holland cotter (58 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: As New. Like New condition. Volume 9. A near perfect copy that may have very minor cosmetic defects.

Soft cover. Condición: Near Fine. "Jan #1256" handwritten in the upper right corner of the table of contents page. Very little wear or damage otherwise. The magazine will be packed with a backing card, bubble-wrapped and shipped in a sturdy, flat box to ensure safe transit. This issue includes: "The Pleasure of the Image" (A painting by Gerard Houckgeest prompts these reflections on the 17th-century Dutch genre of the church interior) by Susan Sontag; "Realm of the Senses" (Polymorphously perverse yet lyrical, the works of Francesco Clemente depend on a strategy of seduction) by Robert Storr; "Urban Disturbances" (In his large-scale projections onto public buildings and monuments, Krzysztof Woldiczko seeks to expose the ideological subtexts of social spaces) by Ewa Lajer-Burcharth; "Portraits of the Artists" (Red Groom's monumental drawings of prominent members of the New York School are a delicate balance of homage and satire) by Holland Cotter; "Louis Sullivan and the Gospel of Height" (A recent traveling exhibition occasioned this reassessment of the career of the architect and theoretician of the 'tall building') by Joseph Rykwert; "The Self in Parts" (Borrowing facial features from academic instruction books, Pat Steir's Self-Portrait took a taxonomic approach to the representation of the self) by Nancy Princenthal; "Letters"; "Review of Books" (Peter Plagens on Deborah Solomon's Jackson Pollock: A Biography- Jayne Merkel on Stanislaus von Moos's Venturi, Rauch & Scott Brown, Buildings and Projects and Denise Scott Brown's A View from the Campidoglio); "The Bolshoi Hedges Its Bets" by Joan Acocella; "The Family of Nan" (Photography) by Max Kozloff; "Exhibition Reviews" (New York, Boston, Chicago, Los Angeles, Cologne); and "Artworld".

Soft cover. Condición: Near Fine. No clipped or missing pages. A few tiny and faint marks on the covers. Only a trace of wear. An extremely nice copy. It will be backed with cardboard and carefully packed in a sturdy, flat box to ensure safe transit. This issue includes: "In the Flesh: Lucian Freud" (On the occasion of Freud's first retrospective in the U.S., the author considers the career of the English painter) by Robert Storr; "Latin Visions and Revisions" (A recent exhibition offered a newly complex picture of Latin American art and culture) by Shifra M. Goldman; "Investigating the Real" (Several young artists have developed a critical practice that takes domestic existence as its central metaphor) by David Joselit; "Haim Steinbach: Shelf Life" (Incorporating consumer objects, Haim Steinbach's assemblages occupy an ambivalent zone between celebration and critique) by Holland Cotter; "Rituals of Consumption" (Jeff Koon's works reveal the intensity of people's relationships with their possessions) by Roberta Smith; "Bidlo's Pablo" (Two views of Mike Bidlo's recent remakes of Picasso's paintings of women) by Joseph Masheck and Peter Schjeldahl; "On the Road with Madame Realism" (In which Madame Realism visits some of her favorite places, discovering the thin line between art and popular culture) by Lynne Tillman; "Letters"; "Review of Books: Philip Conisbee on Albert Boime's Art in an Age of Revolution, 1750-1800"; "Report from Paris: Unveiling the Pyramid" by Mary Trasko; "Import/Export: A Foreign Affair" by Amy Fine Collins; "Exhibition Reviews: New York, Pittsburgh, New Brunswick, New Orleans, Los Angeles, San Francisco, Chicago, London, Tokyo"; and "Artworld".

Hardcover. Condición: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Condición: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly!

hardcover. Condición: Good.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

paperback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Paperback with very good dust-jacket. Clean and solid. Ships from a smoke-free home.

Condición: Very good. - Small quarto [7-78 inches high by 6-1/4 inches wide], softcover bound in printed yellow wrappers. The wraps are lightly soiled with some light rubbing around the edges. [32] pages. Profuse black-and-white & color illustrations after Robin Winters' paintings & his Ghent Historical Drawings. The top edges of the pages are slightly rippled. Very good.

Paperback. Condición: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Cover slightly soiled. Secure packaging for safe delivery.

Paperback. Condición: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Minor wear to covers. Secure packaging for safe delivery.

Softcover staple bound, 24 pages, very good condition, clean and crisp; no internal marks.

Soft cover. Condición: New. Published on the occasion of an exhibition at Robert Miller Gallery, New York, September 1990. New, in plastic.

Condición: Very Good. softcover (newsprint), 39 pp., very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

First edition. Softcover. [24 pages.] Exhibition catalog for a show that ran February 7 through March 7, 1987. Features an essay by Holland Cotter. Includes 6 color illustrations, list of previous exhibitions, and a selected bibliography. A clean near fine copy in stapled wrappers with some sunning to and along the spine.

Paperback. Condición: Fine. PETER NADIN: Views is the catalog for his 1987 exhibition at the Brooke Alexander Gallery. Text by Holland Cotter. 20 pages, paper with stiff cover. Color reproductions. 9 1/2" x 8". Fine condition.

Paperback. Condición: Near Fine. First Edition. Staple-bound exhibition catalog, 8vo., ill. w bw & color plates. Touch of rubbing to wraps, else Fine. ; Well packaged in a box, ships with tracking.

Soft cover. Condición: Very Good. 168 pgs. Includes interview with Richard Prince, articles on Lucio Fontana, James Turrell, art in Texas & Havana, Patrick Ireland, Paul Strand, and more. Minimal wear, note in marker written on upper right front cover.

Softcover, staple-bound; 22 pages; very good condition, except label taped around top of spine; inscribed on title page from "The Bendy One"; no other internal marks.

Softcover staple bound, 24 pages, very good condition, light rubbing to covers; no internal marks.

Softcover staple bound exhibition catalog, 16 pages, very good condition, no internal marks, clean and crisp, with b/w reproductions.

Softcover. Condición: VG++ new copy. Plain white softcover, white dust jacket with black lettering. Unpaginated. Color illustrations. Catalogue of an exhibition at the Robert Miller Gallery in New York from September 11- October 6, 1990.

Soft cover. Condición: Near Fine. 1st Edition. To celebrate the fortieth issue of Parkett, the editors present a special thematic issue. When beauty reemerges from Postmodernism, what does it look like? And how, when contemporary life demands so many different things from contemporary art, do we strike a balance between history and presence, politics and humor? Taking the children's game of Snakes and Ladders as a guiding metaphor, this gala issue offers six mini-collaborations: Holland Cotter on Francesco Clemente; Boris Groys on Peter Fischli and David Weiss; David Rimanelli and Max Weechsler on Gunther Förg; Gordon Burn on Damien Hirst; Joan Simon on Jenny Holzer; and Gilbert Lascault on Rebecca Horn. Also in this issue: Dave Hickey on magic, Vik Muniz on apparitions, Jeff Perrone on boards and borders, Roger Denson on nomadic critical theory, and much more. Book.

6 1/4 x 9 1/4 in., 377 pp., wrappers. "I wrote this book. with the encouragement of Steve Clay and Brad Freeman because we saw a need for for critical work in the field of artists' books." Johanna Drucker "[Johanna Drucker] locates the artist's book. within every significant modern movement and draws on an extensive bibliography of scholarly references to reveal the philosophical connections among the several emerging avant-garde movements of the early 20th century. The book vastly expands our understanding. of artists' books, and establishes a more rigorous standard of criticism and analysis for the genre." Buzz Spector, Art Journal "This will be a major reference for all thinkers of the book for a long time." Judith Hoffberg, Umbrella "This work.provides both a critical analysis of the structures themselves and a basis for further reflection on the philosophical and conceptual roles they play. From codex to document, from performance to self-image, the world of artists' books is made available to student and teacher, collector and connoisseur." Paula Frosch, Metropolitan Museum of Art Library, New York With the insight of the artist and the discernment of the art historian, Drucker details over 200 artworks, relating them to a variety of art movements of the last century and tracing their development in form and concept. First published in 1995, the book is now in its second edition, illustrated, with a new preface by the author and an introduction by The New York Times senior art critic Holland Cotter. Book design by Brad Freeman, new cover design by Emily McVarish. Over 10,000 copies in print. As new. This title is in print and widely available at indenpendent bookshops on the street and online.

Hardcover. Condición: VG. No Jacket. used hardcover copy, lacking a dust jacket. light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight, and tight. there are no marks to the text or other serious flaws save for the lack of the original jacket.

Condición: New.

Condición: Very good. New York: Robert Miller Gallery, 1990., 1990. Very good. - Oblong quarto, 9-1/2 inches high by 11 inches wide. Softcover, bound in plain white wraps titled in black on the front cover. There is some minor soiling to the covers with minor creases along the top edge. Unpaginated, with 12 full-page monotone illustrations with captions on the facing pages. Very good. Robert Miller Gallery New York September 1990 Catalog. In addition to an essay by Holland Cotter, which relates these paintings to Chinese landscape painting, the text includes quite extensive biographical information and a nine-page bibliography.

Condición: Good. - Small quarto, decorative B&W wraps. The wraps are rubbed & lightly creased. 24 pp. There is light soiling to 1 page. B&W and color illustrations. The catalogue is somewhat warped. Good.

Wrappers. Condición: Fine Condition. Slim 24 pages. Paperback exhibition brochure/catalogue. Text in English. Minimal shelfwear to the edges. Else, the binding is tight, the interior clean and free of markings. Staple-bound with stiff printed paper covers and published on the occasion of the exhibition held from February 7-March 7, 1987. Book.