel University Anthology Series) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condición: As New. Never read, no marks or highlights in the text. Our copy is a new paperback showing light shelfwear.

Paperback. Condición: As New. Text clean and tight; 8vo 8" - 9" tall; 176 pages.

paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: New. How did social, cultural and political events in Britain during the 1990s shape contemporary British Fiction? From the fall of the Berlin Wall to the turn of the millennium, the 1990s witnessed a realignment of global politics. Against the changing international scene, this volume uses events abroad and in Britain to examine and explain the changes taking place in British fiction, including: the celebration of national identities, fuelled by the move toward political devolution in Northern Ireland, Scotland and Wales; the literary optimism in urban ethnic fictions written by a new generation of authors, born and raised in Britain; the popularity of neo-Victorian fiction. Critical surveys are balanced by in-depth readings of work by the authors who defined the decade, including A.S. Byatt, Hanif Kureishi, Will Self, Caryl Phillips and Irvine Welsh: an approach that illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.

Paperback. Condición: As New. Paperback showing light shelf wear, otherwise as new. Pages are clean. No notes or highlighting.

Condición: As New. Unread book in perfect condition.

Softcover. Condición: Fair. Spuren von Feuchtigkeit / Nässe. The social-research organization Mass-Observation was founded in 1937. In this book, the true extent and significance of Mass-Observation's unique role in the formation of postwar Britain's idea of itself through the examination of everyday life across the long twentieth century. An excellent guide to Mass-Observation and the period generally, this scholarly work also provides surprising insights into the role social research has played in the development of policy and mass democracy.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. The term "culture wars" has taken centre stage in British social and political discourse, characterized by deep divides over values, identity, and sovereignty. These conflicts, driven by class and emancipatory struggles, continue to evolve, highlighting critical divisions over issues such as Brexit, Scottish independence, and attitudes toward the monarchy.Nick Hubble reframes the debate, demonstrating how British culture wars are both unique and interconnected with broader global trends. They explore how cultural divisions shaped British society over the past century, challenging the pervasive narrative of British exceptionalism. Drawing on sources like the British Social Attitudes surveys, political studies, and even literary works such as those by George Orwell, the book traces the legacy of social liberalization and the authoritarian counter-revolution that has emerged in response. With clarity and nuance, Hubble unpacks the ideological dynamics behind terms like "identity politics" and "woke liberalism," offering a fresh framework for understanding the realities of cultural conflict in Britain today.

Paperback. Condición: new. Paperback. The term "culture wars" has taken centre stage in British social and political discourse, characterized by deep divides over values, identity, and sovereignty. These conflicts, driven by class and emancipatory struggles, continue to evolve, highlighting critical divisions over issues such as Brexit, Scottish independence, and attitudes toward the monarchy.Nick Hubble reframes the debate, demonstrating how British culture wars are both unique and interconnected with broader global trends. They explore how cultural divisions shaped British society over the past century, challenging the pervasive narrative of British exceptionalism. Drawing on sources like the British Social Attitudes surveys, political studies, and even literary works such as those by George Orwell, the book traces the legacy of social liberalization and the authoritarian counter-revolution that has emerged in response. With clarity and nuance, Hubble unpacks the ideological dynamics behind terms like "identity politics" and "woke liberalism," offering a fresh framework for understanding the realities of cultural conflict in Britain today. Nick Hubble demonstrates how British culture wars are both unique and interconnected with broader global trends. They explore how cultural divisions shaped British society over the past century, challenging the pervasive narrative of British exceptionalism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: Brand New. 192 pages. 8.50x5.50x0.44 inches. In Stock.

Paperback. Condición: Brand New. 172 pages. 8.26x5.82x0.39 inches. In Stock.

Paperback. Condición: New. The term "culture wars" has taken centre stage in British social and political discourse, characterized by deep divides over values, identity, and sovereignty. These conflicts, driven by class and emancipatory struggles, continue to evolve, highlighting critical divisions over issues such as Brexit, Scottish independence, and attitudes toward the monarchy.Nick Hubble reframes the debate, demonstrating how British culture wars are both unique and interconnected with broader global trends. They explore how cultural divisions shaped British society over the past century, challenging the pervasive narrative of British exceptionalism. Drawing on sources like the British Social Attitudes surveys, political studies, and even literary works such as those by George Orwell, the book traces the legacy of social liberalization and the authoritarian counter-revolution that has emerged in response. With clarity and nuance, Hubble unpacks the ideological dynamics behind terms like "identity politics" and "woke liberalism," offering a fresh framework for understanding the realities of cultural conflict in Britain today.

Condición: new.

Paperback. Condición: As New. Paperback showing light shelf wear, otherwise as new. Pages are clean. No notes or highlighting.

Paperback. Condición: As New. Paperback showing light shelf wear, otherwise as new. Pages are clean. No notes or highlighting.

Paperback. Condición: Good. Small pencil notes and underlining found throughout the text. Binding is sturdy. Covers show some light wear around the edges. 288pp.

Paperback. Condición: new. Paperback. Reformulates our understanding of the relationship between proletarian literature and modernism in BritainThis book argues that British proletarian literature was a politicised form of modernism which culturally transformed Britain. Critical analysis and close readings of key works such as D.H. Lawrence's Lady Chatterley's Lover, Naomi Mitchison's We have Been Warned, Lewis Grassic Gibbon's A Scots Quair and John Sommerfield's May Day, are placed within a literary history stretching from early encounters between Ford Madox Ford and D.H. Lawrence, through Virginia Woolf's association with the Women's Co-operative Guild, and on to the activity of Mass Observation in the late 1930s and 1940s. The study analyses the way in which modernism and proletarian literature were related to an intersectional web of class and gender that took on a potent political shape following the 1926 General Strike and the Equal Franchise Act of 1928. The 1930s is revealed not as an atypical, isolated decade but as central to the literature of the twentieth century.Key FeaturesRelates modernism to the intersubjective dimension of societySets out a new perspective on proletarian literature in Britain, releasing it from limiting conceptions of working class authenticity or Soviet-imposed socialist realismShows how modernism and proletarian literature were linked products of the (broadly) fin-de-siecle emergence of the unconscious that fractured nineteenth-century grand narrativesProvides an historical framework for rethinking the 1930s as not an atypical isolated decade but as central to the literature of the twentieth century This book argues that British proletarian literature was a politicised form of modernism which culturally transformed Britain. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. Reformulates our understanding of the relationship between proletarian literature and modernism in BritainThis book argues that British proletarian literature was a politicised form of modernism which culturally transformed Britain. Critical analysis and close readings of key works such as D.H. Lawrence's Lady Chatterley's Lover, Naomi Mitchison's We have Been Warned, Lewis Grassic Gibbon's A Scots Quair and John Sommerfield's May Day, are placed within a literary history stretching from early encounters between Ford Madox Ford and D.H. Lawrence, through Virginia Woolf's association with the Women's Co-operative Guild, and on to the activity of Mass Observation in the late 1930s and 1940s. The study analyses the way in which modernism and proletarian literature were related to an intersectional web of class and gender that took on a potent political shape following the 1926 General Strike and the Equal Franchise Act of 1928. The 1930s is revealed not as an atypical, isolated decade but as central to the literature of the twentieth century.Key FeaturesRelates modernism to the intersubjective dimension of societySets out a new perspective on proletarian literature in Britain, releasing it from limiting conceptions of working class authenticity or Soviet-imposed socialist realismShows how modernism and proletarian literature were linked products of the (broadly) fin-de-siècle emergence of the unconscious that fractured nineteenth-century grand narrativesProvides an historical framework for rethinking the 1930s as not an atypical isolated decade but as central to the literature of the twentieth century.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Condición: New.

Hardcover. Condición: As New. Hardcover with printed boards, no jacket. Shows light shelf wear, otherwise as new. Pages are clean and unmarked. No notes or highlighting.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. May contain underlining and/or highlighting. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. How did social, cultural and political events in Britain during the 2000s shape contemporary British fiction? The means of publishing, buying and reading fiction changed dramatically between 2000 and 2010. This volume explores how the socio-political and economic turns of the decade, bookended by the beginning of a millennium and an economic crisis, transformed the act of writing and reading. Through consideration of, among other things, the treatment of neuroscience, violence, the historical and youth subcultures in recent fiction, the essays in this collection explore the complex and still powerful relation between the novel and the world in which it is written, published and read.This major literary assessment of the fiction of the 2000s covers the work of newer voices such as Monica Ali, Mark Haddon, Tom McCarthy, David Peace and Zadie Smith as well as those more established, such as Salman Rushdie, Hilary Mantel and Ian McEwan making it an essential contribution to reading, defining and understanding the decade.