hendricks jean (38 resultados)

Condición: Very Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Sixth ] Publisher: Natl Seminars Pubns Pub Date: 6/1/1996 Binding: Paperback Pages: 187 Sixth edition.

Condición: Very Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Fearon Teacher Aids Pub Date: 12/1/1981 Binding: Paperback Pages: 108 First edition.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: very_good. Some light shelf, storage or usage wear present. The interior appears unmarked and the binding is tight. Pictures available upon request. Individually inspected by Scott. Thanks for supporting an independent bookseller!

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Spiral. Condición: Very Good. Slight wear to overflap. Previous owner's stamp on inside back cover. Spine is tight; pgs are unmarked. A very nice copy. Book.

paperback. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. Crisp, clean, bright and tight. Used.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Condición: Very Good. Slight crease to spine. Corners a little rubbed.

85 S. Kartoniert mit Umschlagklappen. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Hardcover. Condición: Very good condition. Third Edition. New Revised Standard Version. xxvii, 1375, 383, 573, Maps pp.

Photopostkarte. Condición: Gut. Alte Postkarte bildseitig von Gertrud Kückelmann und Jean Hendricks, unsigniert. /// Gertrud Christine Franziska Kückelmann (* 3. Januar 1929 in München; ? 17. Januar 1979 ebenda) war eine deutsche Bühnen- und Filmschauspielerin und lieh bekannten internationalen Schauspielerinnen ihre Synchronstimme. Kückelmann verbrachte ihre Schulzeit in München und wurde zunächst als Tänzerin ausgebildet. Als 12-Jährige war sie Ballettschülerin an der Bayerischen Staatsoper und spielte mit 16 Jahren im Gestiefelten Kater. Sie studierte Gesang, begann mit Schauspielunterricht und erhielt 1949 ein langjähriges Engagement bei den Münchner Kammerspiele (bei denen sie etwa in der deutschen Erstaufführung von Max Frischs Andorra 1962 die Barblin spielte). Bis zum Ende ihres Lebens stand Kückelmann auf der Theaterbühne. Dabei gab sie zahlreiche Gastspiele im gesamten deutschsprachigen Raum. Dabei trat sie sowohl in Klassikerrollen als auch im modernen Theaterstücken auf. Selbst nach einer Krebsoperation im Jahr 1978 kehrte sie noch einmal auf die Theaterbühne zurück. Ihr letztes Engagement am Berner Stadttheater konnte sie jedoch nicht mehr antreten. Film Ihre erste kleine Filmrolle erhielt Kückelmann im Märchenfilm Hans im Glück 1949. Nach ihrem zweiten Film Rausch einer Nacht (1950) wurde sie als sogenannte ?Naive? auf die Rolle des ?labilen Mädchens? festgelegt. Aus dieser Schubladisierung konnte sie im Filmgeschäft kaum ausbrechen. Sie drehte Streifen an der Seite von Karlheinz Böhm und Ivan Desny. Als 1956 in Artur Brauners Frucht ohne Liebe das Thema der Künstlichen Befruchtung aufgegriffen wurde und nicht im Sinne der christlichen Kirchen abgehandelt wurde, erntete Kückelmann entschiedene Proteste seitens dieser Institutionen. Da darauf hin Rollen aus Westdeutschland ausblieben, drehte sie ihren letzten Film 1957 mit der ostdeutschen DEFA: Spielbank-Affäre. Danach war ihre Kinokarriere endgültig beendet. Lediglich 1975 erschien sie in einem Film ihres Bruders Norbert Kückelmann, Die Angst ist ein zweiter Schatten, noch einmal auf der Leinwand. Allerdings agierte sie in mehreren Fernsehproduktionen, wo sie häufig den Part der schrulligen Jungfer übernahm. Synchronisation Grabstätte von Gertrud Kückelmann Als Synchronsprecherin lieh sie ihre Stimme u. a. Jane Fonda (Nora (1973, Losey)), Shirley MacLaine (u. a. Das Appartement, Infam (Film)), Virginia Mayo (Venus am Strand), Sie wirkte in ca. 100 Hörspielen mit und las auch einige Märchenaufnahmen und besprach Literatur-Schallplatten sowie Hör-Cassetten (z. B.: Wort und Stimme). Privates Kückelmann war die Tochter des Arztes Heinrich Wilhelm Ludwig Kückelmann und der Schauspielerin Anna Kückelmann geb. Guba. 1968 heiratete sie den Fernsehregisseur Fritz Schuster. Die Ehe wurde 1971 geschieden. 1970 hatte Kückelmann für einige Monate als Krankenpflegerin gearbeitet. Kückelmann hatte eine längere Liebesbeziehung mit dem Schauspieler Oskar Werner, sie lernten sich kennen, als Kückelmann im Film Mozart die Ehefrau des Komponisten, der von Werner dargestellt wurde, spielte. Die beiden arbeiteten öfter zusammen. Laut dem Autor Robert Dachs, einem Werner-Kenner und Freund, war Kückelmann die Schauspielerin, die am meisten mit Oskar Werner zusammengespielt hat. Dachs zitiert in seinem Buch Oskar Werner - Abgründe eines Giganten auch Werners erste Ehefrau Elisabeth Kallina, die die Beziehung Kückelmann-Werner wie folgt kommentiert: ?Das muss man leider sagen: Die Kückelmann hat er auf dem Gewissen! Sie hatte sich unsterblich in ihn verliebt.? Die an Krebs leidende Schauspielerin beging Suizid, indem sie sich am 17. Januar 1979 aus dem Fenster der Wohnung ihres Bruders stürzte. Ihre Grabstelle befindet sich auf dem Waldfriedhof in München /// Standort Wimregal GAD-0182 Sprache: Deutsch Gewicht in Gramm: 10.

21.5 x 14cm. Paperback, 30pp. Undated [introductory text dated August 15, 2005, but the one library holding suggests 2008]. Printed on orange paper, with illustrations. A collection of interviews and texts between curator Jon Hendricks (and others), and the artist Jean Toche, the Belgian-American abstract artist and poet involved in New York's radical political art scene. The publisher's statement on rear states: "we always prioritize the interview as a primary source of information and inspiration". Very good condition.

Paperback. Condición: VG. Large square softcover, stiff wraps, heavily illustrated. 407 pages. French text. VG condition, minor wear to covers not affecting contents. From the library of Jill Johnston, with her stamp in red ink reading "Write first, then live"_ J.J. The late great Jill Johnston (1929-2010) was a radical cultural critic, lesbian feminist, provocateur and champion of avant-gardes. Contains an interview with Ben by Hans Ulrich-Obrist.

Hardcover. Condición: Wie neu. 1. Auflage. Z : 160 Seiten/pages, zahlreiche farbige Abbildungen - Neben seiner Tätigkeit als Architekt, Theoretiker, Literat und Maler blieb das grafische Werk Le Corbusiers stets im Hintergrund. Mit der Bandbreite seiner Themen und Techniken sowie seiner erfindungsreichen stilistischen Formensprache erscheint es in der Kunstgeschichte des 20. Jahrhunderts indes als außergewöhnlich vielschichtiges Oeuvre.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 21,5 x 28 cm, Hardcover, cloth binding, 448 pages, 96 color & 267 b/w illustrations - Voids. A Retrospective is a paradoxical exhibition: by re-actualizing nine empty exhibitions, it is simultaneously an experimental project that refuses the classic rules of the visual arts and an historical object which confronts the projects of Art & Language, Robert Barry, Stanley Brouwn, Maria Eichhorn, Bethan Huws, Robert Irwin, Yves Klein, Roman Ondák, and Laurie Parsons. At once the support and an extension of the event, this publication outlines the concept of the void in art, aesthetics, philosophy, religion, science, popular culture, architecture, and music, and broaches the subject of nothing, of vacuity, of the invisible and the ineffable, of rejection and destruction. Opening with a catalogue section that documents the nine selected historical and contemporary exhibitions, the publication also contains an anthology of more than forty texts, many published here for the first time, as well as contributions by artists created especially for this volume.

Hardcover. Condición: Fine. No Jacket. 1st Edition. [1st ed., 1st printing] ; 256 pages : illustrations, portraits ; 29 cm OCLC 80914154 ; black cloth with gold lettering ; no dustjacket ; The purpose of this book is to preserve the memory of a time what will never be seen again. We extend our sincere thanks to the folks who helped accomplish this purpose by sharing their personal memories ; filled with photos ; FINE. Book.

71 pp.; 25.5 x 21 cm.; glue bound; loose card[s] in envelope; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Essays " "Put me on this train!" An interview with Joseph Beuys," by Art Papier; "The Enigma and Melancholy of Nostalgia," by Jonathan Crary; "Time," by Kathy Acker; "License Action (January 17-18, 1981) Who, me? I don't know nothing. (December 15, 1981) Ron Bled to Death (February 17, 1982)," by the Guerrilla Art Action Group with license to burn books insert; "An Interview with Jean-Marie Straub and Daniele Huillet," by Phil Mariani; "Notes on Expression/Repression," by Margia Kramer; "Essays," by Jenny Holzer; "Glory Gut," by Schuldt; "On the Carnivalesque," by Robert Stam; "Song Paintings," by Paul McMahon and Nancy Chunn; "SOMBA," by Oyvind Fahlstrom; "Governing Authority: Robert Longo's Performance Empire," by Brian Wallis "EMPIRE: A Performance Trilogy," by Robert Longo. Reference : No. A.49 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 310, 309. Very Good. Rubbing of covers and yellowing at spine. Light bumping of corners. Contents clean and unmarked. Includes sealed Guerrilla Art Action Group [GAAG] tipped-in envelope with contents.

Softcover. Condición: Very good. First Edition. Unpaginated, ca. 200 pp, extensively illustrated with photos and facsimiles. Mild creasing to spine; binding sound, text clean. Publisher's description of the 2011 reprint edition: "The book serves as the primary text to the significant work of the activist artist group GAAG (Jon Hendricks, Poppy Johnson, Silvianna, Joanne Stamerra, Virginia Toche and Jean Toche), both as a document of the group 's ideological and logistical concerns, and more broadly as a historical record for 52 of the many political art actions they carried out through the late Sixties and early Seventies. Guided by their belief that art and culture had been corrupted by profit and private interest, GAAG formed in October 1969 as a platform for social struggle. Their work asked how artists could work effectively towards meaningful change, most often through direct provocation and confrontation symbolic, non-violent actions staged in protest and ridicule of the ethical failures by the art and media establishments, as well as the US government. Their activities defied the brutal, close-minded workings of an artistic/political system that traded in dirty money, served the elite, established a trivial cultural canon, and perpetuated bloody wars abroad. GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection collects the manifestos, letters and press communiqués issued by the group (to Nixon, Hoover, The Secretary of Defense, Museum officials, and others). Their missives are printed as facsimiles, alongside other print material, including handwritten expenses, and related documents, that stand as statements of purpose and protest. Photographers Ka Kwong Hui, Joanne Stamerra, Jan Van Raay and others were often on hand as many of the actions unfolded, offering a remarkable and candid visual history to the group s activities and confrontations GAAG: The Guerrilla Art Action Group, 1969-1976: A Selection is a tremendous resource on the important work of the group, providing insight into social action and political art activities with lasting implications. The book stands both as a historical documentation as well as a model for contemporary and future critique and practice.".