Higgins john art (21 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback: 7" x 4½". Condición: Good: Moderate signs of wear. 1989 Edition. © 1980: A part of the 'Alliance-Union' series of books. 1st printing of 1989 edition:- Synopsis: 'Serpent's Reach' is the star system inhabited by the Majat - a powerful, intelligent ant-like race - and it is territory forbidden to outsiders. This is the story of Raen, the last of the massacred Sul family, and of her lifetime pledge to find vengeance. Raen's quest takes her across the worlds of the Reach into the very centre of the alien webwork that knits together the forbidden constellation, with devastating consequences:- Review(s): "A remarkable, imaginative and accomplished novel by a Hugo award winning author which confirms C J Cherryh's place in the vanguard of brilliant young science fiction writers":- (original cost £3.50). Cover Art: John Higgins (ilustrador).…

Paperback: 7" x 4¼". Condición: Good: Moderate signs of wear. 1989 Edition. © 1988: 4th in the 'Morgaine' series of books. 1st printing of 1989 edition:- Synopsis: Here, after ten years, is the long-awaited new novel about one of C J Cherryh's most famous and popular heroines, Morgaine, closer of the world Gates. Morgaine, who with her magical sword Changeling and her loyal liegeman Vanye, travels from world to world, seeking out the Gates, deadly heritage of a long-vanished race, which could forever warp past, present and future unless they are shut down. Now, on a world torn by rebellion and war, Morgaine must meet her greatest challenge. For her she will face Gault, who is both human and alien and who seeks control of the world and its Gates. And here too Morgaine will face the true Gatemaster, a mysterious lord with a power as great - or perhaps greater - than Morgaine's own:- (original cost £3.99). Cover Art: John Higgins (ilustrador).…

Condición: New.

Soft cover. Condición: Very Good. VG+ to Near Fine. Small graze to spine, light crease adjacent to spine, otherwise a very attractive copy, very clean throughout. Cover art by John Higgins.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good. VG+ Very light edgewear, light creasing to spine, two store-stamps to front fly page, otherwise an attractive copy, very clean throughout. Cover art by John Higgins.

Soft cover. Condición: Very Good. VG+ Very light edgewear, faint creasing to spine, light creasing to lower front corner, otherwise a very attractive copy, very clean throughout. Cover art by John Higgins.

Soft cover. Condición: Near Fine. Near Fine. Covers laminated, several University Guild stamps internally, otherwise a very attractive copy, very clean throughout. Cover art by John Higgins.

Staplebound. 55p., 5.5x8.5 inches; small ink mark on front wrap, else in very good condition.

Comic. Condición: Very Good. Light wear, binding sound; very good overall. Sent in a comic bag with backing board as well as our usual protective packaging. Cover: Tim Bradstreet Art: John Higgins (ilustrador). Book.

Comic. Condición: Very Good. Light wear, binding sound; very good overall. Sent in a comic bag with backing board as well as our usual protective packaging. Cover: Tim Bradstreet Art: John Higgins (ilustrador). Book.

Comic. Condición: Very Good. Light wear, binding sound; very good overall. Sent in a comic bag with backing board as well as our usual protective packaging. Cover: Tim Bradstreet Art: John Higgins (ilustrador). Book.

Comic. Condición: Very Good. Light wear, binding sound; very good overall. Sent in a comic bag with backing board as well as our usual protective packaging. Cover: Tim Bradstreet Art: John Higgins (ilustrador). Book.

Comic. Condición: Very Good. Light wear, binding sound; very good overall. Sent in a comic bag with backing board as well as our usual protective packaging. Cover: Tim Bradstreet Art: John Higgins (ilustrador). Book.

Paperback. Condición: Very Good. 2009 Whitechapel Gallery paperback edition. Light reading wear else very good condition. Contents: THE REVIVAL OF BEAUTY Dave Hickey Enter the Dragon: On the Vernacular of Beauty Kathleen Marie Higgins Whatever Happened to Beauty? A Response to Danto Elaine Scarry On Beauty and Being Just Wendy Steiner Venus in Exile: The Rejection of Beauty in Twentieth-Century Art Suzanne Perling Hudson Beauty and the Status of Contemporary Criticism Saul Ostrow The Eternal Problem of Beauty's Return Arthur C. Danto The Aesthetics of Brillo Boxes Alexander Alberro Beauty Knows No Pain Diarmuid Costello, Arthur C. Danto, Anna Dezeuze, Martin Donougho, Thierry de Duve, James Elkins, David Raskin, Dominic Willsdon, Richard Woodfield The Art Seminar CONCEPTS AND CONTEXTS Theodor Adorno On the Concept of the Beautiful Jacques Derrida The Sans of the Pure Cut Griselda Pollock Woman as Sign: Psychoanalytic Readings Jay Bernstein Beauty and the Labour of Mourning Fredric Jameson Transformations of the Image in Postmodernity Thierry de Duve Kant after Duchamp Jason Gaiger Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde T.J. Clark Vulgarity Caroline A. Jones The Discourse of the Studio Meets the Technological Sublime John Roberts Replicants and Cartesians Mark Cousins The Ugly Mark Hutchinson Nausea: Encounters with Ugliness Simon O'Sullivan Art and the Political: Minor Literature, War Machines and the Production of Subjectivity POSITIONS Rosalind Krauss The Photographic Conditions of Surrealism Benjamin H.D. Buchloh Robert Morris's Paradoxes Robert Smithson An Aesthetics of Disappointment Andy Warhol On Beauty Rasheed Araeen Cultural Imperialism: Observations on Cultural Situation in the Third World Gerhard Richter Notes Paul Wood Truth and Beauty: The Ruined Abstraction of Gerhard Richter Leon Golub and Nancy Spero Interview with Adrian Searle Agnes Martin Interview with Irving Sandler Alex Katz Interview with David Sylvester John Currin Interview with Robert Rosenblum Wendy Steiner On Marlene Dumas Art & Language On Painting Rudolf Sagmeister Endangered Beauty: On Gary Hume Christoph Grunenberg Attraction-Repulsion Machines: The Art of Jake and Dinos Chapman Vito Acconci Interview with Bryant Rousseau Leo Fitzmaurice Beauty (a list of possibilities).…

1977. (Oblong 4to paperback) Very good. 87pp. Photographs, biographies. Art of Douglas Bentham, Michael Bigger, Stephen Cohlmeyer, Max Dean, Gary Dufour, Dennis Evans, Tommie Gallie, Ric Gomez, Terry Hays, Steve Higgins, Walter May, John Nugent, Don Proch, Alan Reynolds & Michael Truelove. (Art--Canada, Exhibition Catalog--Winnipeg Art Gallery, Sculpture--Canada). …

Soft cover. Condición: Very Good. 1st Edition. New York: The Masses Publishing Company, 1915. The June, 1915 issue (Volume VI, Number 9, whole number 49). Large Folio, illustrated stapled wraps, 27 pp. Very Good by any periodical standard; as the very inexpensively-produced budget-of-the-heart icon The Masses was, this example is certainly better than very good, by its own standard. Light crease the vertical length of cover; small nicks at front cover perimeter; larger chip at rear cover, lower left; modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was shut down by the U.S. Government in 1918 on the basis of postal regulations, after two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of June, 1915 included Eastman, Carl Sandburg, Howard Brubaker, Harris Merton Lyon, Louis Untermeyer, Edmond McKenna, Elsie Clews Parsons, Frank Tanenbaum, Robert Carlton Brown, W.J. Robinson, Charles Grey, and Florence Kiper Frank. Art was contributed by Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, and Eugene Higgins, with Walts executing the front cover, and Davis the rear cover. Check out all of those names. An extraordinarily rare piece of American publishing and political history. l-lng2. Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, Eugene Higgins (ilustrador).…

222 pp.; 31 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. Lippard; "Carl Andre: Artworker," Carl Andre interviewed by Jeanne Siegel; "Dissenting Ideologies and the German Revolution," by John Elderfield; "Gene Davis and the Issue of Complexity," by Donald Wall; "Paintings by John Hubbard," by Bryan Robertson; "'A Very Abstract Context,'" by Charles Harrison; "U.S. Commentary," by Dore Ashton; "inn7o," by APG "Supplement: New and Recent Art Books," reviews by Alan Bowness, Andrew Forge, Andrew Higgins, Timothy Hilton, Edward Lucie-Smith, Jeremy Maas, Joseph Masheck, Barbara Reise, Deborah Stott, William Townsend. Cover: Photograph by Jan van Raay of members of the Art Workers' Coalition, including Jon Hendricks and Jean Toche, protesting in front of Picasso's 'Guernica' in New York. Includes a Dwan Gallery half page ad for Robert Smithson's 16mm film on the "Spiral Jetty." Very Good / Fine. Light rubbing of cover edges and small soft fold to lower right corner of front cover. Contents clean and unmarked and pages are tight to the spine. …

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1928 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 10 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 10.…