hockley allen (30 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: as new. Hanover, N.H. : Dartmouth College Press, published by University Press of New England, c2008. Hardcover. Dustjacket. ix,249 pp. - On the centennial of the peace treaty that ended the Russo-Japanese War of 1904-5, Dartmouth College hosted a conference to examine the background and making of that treaty and its long-term implications for international relations. Over forty North American, Japanese, and Russian scholars and practitioners participated in the forum. The Treaty of Portsmouth and Its Legacies presents eight outstanding conference papers, revised for publication, and two additional papers solicited to round out the scholarship. Together these papers illuminate diplomacy before and after the war, the peace process, the political and cultural legacies of Portsmouth, and the treaty's significance for Asia-Pacific relations today. Condition : as new copy. ISBN 9781584657224. Keywords : RECHT, international law, Völkerrecht.

Paperback. Condición: Very Good. Pictorial card covers. French flaps. 300 x 220 mm. 336 pp. Well illustrated. Published on the occasion of the exhibition. Spine lightly dulled and very lightly creased. Unobtrusive crease in bottom corner of back cover. Book.

Hardcover. Condición: Near Fine. 1st Edition. 333pp, col illus, sl fading at top of spine, d/w in removable protective plastic sleeve. Published on the occasion of the exhibition of The Dawn of the Floating World from the collection of the Museum of Fine Arts, Boston. Very heavy book - additional shipping charge will be required if sent overseas.

hardcover. Condición: Very Good. Orders shipped daily from the UK. Professional seller.

Paperback. Condición: Good. First Paperback Edition. 300 x 225mm. pp. 336. English text. First paperback edition of 'The Dawn of the Floating World 1650-1765: Early Ukiyo-e Treasures from the Museum of Fine Art, Boston'. Published to accompany a touring exhibition during 2001/2002. Colour illustrations. Bound in original pictorial card covers with flaps. Small mark to bottom of fore-edge and back page. Binding lightly cocked, bumped to ends of spine, and faded to spine. Binding strong. No ownership inscription or underlining. See images. 1.6kg. Extra postage overseas. Exhibition Catalogue.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardback with dust-wrapper. 31cm x 22.5cm. 333pp. Numerous colour illustrations throughout. Slightest wear. Contents clean. An excellent copy. A heavy book, additional postage may be required for orders outside the UK. (g5).

Original publisher's sewn paperback, pictorial front- & backcover, thick large 4to: 336pp., introductory essays with illustrations - notes & references, chronology, biographies artists, catalogue of 142 items depicted page-large & described - with notes & referencs, general bibliography, glossary, index. Very fine copy - as new.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 12 PAPERS WRITTEN BY THE ABOVE AUTHORS MAKING UP A SYMPOSIUM ON RPV'S.ALL PAPERS IN ORIGINAL NARDBACK FILE FOLDER.SETAILED TEXTS AND PHOTOS.VG COPY. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng Language: eng.

Softcover. Condición: Fine+. Estado de la sobrecubierta: No Dust Jacket. First Edition; First Impression. Very light wear to spine, covers and corners. Fold out front / back covers. Double page frontispiece painting. Copies of the paintings with original colours. This wonderfully presented and detailed publication covers a broad selection of Japanese painters of their time, each with a well reasearched introduction.; 29.6cm x 25.6cm x 3.3 cm; 336 pages.

Hardcover. Condición: Used - Very Good. Book has minor shelf wear.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 333 Pp. Grey Cloth. First Printing, Hardcover Issue. Fine In Fine Dust Jacket With 1" Light Corner Cease On Front Flap.

Soft cover. Condición: Fine. 1st Edition. 336-page 8x11, Coffee-table size soft cover in fine condition.

Condición: New.

Hardcover. Condición: new. Hardcover. The ukiyo-e artist Isoda Koryusai produced thousands of designs between 1769 and 1781, a crucial period in the evolution of the print tradition, and was honored with the imperial title of hokko, yet he has been long neglected by scholars. Allen Hockley has identified more than 2,500 designs of wide-ranging formats and themes, demonstrating that Koryusai broadened the treatment of traditional print subjects and appealed to a wider and more varied audience. Koryusai's sheer output suggests he may very well be the most productive artist of the eighteenth century. Refuting outmoded paradigms of connoisseurship and challenging the assumptions of conventional print scholarship, Allen Hockley elevates this important figure from the status of a minor Edo-period artist. He argues that Koryusai excelled by the most significant measure--he was a highly successful creator of popular commodities. Employing an "active audience" model, Hockley reshapes the study of ukiyo-e as a scholarly discipline by assessing Koryusai's significance from the perspective of consumer culture.While scholars will be intrigued by Hockley's groundbreaking arguments, general readers will be fascinated by Koryusai's richly varied career.Five appendixes catalog all of the artist's known print designs, forming a record of Koryusai's works that will serve as a lasting reference text for collectors, dealers, and curators. Allen Hockley is professor of art history at Dartmouth College. The ukiyo-e artist Isoda Koryusai produced thousands of designs between 1769 and 1781, a crucial period in the evolution of the print tradition, and was honored with the imperial title of hokkyo, yet he has been long neglected by scholars. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condición: Good. No Jacket. 1st Edition. English text.; Paperback.; 22.5 x 30 cm.; 1.6 kg.; 336 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows minor edge wear, scuffs and scratches on the front cover, spine and back cover. The exterior text block shows signs of wear. Interior with minor signs of wear.; Catalogue from the exhibition 'The Dawn of the Floating World (1650-1765): Early Ukiyo-e Treasures from the Museum of Fine Arts, Boston' held at the Royal Academy of Arts, London, 24 November 2001 - 17 February 2002.; This ambitious and ground-breaking publication accompanies an exhibition of selected early 'pictures of the floating world' (ukiyo-e) from the collection of the Museum of Fine Arts, Boston. Most of these exceptional paintings, prints and books have never before been shown outside Boston. Written by leading scholars and illustrated throughout in colour, the essays and detailed commentaries in this volume examine the images as vivid records of the leisure pursuits of the townsman class emerging within Japanese feudal society at the time. They discuss the origins, style and technique of early ukiyo-e and describe the history of the Boston collection, 'the finest collection of Asian art under one roof in the world'. Biographies of the artists, a chronology, a glossary and an extensive bibliography add to the value of this account as a standard work of reference.

Hardcover. Condición: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 22.5 x 31 cm.; 1.8 kg.; 336 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows minor edge wear, scuffs and scratches on the front cover, spine and back cover. Small tear at the bottom of the spine. The spine is faded. Interior with minor signs of wear.; Catalogue from the exhibition 'The Dawn of the Floating World (1650-1765): Early Ukiyo-e Treasures from the Museum of Fine Arts, Boston' held at the Royal Academy of Arts, London, 24 November 2001 - 17 February 2002.; This ambitious and ground-breaking publication accompanies an exhibition of selected early 'pictures of the floating world' (ukiyo-e) from the collection of the Museum of Fine Arts, Boston. Most of these exceptional paintings, prints and books have never before been shown outside Boston. Written by leading scholars and illustrated throughout in colour, the essays and detailed commentaries in this volume examine the images as vivid records of the leisure pursuits of the townsman class emerging within Japanese feudal society at the time. They discuss the origins, style and technique of early ukiyo-e and describe the history of the Boston collection, 'the finest collection of Asian art under one roof in the world'. Biographies of the artists, a chronology, a glossary and an extensive bibliography add to the value of this account as a standard work of reference.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. As New. Forewords by Malcolm Rogers and Phillip King. Illustrated in color and black-and-white. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Fine condition in fine dust jacket. Selling Used and Rare books on line since April 1998 and from our bookstore in the heart of the Bluegrass since 1984. ; Color and black-and-white illustrations; 4to.; 331 pages.

Oversize Paperback. Condición: Fine. First Edition. Book is in excellent condition, with Very light scuffing to creaseless covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. nside the Floating World presents an overview of Japanese social history from the seveenteenth through nineteenth centuries using images of children, actors, courtesans, and landscape. All of the most eminent woodblock artists are featured, including Hiroshige, Hokusai, and Utmaro. In the last two decades, visual culture of our own time has come under the scrutiny of specialists from such diverse disciplines as anthropology, sociology, film studies, psychology, comparative literature studies, and art history. Methodologies and critical practices have emerged from each discipline that focus on the wide range of experiences contemporary visual culture offers to its consumers. Inside the Floating World affords a unique opportunity to bring these recent critical approaches to bear on the historical and aesthetic issues surrounding Japanese printmaking. The book serves as both an introduction to and a serious explication of the social meanings imbedded in Japanese prints. 2.

paperback. Condición: New.

Condición: New. 2002. Illustrated. hardcover. . . . . .

Condición: New. 2002. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Soft cover. Condición: Very Good. No Jacket. English text.; Paperback. 24.5 x 30.5 cm; 1.5 Kg; 256 pages with colour illustrations.; Used with minor signs of wear. Interior in very good condition.; Catalogue from the exhibition held at the Asia Society and Museum, New York from February 27 to May 4, 2008.; "The exceptional paintings, prints and illustrated books in the present exhibition - all drawn from the collections of members and supporters of the Japanese Art Society of America - give viewers the opportunity to experience and appreciate the breadth of the ukiyo-e tradition in a new light. The exhibition and catalogue explore the intertwined worlds of art, popular culture, commerce and society of Edo Japan in a focused examination by a team of renowned experts." excerpt from the preface by Vishahka N. Desai, President of the Asia Society.; "This exhibition brings together approximately one hundred fifty paintings, woodblock prints and illustrated books, with images known as ukiyo-e, or pictures of the floating world - The floating world was a new leisure industry of popular entertainment centered in the shogunal capital of Edo (modern Tokyo). The carefully selected images in the exhibition not only present the principals of that realm - the actor, the artist, the courtesan, the poet, the publisher, the patron - they also examine the confluences and contradictions in a time of enourmous social, cultural and economic change in Japan. The exhibtion and catalogue focus on individuals - adding to the already substantial scholarship on Hokusai, Hiroshige and Utamaro - including the father of ukiyo-e, Hishikawa Moronobu, the artist and publisher Okumura Masanobu, the color innovator Susuki Harunobo, the master publisher Tsutaya Juzaburo and the briliant painter Katsukawa Shunsho." excerpt by the foreword by Melissa Chiu, Director of the Asia Society.

Condición: New. Identifies more than 2,500 designs of various formats and themes and demonstrates that Isoda Koryusai broadened the treatment of traditional print subjects. This book assesses Koryusai s significance from the perspective of consumer culture. It is intended .

Hardcover. Condición: new. Hardcover. The ukiyo-e artist Isoda Koryusai produced thousands of designs between 1769 and 1781, a crucial period in the evolution of the print tradition, and was honored with the imperial title of hokko, yet he has been long neglected by scholars. Allen Hockley has identified more than 2,500 designs of wide-ranging formats and themes, demonstrating that Koryusai broadened the treatment of traditional print subjects and appealed to a wider and more varied audience. Koryusai's sheer output suggests he may very well be the most productive artist of the eighteenth century. Refuting outmoded paradigms of connoisseurship and challenging the assumptions of conventional print scholarship, Allen Hockley elevates this important figure from the status of a minor Edo-period artist. He argues that Koryusai excelled by the most significant measure--he was a highly successful creator of popular commodities. Employing an "active audience" model, Hockley reshapes the study of ukiyo-e as a scholarly discipline by assessing Koryusai's significance from the perspective of consumer culture.While scholars will be intrigued by Hockley's groundbreaking arguments, general readers will be fascinated by Koryusai's richly varied career.Five appendixes catalog all of the artist's known print designs, forming a record of Koryusai's works that will serve as a lasting reference text for collectors, dealers, and curators. Allen Hockley is professor of art history at Dartmouth College. The ukiyo-e artist Isoda Koryusai produced thousands of designs between 1769 and 1781, a crucial period in the evolution of the print tradition, and was honored with the imperial title of hokkyo, yet he has been long neglected by scholars. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New.

333 pp.; 141 colour plates, 23 figs., index, glossary, chronology, biographies of artists, biblio. Exh. cat Royal Academy of Arts, London, 2001. Cloth. KEYWORDS: 026 Japan - Prints/Surimono/Paintings/Calligraphy etc.

First Edition. First edition. Softcover. 119 pages. Includes numerous color illustrations. A very good copy in wrappers with a small edge tear to the top of the rear panel and some other slight wear. Uncommon.