Hester baer (245 resultados)

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Librería: BooksRun, Philadelphia, PA, Estados Unidos de AmericaBooksRun
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Condición: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

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Paperback. Condición: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

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Librería: medimops, Berlin, Alemaniamedimops
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Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Más imágenesThe Blessed Abyss: Inmate #6582 in Ravensbruck Concentration Camp for Women
Herbermann, Nanda; Baer, Hester (Translator); Baer, Hester and Baer, Elizabeth R. (Editors)
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- Primera edición
Librería: Books on the Square, Virden, IL, Estados Unidos de AmericaBooks on the Square
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Soft cover. Condición: Near Fine. 1st Printing. 2000. 1st Printing. Near Fine paperback book. A square, tight and clean copy. Bottom corners just lightly bumped. 280pp. (Ww).

Idioma: Inglés
Editorial: Berghahn Books 2/1/2012, 2012
Serie: Film Europa, Libro 9 de 29. Libro 9 de 29 - Film Europa
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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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Paperback or Softback. Condición: New. Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language. Book.

Idioma: Inglés
Editorial: Berghahn Books, 2012
Serie: Film Europa, Libro 9 de 29. Libro 9 de 29 - Film Europa
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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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Librería: Dave Wilhelm Books, Evanston, IL, Estados Unidos de AmericaDave Wilhelm Books
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Softcover. Condición: Very Good. Solid VG/near fine softcover.
Más imágenesThe Blessed Abyss: Inmate #6582 in Ravensbruck Concentration Camp for Women
Herbermann, Nanda; Baer, Hester (Translator); Baer, Hester and Baer, Elizabeth R. (Editors)
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- Primera edición
Librería: Books on the Square, Virden, IL, Estados Unidos de AmericaBooks on the Square
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Soft cover. Condición: Fine. 1st Printing. 2000. 1st Printing. Fine paperback book. An as new copy, it's square, tight and clean. 280pp. (Ww).

Idioma: Inglés
Editorial: Berghahn Books, GB, 2012
Serie: Film Europa, Libro 9 de 29. Libro 9 de 29 - Film Europa
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. .convincing in its arguments, Baer's Dismantling the Dream Factory is a nicely structured work that offers a good mixture of historiography and close analysis. Baer effectively draws on contemporary press and advertising materials to highlight extradiegetic discourses surrounding the films, particularl…y to show how they made their appeals to female viewers. Baer's book is clearly and accessibly written, making it equally useful for teaching purposes and for more advanced scholars of German cinema. German Quarterly Baer has written an original critical view of German cinema after WWII.Unique to this study is Baer's attempt to ground her inquiry in gender theory.The result is a book that reopens the era by examining it from a fresh angle. Baer supports this important study with well-chosen stills. Choice This is a great book, well grounded in the critical literature and contemporary archival sources.The author has an extraordinary eye for detail in her close readings of the films and a profound understanding of the interplay between the diegetic and extra-diegetic elements that make up the meaning of a given film text, as she ranges from discussion of the use of sound to the marketing strategies employed to sell the films under investigation, all of which is located in a detailed understanding of the broader historical context and the German 'national trauma' of the time. Scope .[a] fascinating study.[that] makes a major contribution to a burgeoning field dedicated to the investigation of what was once dismissed. Monatshefte .makes a significant and original contribution, is well researched as well as written, and would lend itself conveniently to the teaching of any of these films.[It] bring[s] to bear theories from Anglo-American film studies as well as German cultural studies and history. The result is a felicitous mixture of theory, cultural-historical context, and informed film readings.Jaimey Fisher, University of California, Davis The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to 'dismantle the dream factory' of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a 'women's cinema' emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents.

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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Dismantling the Dream Factory : Gender, German Cinema, and the Postwar Quest for a New Film Language
Idioma: Inglés
Editorial: Berghahn Books, 2012
Serie: Film Europa, Libro 9 de 29. Libro 9 de 29 - Film Europa
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Condición: As New. Unread book in perfect condition.

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.Acclaimed as postwar Germany's first feminist film, Ula Stöckl's The Cat Has Nine Lives dis…appeared from view shortly after its 1968 premiere when its distributor went bankrupt. Although it laid the groundwork for the flourishing feminist cinema that emerged in West Germany and beyond during the 1970s, Stöckl's vibrant film long remained largely unknown. Yet it is as fresh and relevant today as it was when it debuted half a century ago. Revived at the 2019 Berlin International Film Festival (Berlinale), The Cat Has Nine Lives is now available for the first time on DVD with English subtitles. Posing the question, "Women have never had as many possibilities to do what they want as they have today, but do they know what they want?," Stöckl's film follows the intertwined stories of five characters to explore the possibilities for and limitations on women's subjectivity, desire, friendship, work, and artistic expression in a society defined by gender inequality. Restoring this singular film to its rightful place as a German film classic, Hester Baer argues that The Cat Has Nine Lives forms an important aesthetic and theoretical precursor to the unfolding cinefeminism of later decades.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.Acclaimed as postwar Germany's first feminist film, Ula Stöckl's The Cat Has Nine Lives dis…appeared from view shortly after its 1968 premiere when its distributor went bankrupt. Although it laid the groundwork for the flourishing feminist cinema that emerged in West Germany and beyond during the 1970s, Stöckl's vibrant film long remained largely unknown. Yet it is as fresh and relevant today as it was when it debuted half a century ago. Revived at the 2019 Berlin International Film Festival (Berlinale), The Cat Has Nine Lives is now available for the first time on DVD with English subtitles. Posing the question, "Women have never had as many possibilities to do what they want as they have today, but do they know what they want?," Stöckl's film follows the intertwined stories of five characters to explore the possibilities for and limitations on women's subjectivity, desire, friendship, work, and artistic expression in a society defined by gender inequality. Restoring this singular film to its rightful place as a German film classic, Hester Baer argues that The Cat Has Nine Lives forms an important aesthetic and theoretical precursor to the unfolding cinefeminism of later decades.

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Dismantling the Dream Factory : Gender, German Cinema, and the Postwar Quest for a New Film Language
Idioma: Inglés
Editorial: Berghahn Books, 2012
Serie: Film Europa, Libro 9 de 29. Libro 9 de 29 - Film Europa
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: New.

Idioma: Inglés
Editorial: Berghahn Books, GB, 2012
Serie: Film Europa, Libro 9 de 29. Libro 9 de 29 - Film Europa
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. .convincing in its arguments, Baer's Dismantling the Dream Factory is a nicely structured work that offers a good mixture of historiography and close analysis. Baer effectively draws on contemporary press and advertising materials to highlight extradiegetic discourses surrounding the films, particularl…y to show how they made their appeals to female viewers. Baer's book is clearly and accessibly written, making it equally useful for teaching purposes and for more advanced scholars of German cinema. German Quarterly Baer has written an original critical view of German cinema after WWII.Unique to this study is Baer's attempt to ground her inquiry in gender theory.The result is a book that reopens the era by examining it from a fresh angle. Baer supports this important study with well-chosen stills. Choice This is a great book, well grounded in the critical literature and contemporary archival sources.The author has an extraordinary eye for detail in her close readings of the films and a profound understanding of the interplay between the diegetic and extra-diegetic elements that make up the meaning of a given film text, as she ranges from discussion of the use of sound to the marketing strategies employed to sell the films under investigation, all of which is located in a detailed understanding of the broader historical context and the German 'national trauma' of the time. Scope .[a] fascinating study.[that] makes a major contribution to a burgeoning field dedicated to the investigation of what was once dismissed. Monatshefte .makes a significant and original contribution, is well researched as well as written, and would lend itself conveniently to the teaching of any of these films.[It] bring[s] to bear theories from Anglo-American film studies as well as German cultural studies and history. The result is a felicitous mixture of theory, cultural-historical context, and informed film readings.Jaimey Fisher, University of California, Davis The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to 'dismantle the dream factory' of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a 'women's cinema' emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents.

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paperback. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release.Acclaimed as postwar Germany's first feminist film, Ula Stoeckl's The Cat Has Ni…ne Lives disappeared from view shortly after its 1968 premiere when its distributor went bankrupt. Although it laid the groundwork for the flourishing feminist cinema that emerged in West Germany and beyond during the 1970s, Stoeckl's vibrant film long remained largely unknown. Yet it is as fresh and relevant today as it was when it debuted half a century ago. Revived at the 2019 Berlin International Film Festival (Berlinale), The Cat Has Nine Lives is now available for the first time on DVD with English subtitles. Posing the question, "Women have never had as many possibilities to do what they want as they have today, but do they know what they want?," Stoeckl's film follows the intertwined stories of five characters to explore the possibilities for and limitations on women's subjectivity, desire, friendship, work, and artistic expression in a society defined by gender inequality. Restoring this singular film to its rightful place as a German film classic, Hester Baer argues that The Cat Has Nine Lives forms an important aesthetic and theoretical precursor to the unfolding cinefeminism of later decades. Restores the first German feminist film, long neglected, to its rightful status as a classic forebear of more recent cinefeminism, demonstrating that the film is as relevant today as it was upon its 1968 release. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, Estados Unidos de AmericaMichener & Rutledge Booksellers, Inc.
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Hardcover. Condición: As New. Estado de la sobrecubierta: No Dust Jacket As Issued. Text clean and tight; no dust jacket; Studies in German Literature Linguistics and Culture; 9.29 X 6.30 X 0.87 inches; 218 pages.

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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 26,32
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Condición: new.

Babylon Berlin, German Visual Spectacle, and Global Media Culture
Baer, Hester (EDT); Barnstone, Deborah Ascher (EDT); Smith, Jill Suzanne (EDT); Haakenson, Thomas O. (EDT)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: As New. Unread book in perfect condition.

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Babylon Berlin, German Visual Spectacle, and Global Media Culture
Baer, Hester (EDT); Barnstone, Deborah Ascher (EDT); Smith, Jill Suzanne (EDT); Haakenson, Thomas O. (EDT)
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