Idioma: Inglés
Publicado por Aperture in association with the Victoria and Albert Museum and the Philadelphia Museum of Art, New York, 1984
ISBN 10: 0893811440 ISBN 13: 9780893811440
Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de America
Original o primera edición
EUR 22,00
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st. Cloth, 189 pages, illustrations; 30 cm. Photographs from the Victoria and Albert Museum, London, with selections from the Philadelphia Museum of Art; Royal Archives, Windsor Castle; The Royal Photographic Society, Bath; Science Museum, London; and the Scottish National Portrait Gallery, Edinburgh. Firm binding, clean inside copy. Dust jacket, with a small corner crease/front flap, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "Introduced to the British public in 1839 by its inventor, William Henry Fox Talbot, photography quickly took its place-alongside explorations of new territories, discoveries in science, and expanding horizons in the arts-as an authentic wonder in an age of wonders. The Golden Age of British Photography presents photographs that represent the era, drawn from the extensive collection of the Victoria and Albert Museum and from other major museums and archives. The medium's early history unfolds in 199 images, from one of photography's first successes, Talbot's enchanting view of his breakfast table, to Paul Martin's turn-of-the-century beach scenes, the precursors of today's snapshots. Uninhibited by notions of what the new invention should be, early photographers depicted exotic faraway lands and the disappearing rural landscape, British cathedrals and London slums, the public and private faces of the time, and the newsworthy events that brought the times into view. These images, rarely seen and never before shown together, present photography at its most miraculous, its purest, and its most daring." - Publisher. CONTENTS: Preface; Introduction; The dawning of an age Chauncy Hare Townshend, eyewitness, by Mark Haworth-Booth; The daguerreotype: a new wonder, by Antoine Claudet, Philip Henry Delamotte, Horatio Ross, T. R. Williams; The calotype era: David Octavius Hill and Robert Adamson, Calvert Richard Jones, William Henry Fox Talbot, John Whistler; The circle of William Henry Fox Talbot, by Carolyn Bloore; Picturesque Britain and the industrial age: Roger Fenton, Edward Fox, Robert Howlett, John Dillwyn Llewelyn, Benjamin Brecknell Turner, Henry White; Roger Fenton and the making of a photographic establishment, by Valerie Lloyd; The grand tour: Francis Bedford, Francis Frith, Frank Mason Good, Robert Macpherson, James Robertson; High art photography: in search of an ideal: William Lake Price, Oscar G. Rejlander, Henry Peach Robinson; Exploring the empire: Samuel Bourne, Philip H. Egerton, John Murray, The Royal Engineers, Linnaeus Tripe; Aristocratic amateurs: Julia Margaret Cameron, Lewis Carroll, Clementina, Lady Hawarden; Henry Arthur Herbert, The Rossetti album, David Wilkie Wynfield; Julia Margaret Cameron: Christian pictorialist, by Mike Weaver; Street life: Thomas Annan, Henry Dixon and Alfred and John Bool, John Thomson; The art of photography: fulfilling the vision: James Craig Annan, Peter Henry Emerson, Frederick H. Evans; Peter Henry Emerson: art and solitude, by Ian Jeffrey; James Craig Annan: brave days in Glasgow, by William Buchanan; Paul Martin and the modern era. Size: 4to.
Idioma: Inglés
Publicado por Aperture Foundation, New York, 1994
ISBN 10: 0893816027 ISBN 13: 9780893816025
Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de America
Original o primera edición
EUR 22,00
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Fine. 1st. 78, [2] pages, illustrations (some colour); 29 cm. Aperture (San Francisco, Calif.), no. 136, no. 136 (Summer 1994). Published in conjunction with an exhibition held September 8 through October 29, 1994 at the Museum at FIT, New York City, and at other venues. Firm binding, clean inside copy. Profusely illustrated. *** CONTENTS: From Dada to digital: montage in the twentieth century, by Timothy Druckrey; Eva Sutton; Martina Lopez; Shelly Smith; Anil Melnick; Roshini Kempadoo; Osamu James Nakagawa; Esther Parada; Pedro Meyer's documentary fictions, by Jonathan Green; Wild irises: a Nash editions portfolio, by Vincent Katz; Graham Nash; Robert Heinecken; David Byrne; Jonathan Reff; Eileen Cowin; Olivia Parker; Lynn Butler; Digital imaging and the death of photography, by Geoffrey Batchen; Diane Fenster; Deanne Sokolin; Annette Weintraub; Kathleen Ruiz; Peter Campus; Barbara Kasten; Paul Thorel; The digital museum, by Ben Davis; Virtual reality check: an e-mail interview with Brenda Laurel, by Michael Sand; A defining reality: the photographs of Nancy Burson, by Rebecca Busselle. Size: 4to.
EUR 9,50
Cantidad disponible: 1 disponibles
Añadir al carritoFirst edition, first printing. Very good but somewhat worn paperback exhibition catalogue.