Ho melissa (59 resultados)

Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condición: Fine. 1st Edition. Landscape 4mo brown cloth with black and white text Bettina Pousttchi's most extensive photo project presented for the first time in one volume.

hardcover. Condición: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Oversized Hardcover. Condición: Good. Taking the commercial color chart as its central metaphor, this volume chronicles an important artistic shift that took place during the middle of the 20th century: a frank acknowledgment of color as a matter-of-fact element rather than a vehicle of spiritual or emotional content. Collected here are more than 40 artists who explore in their works the double meaning of 'ready-made color': color bought off the shelf, rather than mixed on a palette, as well color assigned by chance or arbitrary system rather than composed with traditional chromatic harmonies in mind. Accompanies the exhibition @ MoMA, NYC. 03/02/08-05/12/08. Illus., 280 color.…

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.…

Soft Cover. Condición: Very Good. Exhibition catalogue. Unmarked.

Condición: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Paperback. Condición: New. Brand New. Crisp, clean, fresh, bright. Still sealed in original publisher's shrinkwrap.

hardcover. Condición: New. Princeton University Press April 2019.

Wrappers. Condición: Fair. Near Fine. Slim volume, 48 pages with 27 black and white illustrations. A small paper tear to the head of the spine. Previous library information black stamped on the title page. Some price sticker residue to the front of the cover, top left-hand corner, and some staining and general soiling to the covers. Foreword by Anne d'Harnoncourt and Kasper König. Text is in German and English. Published on the occasion of the exhibition from the Philadelphia Museum of Art, Philadelphia PA October 23-November 28, 1993 and the Portikus Frankfurt am Main January 15-February 20, 1994. Selected Biography and Bibliography. Book.…

Hardcover. Condición: Very Good. About new with no marks or DJ splits. Appears unused.

Hardcover with dustjacket, 396 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condición: VG+. Softcover. Red & bw pictorial wrappers. book xiii, 185 pages w/ illustrations. 24 cm. The essays collected discuss the artist's famous "zip," temporal aspects of his work, his painting technique, and his sculptural oeuvre, among other topics. New perspectives are provided on Newman, whose restrained, almost severe pictorial lexicon resulted in emotionally resonant works of art.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Oversized hardback book (396 pages)with 170 color and 107 black and white illustrations. Dust jacket shows moderate rubbing/scuffing with thin creases/nicks at top and bottom edge. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (ULG3-Bottom-R) rareviewbooks.…

Paperback. Condición: Brand New. Paperback.Width: 20 cm. Height: 20cm. 74 pages. English text.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 96 pp., 53 ills. clouthbound - Bettina Pousttchi (*1971 in Mainz) is one of the most outstanding German artists of her generation. World Time Clock, on which she worked for eight years, is her most extensive project to date: the photographer travelled around the world in several stages, taking pictures of a public clock at five minutes before two at selected sites in twenty-four different time zones. The cities she visited included Cape Town, Dubai, Tashkent, New York, Sydney, and Mexico City. An exhibition of this world-spanning work on the political and social organization of time and space premiered at the Smithsonian Institution s Hirshhorn Museum and Sculpture Garden in Washington, D.C. The complete twenty-four part, large-format photo series was on display for ten months, in a 360-degree installation on an entire floor of the museum. The present catalogue documents this remarkable exhibition at one of the leading museums in the United States.…

Softcover. Condición: Gut. Ex-library in GOOD condition with library-signature and stamp(s). Some traces of use. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. C-00291 9780821844915 Sprache: Englisch Gewicht in Gramm: 150.

OLeinen. Verlagsfrisch, in Orginalfolie eingeschweißt. mint. For World Time Clock, German-Iranian photographer Bettina Pousttchi (born 1971) photographed public clocks at precisely five minutes before two at selected sites in 24 cities, including Cape Town, Dubai, Tashkent, New York, Sydney and Mexico City. This volume documents its presentation at the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden in Washington. Size: 23 x 28 Cm. 1400 Gr.…

Hardcover. Condición: new. Hardcover. This book project was part of an annual series of Summer seminars held at Hong Kong's Tai Kwun Centre for Heritage and Arts, which brought the intellectual community together to debate the social issues of the day. The artists, writers, and scholars included in these texts represent unconventional thinkers completing rigorous scholarship that we think is important to be published today, as Hong Kong seeks for social and political alternatives. This book will be of interest to public intellectuals, political/cultural theorists and thinkers, as well as the international art community. This book project was part of an annual series of Summer seminars held at Hong Kong's Tai Kwun Centre for Heritage and Arts, which brought the intellectual community together to debate the social issues of the day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, xvi, [4] pages, 396 pages, illustrations (some colour), portraits (some colour); 31 cm. Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, DC, March 15, 2019 to August 18, 2019. The exhibition will tour to the Minneapolis Institute of Art from September 28, 2019 to January 5, 2020. Near fine. Firm binding, clean inside copy. Top right corners bumped. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home--between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy US Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Illustrated in color throughout, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism" -- Publisher. Size: Folio.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780300109337.

Condición: New. 2019. Hardcover. . . . . .

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardcover. Condición: Good. 2017 Palgrave hardcover edition. Light reading wear, rubbing to back cover else very good condition. Contents: Chapter 1 is 'Introduction: Text-Based Research and Teaching' by Elise Lopez and Peter Mickan. Chapter 2 is 'Text-Based Research and Teaching from a Social Semiotic Perspective: Transformative Research and Pedagogy' by Peter Mickan. Chapter 3 is 'A Month of Climate Change in Australia: A Corpus-Driven Analysis of Media Discourse' by Elizabeth Robertson Rose. Chapter 4 is 'Neoliberal Ideology Only 'Partially' to Blame in the Global Financial Crisis? A Critical Discourse Analysis of Alan Greenspan's Public Discourses on the 2007/8 GFC' by Coral Campbell. Chapter 5 is 'Social Semiotic Multimodal Analysis of Discourse in Banking' by Amanda Janssen. Chapter 6 is 'Locating Multiple Voices in Memoir: Modelling Voice Through Analysis of Interpersonal Linguistic Choices' by Elise Lopez. Chapter 7 is 'The Generic Structure of the Call for Papers of Predatory Journals: A Social Semiotic Perspective' by Ribut Wahyudi. Chapter 8 is 'Talking About Children's Picture Books: An Analysis of Student Questioning' by Celine P. Y. Chu. Chapter 9 is 'Text-Based Teaching in a Year 8 Chinese Class' by Maggie Gu. Chapter 10 is 'A Socio-Semiotic Perspective on a Unit of Work in an Indonesian Textbook' by Ruth Widiastuti and Celine P. Y. Chu. Chapter 11 is 'The Text-Based Approach in the German as Foreign Language Secondary Classroom' by Melissa Bond. Chapter 12 is 'Spoken Texts in a High-Stakes EFL Test in Korea: Impact on High School English Teaching' by Jonghee Lee. Chapter 13 is 'Text: A Means for Language Socialisation in Communities of Practice' by Sharif Moghaddam. Chapter 14 is 'Self-Learning a Foreign Language Through Literature: A Case-Study of a Self-Learner's Socialisation into Czech Through Czech Literature' by Raelke Grimmer. Chapter 15 is 'Thematic Options and Success in ESL Writing: An Analysis of Promotional Texts' by Debbie G.E. Ho. Chapter 16 is 'Using Student-Selected Texts in Speaking Classes' by Hasti Rahmaningtyas, Yusnita Febrianti, and Nina Inayati. Chapter 17 is 'Now We Are All Friends: An Exploratory Action Research Project Examining the Use of a Facebook Group for Language Learning' by Clare Knox. Chapter 18 is 'Academic Literacies in the Field of Interior Architecture: A Multimodal Analysis' by Tiffany Seok Yee Wong. Chapter 19 is 'Documentation, Renewal, and Semiotic Mediation: Continuing Text-Based Research and Teaching' by Peter Mickan and Elise Lopez.…