Idioma: Inglés
Publicado por MIT Press (MA) June 1990, 1990
ISBN 10: 0262521490 ISBN 13: 9780262521499
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
EUR 22,47
Cantidad disponible: 1 disponibles
Añadir al carritoTrade Paperback. Condición: Used - Very Good. These nine essays provide a biographically vivid and pluralist view of the periodical 'De Stijl 'in the important early period of its development. They provide, new biographical information and fresh analysis of the painters van Doesburg, Mondrian, Vilmos Huszar, and Bart van der Leck, the painter-sculptor Georges Vantonger-loo, architects Oud, Robert van't Hoff, Jan Wits, and furniture designer turned architect Gerrit RietveldCaret Blotkamp is Professor of Art History at the Free University of Amsterdam. These nine essays provide a biographically vivid and pluralist view of the periodical De Stijl in the important early period of its development. Used copy with light wear.
Idioma: Inglés
Publicado por MIT Press (MA) June 1990, 1990
ISBN 10: 0262521490 ISBN 13: 9780262521499
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
EUR 22,47
Cantidad disponible: 1 disponibles
Añadir al carritoTrade Paperback. Condición: Used - Very Good. These nine essays provide a biographically vivid and pluralist view of the periodical 'De Stijl 'in the important early period of its development. They provide, new biographical information and fresh analysis of the painters van Doesburg, Mondrian, Vilmos Huszar, and Bart van der Leck, the painter-sculptor Georges Vantonger-loo, architects Oud, Robert van't Hoff, Jan Wits, and furniture designer turned architect Gerrit RietveldCaret Blotkamp is Professor of Art History at the Free University of Amsterdam. These nine essays provide a biographically vivid and pluralist view of the periodical De Stijl in the important early period of its development. Very nice clean, tight copy free of any marks. Used copy with light wear.
Original o primera edición
EUR 10,00
Cantidad disponible: 1 disponibles
Añadir al carritoSoftcover. Condición: Gut bis sehr gut. Ohne Schutzumschlag. Blotkamp, Carel / Esser, Hans / Ex. Sjarel Ilustrador. 1. Auflage. 295 pages with many b/w-illustrations.
Librería: Mooney's bookstore, Den Helder, Holanda
EUR 11,11
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: New.
Publicado por Thoth, Bussum 1999, 1999
Librería: Casanova Books, Amsterdam, Holanda
EUR 15,00
Cantidad disponible: 1 disponibles
Añadir al carrito8vo, stiff wrps., illustrated, 230 p. In very good condition. K13.
Publicado por Thoth, Bussum 1999, 1999
Librería: Casanova Books, Amsterdam, Holanda
EUR 15,00
Cantidad disponible: 1 disponibles
Añadir al carritoLarge 8vo, stiff wrps., illustrated, 230 p. In very good condition. K15.
Librería: Mooney's bookstore, Den Helder, Holanda
EUR 28,14
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Very good.
Librería: Hatt Rare Books ILAB & CINOA, Hägersten, Suecia
EUR 23,34
Cantidad disponible: 1 disponibles
Añadir al carritoSewn as issued, pictorial wrappers with flaps. Very fine / as new. Zwolle, Wbooks, 2017. 8vo. 168 pp. Richly illustrated in full-page colour. / Text in Dutch. "Piet Mondrian & Bart van der Leck. The invention of a New Art. Laren 1916-1918", in Dutch. - - - "It's highly likely that Piet Mondrian's abstraction would have looked different if he hadn't crossed paths with Bart van der Leck. They probably met in late 1915 or early 1916, and they hit it off immediately. The two artists saw each other often after Van der Leck moved from The Hague to the studio villa De Boschhoek in Laren on 13 April 1916. He lived there until May 1919, when he and his family relocated to a house on Eemnesserweg in Blaricum that he had designed with his brother. Mondrian and Van der Leck strongly influenced each other in the period 1916-17. In imitation of Mondrian, Van der Leck began simply entitling his paintings 'compositions' and gradually departed from figuration. Mondrian, meanwhile, was fascinated by Van der Leck's use of colour. Van der Leck had by then embraced abstraction in earnest, and in his attempt to capture the essence of painting, he had restricted his use of colour in 1915 to red, yellow and blue, supplemented by black and white. Mondrian regarded the primaries as the purest hues, and, inspired by Van der Leck, he began limiting himself to them too, though at first he toned them down by mixing them with white" (mondrianroute, online).
Librería: Hansennebooks, Lippelo, Belgica
EUR 20,00
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Good. description and photos on demand.
Librería: Frans Melk Antiquariaat, HILVERSUM, Holanda
EUR 15,00
Cantidad disponible: 1 disponibles
Añadir al carritoBussum, Toth, 1999. 24 x 17 cm. Paperback / Softcover. Met illustraties in z/w. 229 pag. NIEUW BOEK [Art / Dutch art general [Algemene Nederlandse Kunst] ].