harry bertoia (29 resultados)

Exhibition catalog of the artists's sculpture, paintings, jewelry, chairs, etc. -- Softcover, 56 pages, 8x12 inches. Condition: fine. ISBN 0965459454.

Softcover staple bound, 32 pages, very good condition, except 1-inch crease to cover at spine edge; no internal marks.

Softcover. First Edition; First Printing. Book condition is Very Good in wraps. Minor edgewear. Text is clean and unmarked. Clever front panel makes the reader a participant ala the work of Michelangelo Pistoletto. ; 4to 11" - 13" tall.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover auction catalog,136 pages, very good condition; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Near Fine. 1st Edition.

Two exhibition invites, each 7 x 9 inches and printed band; very good condition; an unmailed copy.

Hardcover with dustjacket, 236 pages, very good condition; some light smudges to dj rear; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Good +. Over 80 Color & B/w Illus Ilustrador. Book cover has a few small smudges/scuffs and outer edges curled outward from use and, otherwise looks bright and presentable. Tight binding, pages very faintly yellowed along edges, otherwise still bright, clean, and crisp. Overall in sturdy condition with interior looking good. Photos available upon request.

303 pp.; 23.5 x 16 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed A history and survey of sound art by Alan Licht. Foreword by Jim O'Rourke. Artists include Harry Bertoia, François Baschet, Bernard Baschet, Jean Tinguely, Michael Snow, Alvin Lucier, Phill Niblock, Paul Panhuysen, Joe Jones, La Monte Young, Yasunao Tone, Hermann Nitsch, Bernhard Leitner, Annea Lockwood, Rolf Julius, Max Neuhaus, Akio Suzuki, Terry Fox, Maryanne Amacher, Charlemagne Palestine, Bill Fontana, Christina Kubisch, Brian Eno, Trimpin, Mike Kelley, Christian Marclay, Carl Michael von Hausswolff, Janet Cardiff, Michael J. Schumacher, Francisco Lopez, Stephen Vitiello, and Steve Roden. Includes a compilation CD with work by Bill Fontana, Steve Roden, Jean Dubuffet, Destroy All Monsters, Anthony Burr and Charles Curtis and Bernhard Gil. Includes artist's biographies, notes, index, and Audio CD Credits. Profusely illustrated in black-and-white and color. Fine. Contents clean and unmarked. Includes Audio CD. Due to large size and weight additional shipping charges will be required for international orders.

Trade Paperback. Condición: Like New. First Edition. First Edition, First Printing. Published by Wright Gallery, 2007. Quarto. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. A fine copy of this exhibition of works by Harry Bertoia. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Hardcover with dustjacket, 270 pages, very good condition, light rubbing to dj; no other internal marks. Foreign shipping may be extra.

Paperback. Condición: Very Good+. First Edition. Color reproductions; 4to 11" - 13" tall; 56 pages; Oversize format paperback in glossy color illustrated covers. Snugly bound and very neat; no marks. Just trace shelf evidence to covers at extremities. Illustrated throughout with color reproductions of the artist's work. VG++ to NF.

Hardcover with price-clipped dustjacket, 138 pages, very good condition except long tear and piece missing to dj at rear top edge; no internal marks. Foreign shipping may be extra.

Condición: New. Over 80 Color & B/w Illus Ilustrador. Satisfaction Guaranteed or your money back.

Condición: Good. 4to. 54 pp. Oblong. Near Fine. Soft Cover. Illustrated paper wraps. Color plates throughout. Extremely Scarce.From the Collection of the Art Historian Peter Selz.

Hardcover. Condición: Very Good. 1st Edition. Undated (c1980) catalog of the Knoll International Collection with hundreds of photographs supplemented with detailed drawings and specifications for Knoll furniture for residences and offices. Catalog is organized as follows, by tab: office seating, side chairs, lounge seating, multiple seating, outdoor furniture, tables, desks/credenzas. Three-ring binder in striped, opaque acrylic covers with title stamped in red, measures approx 12 x12 x2.5" Catalog design uncredited.

Soft cover. Condición: Very Good. This privately published edition was designed by Quentin Fiore and consists of 500 numbered copies. The letterpress sections we set in Aldine Bembo and printed on Rives heavy weight white mould made paper. The plates were printed by offset on Mohawk Superfine Softwhite cover stock. Printed by A. Colish, Inc., of Mount Vernon, New York, under the supervision of Bert Clarke. This copy is number 416. Fifty prints in slipcase with some wear and closed tears.

First Edition. First edition. Softcover. [12 pages.] Exhibition catalog for a show that ran September 26 through November 4, 1977. Features texts by Bertoia who Includes black and white illustrations of spill cast bronze, direct forging, graphics, multiplane construction, wire construction, welded bronzes, and sounding pieces. A clean very near fine copy in stapled wrappers. Scarce, with only 3 copies listed in OCLC.

Condición: Good. 4to. 1 fold-out sheet. Color plates. Light signs of shelf wear. Minor creasing. Very Good.Provenance: From the Collection of Art Historian Peter Selz (1919-2019).

Paperback. Condición: Fine - Used. Estado de la sobrecubierta: None as Issued. Oblong gallery catalog of sculpter's work profusely illustrated in color with foldouts. As new Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Softcover. [12 pages.] Features a brief text about Harry Bertoia and his sculpture and association with Knoll. Includes color illustrations of some of the chairs that he made. A near fine copy in stapled wrappers. Uncommon.

Marketing poster/brochure for Harry Bertoia's line of sculptural steel wire mesh-and-rod chairs for Knoll Associates, published in 1957. Graphic design by Herbert Matter. Folded in eighths as issued. Printed on both verso and recto. Folds to variously showcase and reveal Matter's elongated Knoll trademark "K", a Knoll showroom setting featuring the chairs, a photo of Bertoia amidst his collaged metal sculptures, and product shots with curatorial information for his side chairs, small and large Diamond chairs, high Bird chair and ottoman. In Bertoia's words, "In the sculpture, I am concerned primarily with space, form and the characteristics of metal. In the chairs many functional problems have to be satisfied first?but when you get right down to it the chairs are studies in space, form, and metal, too?If you will look at these chairs you will find that they are mostly made up of air, just like sculpture. Space passes through them." An aside: A photo alongside the product shots shows two Diamond chair seating positions superimposed, indicating flexible seating positions analogous to Lina Bo Bardi's now-famous Bowl Chair, designed around the same time (1951). This is perhaps a lesser-known attribute of Bertoia's iconic design. Measures 19.5" x 23" open. Will ship folded (7" x 9.75"). Light bumping and rubbing to extremities.

Catalogue d'exposition consacré à Harry Bertoia (1915-1978), artiste et designer italo-américain mondialement reconnu pour la Diamond Chair éditée par Knoll. Publié par Silvana Editoriale à l'occasion d'une exposition en Italie, l'ouvrage explore l'ensemble de son ?uvre : sculpture, mobilier, bijoux, dessin et recherches expérimentales sur le métal. Riche iconographie en couleurs et noir & blanc. Textes bilingues italien / anglais. Imprimé en mai 2009. Catalogue institutionnel, diffusion spécialisée. Absence d'ISBN imprimé (édition d'exposition). Exemplaire en très bon état général. Intérieur frais et complet. Très légères traces superficielles à la couverture sans gravité. Bel ouvrage pour collectionneur de design moderniste et mobilier du XXe siècle.

Erste Auflage. 31 x 23,5 cm. 270 S., 1 Blatt. OLeinen mit illustriertem OUmschlag. Einbandkanten mit kleinen Bereibungen, kurze private Widmung auf der letzten Seite. Sonst gutes bis sehr gutes Exemplar. Durchgehend mit Abbildungen zum vielfältigen Werk von Harry Bertoia - Design, Möbel, Skulpturen - versehen. Text in englischer Sprache.

Softcover. Condición: Fine condition. First limited edition. 172/500. Folio (12 5/8 x 9 7/8" Images 8 1/2 x 6 5/8")). Original stiff plain white wraps in original brown heavy handmade paper dustjacket with gilt lettering on cover. Housed in original plain light brown paper slipcase. Frontispiece photograph of Bertoia by Joseph Seraphin. Complete portfolio of fity unbound plates. Privately publishe edition designed by Quentin Fiore. The letterpress sections were set in Aldine Bembo and printed on Rives heavy weight mould made paper. The plates were printed by offset on Mohawk Superfine Softwhite cover stock. Printed by A. Colish, Inc. of Mount Vernon, New York, under the supervision of Bert Clarke "Thirty five years ago in a small beach house by the Pacific Ocean on the Coast of California, this book began to take its form. It was my intent to explore a technical means that would permit me to work with great rapidity. I had done a considerable amount of experimentation with materialsthat were on hand and processes that would evolve in the course of action. All this points to a technical development needed to permit the fluidity of thought to evolve from page to page without disruption or discontinuity. Speed of execution being essential, it became possible by drawing in the back side of paper using fingers, thumb, palm and various tools made of wood or metal. The ink was rolled on glass. Pressure picked up the ink in a granular way, which I liked. Technique and image were developing along parallel lines, interacting and transmogrifying no end. The whole sequence of fifty pages came into being, in about twenty-four hours of uninterrupted work. (Bertoia).

Condición: New/Sealed. vinyl record LP. black & white illustrated record sleeve w/ text. Sculptor Harry Bertoia's experimental, ambient sound recordings. Factory Sealed LPs. LPS 10570. Back sleeve photo by Guy Tomme. "Sonambient is the name of a series of vinyl LP albums recorded, designed, produced and released by mid-century modern sculptor Harry Bertoia himself. Known for his architectural design as well as his sculptural-style art work. In the later period of his career, he began to focus on sculpture that interacted with viewers and/or the elements, like the wind and weather, and as he built smaller pieces in his studio, he began to explore the ways in which the metal and other materials could be manipulated by hand to produce sound. By stretching, bending, striking, and in other ways moving the materials, he made them respond to wind and/or to touch to create different sounds or tones, which he then taught himself to "play", and recorded a series of pieces which he later released as this series of LPs. He also performed with the pieces in a number of concerts. --wikipedia.

No Binding. Condición: Very Good. TWO SEPARATE COLOR EXHIB. CARDS, ONE 6by14, ONE 4by8, each folded, to make 4 & 2 sides, very scarce.NO SCANS.(VVtvbk4).

Bertoia, Harry. UNTITLED MONOTYPE (American, 1915-1978). Ink on rice paper, circa 1970. Unique. Unsigned, Inscribed 453 in ink, lower right. 25 x 12 inches, framed to 30 x 16 inches. In excellent condition.The following is from the section on Monotypes on the website of the Bertoia Foundation:"Bertoia developed his own style of creating monographics at Cranbrook Academy of Art in Bloomfield Hills, and never worked with, or even met, other printmakers.He would ink up a glass surface, place rice paper on the glass, and then create designs with fingers or hand tools from the backside of the paper. Each "print" is unique never reproductions of another and there are thousands of them. When Bertoia, looking for critique and direction, sent about 100 monotypes to Hilla Rebay at the Guggenheim Museum of Non-Objective Art in 1943, he was quite shocked when she asked to purchase the entire stock. He was up half the night determining a fee, and finally set $1000 as his compensation. When the subsequent Guggenheim show included many of his prints, Bertoia's name gained recognition.Bertoia loved the quickness and spontaneity of the medium of his graphics. While sculptures took weeks or months to produce, monotypes came to life in mere minutes. The series of 50 monotypes reproduced in the Harry Bertoia Fifty Drawings book "came into being in about twenty-four hours of uninterrupted work." Most, if not all, of Bertoia's designs, whether they are chairs or sculptures or tonals, were born on paper first. He started the monotypes in 1939 and continued throughout his life.".