hockenhull oliver (25 resultados)

Hardcover. Condición: Very Good +. Estado de la sobrecubierta: Very Good +. 1st Edition. Very Good + copy. (see picture).

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. 'DAMP: Contemporary Vancouver Media Arts', is a singular effort, a visually exuberant work that is also on the vanguard of theoretical engagement, a symbiosis of form and content, in full-colour throughout, inclusive of extensive imagery, graphic intrigues and typographical accent-a rare and desirable art-infused statement of the city's media art scene-now. 'DAMP' is a long overdue critical engagement regarding the specificities of contemporary Vancouver media arts. The editors' effortis not so much to look to the past, nor to confine themselves within the borders of a collective of one sort or another. Their intent is to examine and speak to the now and the future of practice in Vancouver, its relationship to world art-media, and to the strategies of artists in this particular region. Origins of thought-from First Nations source code onwards-create a framework and starting point from which to study this mediacity. By re-focussing on the relative unknowns of this scene-the hidden and supressed histories, the city's internal and external mythologies and imaginary futures-they are revealing a plainly visible but unacknowledged praxis. 'DAMP' will act as a catalyst for discussion that stretches well beyond this locale, as it creates response and reaction from points east, internal, and beyond nation borders. 'DAMP' includes over 25 contributions from such artists as Laiwan, Fiona Bowie, Ann Marie Fleming, David Rimmer, Warren Arcan, and Yum Lam Li, and critical essays by such well respected Vancouver theorists as Clint Burnham, Jayce Salloum, and Randy Lee Cutler. Damp: Vancouver Media Arts, is a singular effort, a visually exuberant work that is also on the vanguard of theoretical engagement, a symbiosis of form and content, in full-colour throughout, inclusive of extensive imagery, graphic intrigues and typographical accent—a rare and desirable art-infused statement of the city's media art scene—now. Damp is a long overdue critical engagement regarding the specificities of contemporary Vancouver media arts. The editors' effort is not so much to look to the past, nor to confine themselves within the borders of a collective of one sort or another. Their intent is to examine and speak to the now and the future of practice in Vancouver, its relationship to world art-media, and to the strategies of artists in this particular region. Origins of thought—from First Nations source code onwards—create a framework and starting point from which to study this mediacity. By re-focussing on the relative unknowns of this scene—the hidden and supressed histories, the city's internal and external mythologies and imaginary futures—they are revealing a plainly visible but unacknowledged praxis. Damp will act as a catalyst for discussion that stretches well beyond this locale, as it creates response and reaction from points east, internal, and beyond nation borders. Damp includes over 25 contributions from such artists as Laiwan, Fiona Bowie, Ann Marie Fleming, David Rimmer, Warren Arcan, and Yum Lam Li, and critical essays by such well respected Vancouver theorists as Clint Burnham, Jayce Salloum, and Randy Lee Cutler. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 134 Illus.

Condición: New.

Condición: New.

Condición: New.

Condición: New. pp. 134.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. 1st. Special order item direct from the distributor.

Condición: New. pp. 134.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: new. Paperback. 'DAMP: Contemporary Vancouver Media Arts', is a singular effort, a visually exuberant work that is also on the vanguard of theoretical engagement, a symbiosis of form and content, in full-colour throughout, inclusive of extensive imagery, graphic intrigues and typographical accent-a rare and desirable art-infused statement of the city's media art scene-now. 'DAMP' is a long overdue critical engagement regarding the specificities of contemporary Vancouver media arts. The editors' effortis not so much to look to the past, nor to confine themselves within the borders of a collective of one sort or another. Their intent is to examine and speak to the now and the future of practice in Vancouver, its relationship to world art-media, and to the strategies of artists in this particular region. Origins of thought-from First Nations source code onwards-create a framework and starting point from which to study this mediacity. By re-focussing on the relative unknowns of this scene-the hidden and supressed histories, the city's internal and external mythologies and imaginary futures-they are revealing a plainly visible but unacknowledged praxis. 'DAMP' will act as a catalyst for discussion that stretches well beyond this locale, as it creates response and reaction from points east, internal, and beyond nation borders. 'DAMP' includes over 25 contributions from such artists as Laiwan, Fiona Bowie, Ann Marie Fleming, David Rimmer, Warren Arcan, and Yum Lam Li, and critical essays by such well respected Vancouver theorists as Clint Burnham, Jayce Salloum, and Randy Lee Cutler. Damp: Vancouver Media Arts, is a singular effort, a visually exuberant work that is also on the vanguard of theoretical engagement, a symbiosis of form and content, in full-colour throughout, inclusive of extensive imagery, graphic intrigues and typographical accent—a rare and desirable art-infused statement of the city's media art scene—now. Damp is a long overdue critical engagement regarding the specificities of contemporary Vancouver media arts. The editors' effort is not so much to look to the past, nor to confine themselves within the borders of a collective of one sort or another. Their intent is to examine and speak to the now and the future of practice in Vancouver, its relationship to world art-media, and to the strategies of artists in this particular region. Origins of thought—from First Nations source code onwards—create a framework and starting point from which to study this mediacity. By re-focussing on the relative unknowns of this scene—the hidden and supressed histories, the city's internal and external mythologies and imaginary futures—they are revealing a plainly visible but unacknowledged praxis. Damp will act as a catalyst for discussion that stretches well beyond this locale, as it creates response and reaction from points east, internal, and beyond nation borders. Damp includes over 25 contributions from such artists as Laiwan, Fiona Bowie, Ann Marie Fleming, David Rimmer, Warren Arcan, and Yum Lam Li, and critical essays by such well respected Vancouver theorists as Clint Burnham, Jayce Salloum, and Randy Lee Cutler. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. New Book, Direct from Publisher.

Taschenbuch. Condición: Neu. Neuware - 'DAMP: Contemporary Vancouver Media Arts,' is a singular effort, a visually exuberant work that is also on the vanguard of theoretical engagement, a symbiosis of form and content, in full-colour throughout, inclusive of extensive imagery, graphic intrigues and typographical accent--a rare and desirable art-infused statement of the city's media art scene--now. 'DAMP' is a long overdue critical engagement regarding the specificities of contemporary Vancouver media arts. The editors' effort is not so much to look to the past, nor to confine themselves within the borders of a collective of one sort or another. Their intent is to examine and speak to the now and the future of practice in Vancouver, its relationship to world art-media, and to the strategies of artists in this particular region. Origins of thought--from First Nations source code onwards--create a framework and starting point from which to study this mediacity. By re-focussing on the relative unknowns of this scene--the hidden and supressed histories, the city's internal and external mythologies and imaginary futures--they are revealing a plainly visible but unacknowledged praxis. 'DAMP' will act as a catalyst for discussion that stretches well beyond this locale, as it creates response and reaction from points east, internal, and beyond nation borders.

Condición: New. In.

Condición: New.

Condición: New. Klappentextalgorithmic rewrite and edit of An Imperial Message - Franz Kafka - 1919/2013.

Buch. Condición: Neu. Neuware - algorithmic rewrite and editof 'An Imperial Message' - Franz Kafka - 1919/2013.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.