Henri evenepoel (18 resultados)

paperback. Condición: Very Good. Editees avec une introduction et des notes par Francis E.Hyslop. Paris (La Renaissance du Livre) nd. Stiff wraps, tattered and worn. Shelf wear and light foxing but internally very good.

Loose Leaf. Condición: New. Reproduction. Original title: Business card of art dealer Pierre Duffau in Paris German: Visitenkarte des Kunsthändlers Pierre Duffau in Paris French: Carte de visite du marchand d'art Pierre Duffau à Paris Spanish: Tarjeta de visita del marchante de arte Pierre Duffau en París High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1882). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Couple sitting on the hills near Paris German: Paar sitzt auf den Hügeln bei Paris French: Couple assis sur les collines près de Paris Spanish: Pareja sentada en las colinas cerca de París High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 19th century (1889). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

4°, softbound, very nice copy. 1. edition. 375 pages, with many illustrations, French text Kein Versand ins EU-Ausland wegen der EPR-Bestimmungen. No shipping to EU-Countries because EPR-Rules. For more information and solutions please contact us. Sprache: Französisch Gewicht in Gramm: 1900.

Condición: Fine. First edition hard back binding in publisher's original colour illustrated stiff card wrap covers [soft back]. 8vo. 9½'' x 7½''. Contains 160 printed pages of text with colour and monochrome illustrations and photographs throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 1854441434 ART [French]. …

Hardcover. Condición: As New. The Parisian career of the Belgian artist Henri Evenepoel was part of that fabulous decade when the French capital was the center of artistic activity. A student of Gustave Moreau at the Ecole des Beaux-Arts, where he was a classmate and friend Matisse, Evenepoel pursued a wide range of activities including poster design, book illustration, printmaking and music sessions with his friends. Throughout his career Evenepoel carried on an active correspondence with his father and friends in his native Brussels. His letters are filled with a wealth of information, including observations on life in the studios and comments on the exhibited works of Manet, Whistler, Redon, and Bonnard among others. His commentary is conveyed with a vividness that characterizes the era from a unique point of view. Professor Hyslop's study of Evenepoel's art is based on a reading of his correspondence and is illustrated with fifty-two of his works in various media, presenting a fascinating picture of the Paris art world of the nineties. This book introduces to a wider audience the work of a highly talented artist whose early death was a loss to 19th century painting.…

Condición: Gut. 8vo. 127, (1) S. Goldgeprägter OLn.-Einband. Einband geringfügig berieben, sonst gutes Exemplar. Mit beiliegender Einladungskarte zur Vernissage.

Original Farblithographie von 1896. Blatt-Maße: ca. 31 x 22 cm. gut erhalten. // Original color lithograph from 1896. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 20.…

Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von 1898. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1898. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de 1898. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf v.…

[Brussel], Gemeentekrediet, [1994]. 375,[1] pp. Col. & b./w. ills. Orig. hardcover (clothbound), d./j. 4to. (Monografiee n over Vlaamse kunst).Dutch text edition. Text by Hubert Coenen, Danielle Derrey-Capon, Gisèle Ollinger-Zinque, et al. - Catalogue of an exhibition held at Koninklijke Musea voor Schone Kunsten, Brussels, 17 March-12 June 1994.…

Antwerpen, Bezige Bij, 2016, in-8°, 511 pp + foto-ills., hardback met originele stofwikkel.

0, @@. #Bruxelles, Editions des Cahiers de Belgique, 1932. 19,5 x 14,5 cm, 24 pp + 31 b/w ill. original stiff wrapper. With a nice authograph dedication by the author to the flemish art critic Johan De Maeght. (In the series; Collection Peintres et SculpteursBelges No. 10).§.

Bruxelles, Editions des Cahiers de Belgique, 1932. 19,5 x 14,5 cm, 24 pp + 31 b/w ill. orig. wrapp. (In the series; Collection Peintres et SculpteursBelges No. 10).

Cadre et passe-partout. Condición: Très bon. Belle épreuve parue dans le numéro 7 (novembre 1897) de l'Estampe Moderne. Notre épreuve porte le timbre sec de l'Estampe Moderne en bas à droite. Parfait état. L'Estampe Moderne a paru de mai 1897 à avril 1899. 33 x 25,5.

Pas de couverture. Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Novembre 1897) | 23 x 33 cm | une feuille | Rare lithographie originale, exécutée par Henri Evenepoel pour L'Estampe Moderne, série numéro 7 publiée en novembre 1897. Une des50 épreuves de grand luxe tirées sur Chine à grandes marges, signature de l'artiste dans la planche,timbre à sec de l'éditeur représentant un profil d'enfant en marge inférieure, contrecollée sur un feuillet de papier vélin avec au dos le tampon numéroté du tirage de luxe, pâles rousseurs marginales, infime manque angulaire sans gravité et petits accros en marge supérieure. Magnifique publication mensuelle française éditée entre mai 1897 et avril 1899,L'Estampe modernese constitue de chromolithographies inédites qui, contrairement à d'autres revues commeLesMaîtres de l'Afficheet tel qu'il est stipulé sur les serpentes, ont été réalisées spécialement par chaque artiste pour la revue. Ce sont ainsi 100 estampes qui paraissent au total, couvrant les courants artistiques majeurs de la fin du XIXème siècle: Symbolisme, Art Nouveau, Préraphaélites, Orientalistes et Belle Epoque. Chaque livraison de quatre estampes est tirée à 2000 exemplaires vendus 3,50F et 100 sur papier Japon proposés à 10F. Henri Piazza prévoit également un tirage confidentiel de très grand luxe: 50 exemplaires sur Japon à grandes marges et 50 en noir sur Chine au prix considérable de 30F. Cette estampe d'un beau format est superbement imprimée sur l'un des plus prestigieux papiers: le Chine. «Malgré toutes ses qualités, le papier de Chine, trop inconsistant, doit sa réputation, non pas à sa propre beauté, mais bien à ses affinités particulières avec l'encre d'impression. Son tissu, lisse et mou tout ensemble, est plus apte qu'aucun autre à recevoir un beau tirage. Cette propriété fait rechercher le papier de Chine pour le tirage des gravures.» (Anatole France). L'intérêt des collectionneurs français pour les affiches artistiques s'amplifie au début des années 1890. Octave Uzanne, pour qualifier cette fièvre invente le terme d'«affichomanie». L'affiche, à l'origine populaire et placardée dans les rues de la capitale, devient alors objet d'art et son support éphémère se fait précieux et voué à la conservation. Piazza décide de soustraire l'affiche à sa vocation publicitaire et de l'élever au rang d'uvre d'art à part entière au même titre que le livre illustré de luxe. Il compose ainsi une collection prestigieuse d'uvres entièrement originales, par les artistes européens les plus en vue du moment: Georges de Feure, Eugène Grasset, Henri Detouche, Emile Berchmans, Louis Rhead, Gaston de Latenay, Lucien Lévy-Dhurmer, Gustave-Max Stevens, Charles Doudelet, Hans Christiansen, Henri Fantin-Latour, Steinlen, Ibels, Engels, Willette, Henri Meunier, Evenepoël, Bellery-Desfontaines, Charles Léandre, etc. Bel exemplaire dans le style Belle époque. | [ENGLISH DESCRIPTION FOLLOWS] Rare original lithograph, executed by Henri Evenepoel for L'Estampe Moderne, series number 7 published in November 1897. One of 50 deluxe proofs printed on China paper with full margins, artist's signature in the plate, publisher's dry stamp showing a child's profile in lower margin, mounted on a sheet of laid paper with numbered luxury edition stamp on verso, pale marginal foxing, tiny harmless corner loss and small tears in upper margin. Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of unpublished chromolithographs which, unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards, were created specially by each artist for the magazine. Thus 100 prints appeared in total, covering the major artistic movements of the late 19th century: Symbolism, Art Nouveau, Pre-Raphaelites, Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe.…

Leather Bound. Condición: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1908. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Vol: - , Pages: - 198, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 198 198.…

Lithographie sur papier vergé et filigrané teinté gris. Signée dans la pierre. 47,5 x 32,7 cm. Deuxième état (avec bouteille), imprimé sur papier vélin par l'éditeur et imprimeur parisien Lemercier. À toutes marges. Bel état. Livres.

Lithographie sur papier simili-japon. 47,5 x 32,7 cm. Premier état très rare (sans la bouteille), imprimé sur papier simili-japon par l'éditeur et imprimeur parisien Lemercier. Légère décoloration. Livres.