holdsworth dan (19 resultados)

Paperback. Condición: Very Good+. Text clean and tight; Decades of Modern British Playwriting; 8.43 X 5.59 X 0.94 inches; 352 pages.

Hardcover. Condición: As New. Leichte Kratzer / Abnutzungen / Druckstellen. At first glance, the Vallee de Joux, a high mountain valley in Jura, Switzerland, does not seem like an especially unusual place. Yet this impression is deceptive, as the British photographer Dan Holdsworth (*1974) has shown in his photographs. Commissioned by the watchmaker Audemars Piguet and recorded over a period of seven years in an area known as the coldest place in Switzerland, Holdsworth's pictures present the valley in romantic sublimity, as if it were as frozen in time as it is in temperature. This volume of photographs is concerned with time in more ways than one: in the late seventeenth century, the art of timekeeping came to the Vallee de Joux. In 1875, Audemars Piguet settled here. Holdsworth's work is always informed by an understanding of geology, observations of the climate, and the role of humankind on earth, and has developed a poetic visual vocabulary in which the issue of the nature of time is always palpable.

Taschenbuch. Condición: Neu. Neuware -Dan Holdsworth (b. Welwyn Garden City, England, 1974; lives and works in London and Newcastle upon Tyne) creates large-scale photographs and digital art characterized by the use of traditional techniques and unusually long exposure times, and by radical abstractions of geography. 'Spatial Objects' is the result of Holdsworth's ongoing enquiry into contemporary photographic imaging processes and what he calls the 'surface interface of the image.' In computer science, spatial objects refer to values that exist within a specific place simultaneously in the real and the virtual spheres. The starting point for his Spatial Objects series is U.S. Geological Survey mapping data of the American West; it also draws on the vocabulary of Minimalist sculptural practices of the 1960s and 1970s. Going beyond the limits of representation, what one sees in these works are the edges and fragments of the pixel resolved within the geometry of the interface itself, transformed into structures of pure color and light. With an essay by Michele Robecchi. 80 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -Dan Holdsworth (b. Welwyn Garden City, England, 1974; lives and works in London and Newcastle upon Tyne) creates large-scale photographs and digital art characterized by the use of traditional techniques and unusually long exposure times, and by radical abstractions of geography. 'Spatial Objects' is the result of Holdsworth's ongoing enquiry into contemporary photographic imaging processes and what he calls the 'surface interface of the image.' In computer science, spatial objects refer to values that exist within a specific place simultaneously in the real and the virtual spheres. The starting point for his Spatial Objects series is U.S. Geological Survey mapping data of the American West; it also draws on the vocabulary of Minimalist sculptural practices of the 1960s and 1970s. Going beyond the limits of representation, what one sees in these works are the edges and fragments of the pixel resolved within the geometry of the interface itself, transformed into structures of pure color and light. With an essay by Michele Robecchi. 80 pp. Englisch.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Cartonato. Text by Oliver Morton.Testo in inglese. English text. First edition.Con numerose fotografie a colori f.t. Numero di tavole: 0 pp.s.n. 9783869304540 altezza 0 larghezza 0 Esemplare in buone condizioni.Copertina rigida telata con tracce di polvere.Pagine lievemente ingiallite.Testo in inglese. English text. Book in good condition.

Hardcover without dustjacket as issued, unpaginated; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: as new. Text by Dan Holdsworth, Madeleine Kennedy, Emma Lewis . [et al.] Berlin : Hatje Cantz Verlag, 2018. Hardcover. 272 pp. 33 cm. With 221 illustrations. - Mapping the Limits of Space surveys English artist Dan Holdsworth's 20-year career. Since 1996 Holdsworth has explored the extreme territories that characterise humans' changing relationship to the `natural' world in the Anthropocene. The volume also reveals Holdsworth's (*1974) most recent body of work. Since 2012 the artist has worked with academic geologists to map the exact contours of Alpine glaciers, using drones, lasers, photography, and high-end software used by the military and academy. We encounter millions of points in space, each millimetre-perfect, that plot the outline of a changing landscape. Produced in collaboration with the Northern Gallery for Contemporary Art, the publication offers new insights into Holdsworth's innovative practice.Exhibition: 16.12.2017-17.3.2018, Graves Gallery, Sheffield, 1.6.-30.8.2018 Northern Gallery for Contemporary Art, Sunderland Condition : as new copy. ISBN 9783775744201. Keywords : PHOTOGRAPHY,

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Very good condition, light sunning. Second in the Photoworks Monograph series, this book has now become a highly sought after collector's item. Dan Holdsworth has gained an international reputation for landscape photographs in which the subtle merging of nature, architecture and technology combines with dramatic effects of light and space to produce powerful visions of our contemporary world.

Hardcover with dustjacket, 112 pages, very good condition, light rubbing to dj and small crimp to boards and dustjacket on top edge of front cover and upper left corner of rear cover; internally fine; no internal marks. Foreign shipping may be extra.

Hardcover. First Edition. 22 x 30cm 112pp near fine hardback with dust jacket. Includes an introduction by David Chandler, an interview with Dan Holdsworth and Charlotte Cotton and an essayby Andrew Cross together with colour reproductions. Near fine in near fine dustjacket.

Taschenbuch. Condición: Neu. Neuware - Dan Holdsworth (b. Welwyn Garden City, England, 1974; lives and works in London and Newcastle upon Tyne) creates large-scale photographs and digital art characterized by the use of traditional techniques and unusually long exposure times, and by radical abstractions of geography. 'Spatial Objects' is the result of Holdsworth's ongoing enquiry into contemporary photographic imaging processes and what he calls the 'surface interface of the image.' In computer science, spatial objects refer to values that exist within a specific place simultaneously in the real and the virtual spheres. The starting point for his Spatial Objects series is U.S. Geological Survey mapping data of the American West; it also draws on the vocabulary of Minimalist sculptural practices of the 1960s and 1970s. Going beyond the limits of representation, what one sees in these works are the edges and fragments of the pixel resolved within the geometry of the interface itself, transformed into structures of pure color and light. With an essay by Michele Robecchi.

Taschenbuch. Condición: Neu. Dan Holdsworth | Spatial Objects | Dan Holdsworth | Taschenbuch | Englisch | 2016 | Distanz Verlag | EAN 9783954761579 | Verantwortliche Person für die EU: DISTANZ Verlag GmbH, Neumühlen 17, 42103 Hamburg, info[at]distanz[dot]de | Anbieter: preigu.

Condición: Usado- bueno.

Hardcover. Condición: New.

Paperback. Condición: Very Good. First Paperback Edition. 4to. pp 43. Paperback. False Topographic Perception is an experience usually associated with attempting to understand topographical imagery of other planets. The terrain is not quite as it first appears. What are perceived to be ridges in one image are read as valleys when this same image is flipped 180 degrees. Copiously illustrated in colour throughout. Photography of mountains. Very good indeed. Excellent condition.

Ln. / cloth. Condición: Sehr gut. 144 p. ISBN: 9783869304540 Sprache: Deutsch Gewicht in Gramm: 1152.

Condición: Used: Like New. Minimes traces manuscrites sur page de garde, sinon livre à l'état de neuf!

[2] pp.; 21 x 25.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; other printing process Exhibition announcement / vinyl sticker published in conjunction with show "Crash: Homage to JG Ballard," held February 11 - April 1, 2010. Artists include Richard Artschwager, Francis Bacon, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, John Hilliard and Jemima Stehli, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, Piotr Uklanski, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool, and Cerith Wyn Evans. "Ballard''s novels stand among the most visionary, provocative literature of the twentieth century, with his ominous predictions regarding the fate of Western culture and his insights into the dark psychopathology of the human race. This exhibition is a response to the enormous impact and enduring cultural significance of his work, following his death in spring 2009. Highlighting Ballard''s great passion for the surreal and his engagement with the artists of his own generation, Crash includes examples of his specific inspirations as well as works by contemporary artists who have, in turn, been inspired by his vision." -- publisher''s statement. Very Good / Fine. Light bumping of corners, otherwise Fine.