hermann rupf stiftung (13 resultados)

Softcover. Condición: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke. Rectangle and Square provides a comprehensive view of the holdings of Hermann and Margrit Rupf--one of the most important European collections of modern art, not least because many of the works were acquired in the year of their creation. Pieces by Hans Arp, Joseph Beuys, George Braque, André Derain, Lyonel Feininger, Lucio Fontana, Donald Judd, Ilya Kabakov, Wassily Kandinsky and many others are included.

Hardcover. Condición: new. Hardcover. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Condición: NEW.

Hardcover. Condición: Wie neu. Gepflegter, sauberer Zustand. Ungelesen. Sprache - Deutsch.

Hardback. Condición: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Hardcover. Condición: new. Hardcover. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: NEW.

Hardback. Condición: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

Hardback. Condición: New. A special bond Born in Bern, the businessman Hermann Rupf was an avid collector of modern art. In 1907, he was Daniel Henry Kahnweiler's first client at his Gallery in Paris. This catalogue contains previously unpublished archival material from the years 1933 to 1945, when Rupf and Kahnweiler continued their correspondence despite adverse circumstances; from 1940 onwards, their exchanges took place "in the shadow of the crematoria," as Kahnweiler later put it. Supplementary essays offer context to their lengthy correspondence, shed light on art dealings after 1933 and Kahnweiler's work in Paris, and pay tribute to his lifelong friendship with Rupf, whose collection is now in the Kunstmuseum Bern.

4°, Gebundene Ausgabe. Condición: Sehr gut. 1.,. 351 S. Das Buch ist in sehr gutem, sauberen Zustand. ISBN: 9783716513972 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 2172.

351 S. Mit zahlr. farb. Abb. 4°, Orig.-Halbleinenbd. Katalog anlässlich der Ausstellung Rupf Collection - Kubismus im Korridor , Kunstmuseum Bern, 2. Dezember 2005 - 26. Februar 2006. - Sehr gutes Exemplar. 2400 gr.

Condición: new.