Hopps walter ed (21 resultados)

Soft cover. Condición: Fine.

Soft cover. Condición: As New. Large pbk.; unmarked; no bent/torn pp.; cover and spine, fine.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, xix, 312 pages, illustrations (some colour); 25 cm. Edited by Deborah Treisman, from interviews with Anne Doran. Tight, clean copy. Dust jacket protected in a mylar cover. *** "An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol's Campbell's Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman's edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art--before it was even known as Pop Art. In 1967, when Hopps became the director of Washington's Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as 'the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation).' He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book, a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century." - Publisher. Size: 8vo. Collectible.…

Hardcover. Condición: Good.

Soft cover. Condición: Very Good. Catalog of the exhibition. Sunned cover. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975. Size: Octavo. Book.

Softcover. Condición: Sehr gut. 1. Auflage. Z / M : 264 pp., 249 ills. - This book traces the development of Pop Art in the fifties and sixties to the dialogue between British and American artists, documenting its complex genesis in London and later in New York and Los Angeles and concentrating on the development of its 'pure' characteristics, such as sharply outlined images and the use of photographic media and printing techniques. The book not only investigates the connections between American and British artists with respect to content and form but also takes a closer look at the exchange between the East and West Coast of the United States.…

Mit Beiträgen von Monte Factor, Walter Hopps, Richard Jackson,Nancy Reddin Kienholz, Thomas McEvilley, Jörn Merkert, Günter Metken, Marcus Raskin, David A. Ross und Karl Ruhrberg. München / New York: Prestel Verlag, 1997. Farb. illustr. OBrosch. 332 Seiten mit 319 Tafeln, Abbildungen, Fotos (davon 159 farbig), Biografie mit 122 Fotos, Liste der Einzel- und Gruppenausstellungen, Bibliografie und Werkverzeichnis mit 151 Nummern. - 29 x 24. * Stark erweiterter Katalog der Retrospektive, die 1996 im Museum of Contemporary Art Los Angeles und im Whitney Museum of American Art New York erstmals gezeigt wurde. - Sehr gut erhalten mit lose beiliegender Sonderausgabe zur "Kienholz-Retrospektive" der Berliner Zeitung .…

Hardcover. Condición: Near Fine. Near Fine. First Edition. Color and b&w photos and reproductions; 4to 11" - 13" tall; 344 pages; 1998 Hatje Cantz Publishers. Oversize HC/DJ. Tightly bound and fresh in crisp edged and uniformly bright color pictorial dust jacket. Feels and appears unread. Lavishly illustreated with b&w and color photos and reproductions of work from the 1999 exhibition held at PMA and Menil. No marks. About as new. NF/NF . Oversize book likely to require additional charges for expedited or international shipping.…

Hardcover missing dustjacket, 216 pages, good condition; light rubbing to covers; ex-gallery copy with sticker taped around bottom of spine; sticker, stamp and pencil numbers on first couple pages; no other internal marks. Foreign shipping may be extra.

Softcover. Condición: Very good. Very good condition. Lightly shelf worn and slight crease on the spine. However, binding is secure and pages are bright.

Hard Cover. Condición: As New. Estado de la sobrecubierta: As New. First Edition. First Edition, December, 1997 First Printing (stated) in dust jacket SIGNED by Robert Williams to his portrait page with personalized inscription and dated 2-21-98, the date of the Publication Party for the book (and signing), fliers for event laid in, a Fine copy in Near Fine jacket with one tiny closed tear top rear corner (dj in mylar protector); sq folio; 284pp illus. Extra shipping charge REQUIRED for shipment of this heavy oversize book (additional charge WILL BE SUBSTANTIAL for expedited or overseas shipment). Signed by Artist.…

Hardcover missing dustjacket, 216 pages, otherwise very good condition; except gallery stamps to first blank page; no other internal marks. Foreign shipping may be extra.

Condición: Very Good +. First Edition. Berkeley, CA / Washington, DC: University of California Press / Corcoran Gallery of Art, 2005. First Edition, wrapper issue. Quarto (28cm); photo-illustrated wrappers retaining $34.95 price sticker at rear; xviii + 222pp, including chronology, bibliography, and index; color photographs throughout. Wraps lightly bumped at spine ends and corners. Textblock, endsheets, and interior pages clean. Very Good or better copy of this scarce catalog. Signed and dated by Gilliam at title page. Title page shows a second signature, presumably belonging to Jonathan B. Pinstock. Gilliam, a leading figure in the Washington (DC) Color School, ignited his greater renown in 1968 by hanging his canvases like draped shawls rather than squaring them up on stretcher bars. This catalog was published on the occasion of his retrospective, which was on display at the Corcoran Gallery of Art from October 15th, 2005 to January 22nd, 2006, and thereafter traveled to Louisville, Savannah, and Houston. . Signed.…

Quer-4°. XXI, [2] Bl., 415, (1) S. mit meist farb. Abbildungen. Farbig illustr. Orig.-Kartonumschlag. Sehr gutes Exemplar.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz. …

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz. …

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Gathered Signatures. Condición: Fine. No Dust Jacket. First Edition. UNCORRECTED PROOF, consisting of unbound folded and gathered signatures. One of 3 sets produced prior to publication for purposes of final proofing, sent by the printer to Ruscha's office. The recipients included the artist, the editor & the designer. The contents are fine. Card slipcase it came with is broken at one corner while still serviceable. First volume in a projected five-volume series. Features 137 paintings in full color. Also bibliography, exhibition history & biographical chronology. ; 10" x 12"X 11 1/2".…